{"id":17985,"date":"2025-10-20T14:21:02","date_gmt":"2025-10-20T13:21:02","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17985"},"modified":"2025-10-20T14:21:02","modified_gmt":"2025-10-20T13:21:02","slug":"les-chardin-des-marcille-une-passion-orleanaise","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-chardin-des-marcille-une-passion-orleanaise\/","title":{"rendered":"\u00a0Les Chardin des Marcille. Une passion orl\u00e9anaise"},"content":{"rendered":"\n

Rarement un tableau n\u2019a autant attis\u00e9 les passions que Le Panier de fraises des bois<\/em> (1761) de Jean Sim\u00e9on Chardin, quintessence de la peinture fran\u00e7aise, mis en vente en 2022 et acquis \u00e0 un prix record par le mus\u00e9e du Louvre apr\u00e8s \u00eatre rest\u00e9 depuis le milieu du XIXe<\/sup> si\u00e8cle dans la prestigieuse collection de l\u2019Orl\u00e9anais Eudoxe Marcille (1814-1890).<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Son nom \u00e0 lui seul \u00e9voque celui de Chardin. Son p\u00e8re, Fran\u00e7ois Marcille (1790-1856), issu d\u2019une famille de courtiers en graines de la Beauce, s\u2019\u00e9tait int\u00e9ress\u00e9 en visionnaire, d\u00e8s 1822, \u00e0 tous ces artistes du temps de Louis XV que plus personne ne regardait, jusqu\u2019\u00e0 r\u00e9unir la plus grande collection de son temps, riche de 4500 \u0153uvres o\u00f9 se trouvaient par dizaines les Boucher, Fragonard, Greuze, Prud\u2019hon et G\u00e9ricault\u2026 et, au-dessus des autres, trente Chardin. <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Cette passion d\u00e9vorante a \u00e9t\u00e9 transmise avec sa collection \u00e0 ses deux fils, Eudoxe et Camille. Camille, devenu conservateur du mus\u00e9e de Chartres, et Eudoxe, directeur du mus\u00e9e d\u2019Orl\u00e9ans de 1870 \u00e0 1890, ont continu\u00e9 de promouvoir l\u2019\u0153uvre de Chardin, rachetant m\u00eame \u00e0 la mort de leur p\u00e8re, au-del\u00e0 des \u0153uvres qu\u2019il avait d\u00e9sign\u00e9es pour chacun, ce qui pouvait continuer d\u2019\u00eatre r\u00e9uni de ce noyau id\u00e9al. Tr\u00e8s naturellement, les fr\u00e8res Goncourt, grands biographes des artistes du XVIIIe<\/sup>\u00a0si\u00e8cle, puiseront dans cette collection de r\u00e9f\u00e9rence, o\u00f9 est repr\u00e9sent\u00e9 l\u2019ensemble de la carri\u00e8re de Chardin, pour \u00e9crire en 1863 la premi\u00e8re biographie du peintre des natures mortes silencieuses et des garde-manger.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Chardin \u00e9tait chez lui \u00e0 Orl\u00e9ans et, d\u2019une certaine fa\u00e7on, l\u2019\u00e9tait depuis toujours. Son amiti\u00e9 avec Aignan Thomas Desfriches (1715-1800), l\u2019entrepreneur qui avait fait d\u2019Orl\u00e9ans au XVIIIe<\/sup>\u00a0si\u00e8cle une capitale artistique, se lisait jusque dans le foulard \u00e0 carreaux que Chardin porte dans son autoportrait, provenant de chez Desfriches. Desfriches poss\u00e9dait lui-m\u00eame de nombreux tableaux de Chardin. \u00c0 sa suite, Casimir de Cypierre (1783-1844), fils de l\u2019intendant d\u2019Orl\u00e9ans sous Louis XVI, dont un quai porte le nom, en poss\u00e9dait au moins trois. Fran\u00e7ois Marcille et son fils Eudoxe allaient continuer de nourrir cette passion orl\u00e9anaise. <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Autour du pr\u00eat exceptionnel du Panier de fraises des bois, cinq autres Chardin provenant de la mythique collection des Marcille sont r\u00e9unis pour la premi\u00e8re fois depuis la r\u00e9trospective de 1979. Ils sont accompagn\u00e9s de l\u2019Autoportrait aux b\u00e9sicles, acquisition \u00e9v\u00e9nement qui a permis en 1991 de faire entrer dans le cabinet des pastels cet artiste cher au c\u0153ur d\u2019Orl\u00e9ans, mais dont seul le souvenir habitait les collections. Chardin, plus que jamais, est chez lui au mus\u00e9e d\u2019Orl\u00e9ans que cette famille d\u2019amateurs discrets a contribu\u00e9 \u00e0 \u00e9lever, par ses recherches pour Fran\u00e7ois, par vingt ans au service de ses collections pour Eudoxe, en lieu de red\u00e9couverte et de partage.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Rarement un tableau n\u2019a autant attis\u00e9 les passions que Le Panier de fraises des bois (1761) de Jean Sim\u00e9on Chardin, quintessence de la peinture fran\u00e7aise, mis en vente en 2022 et acquis \u00e0 un prix record par le mus\u00e9e du Louvre apr\u00e8s \u00eatre rest\u00e9 depuis le milieu du XIXe si\u00e8cle dans la prestigieuse collection de l\u2019Orl\u00e9anais Eudoxe Marcille […]<\/p>\n","protected":false},"author":6,"featured_media":17992,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-17985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\n\u00a0Les Chardin des Marcille. 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