{"id":17909,"date":"2025-09-08T10:38:35","date_gmt":"2025-09-08T09:38:35","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17909"},"modified":"2025-09-08T10:38:35","modified_gmt":"2025-09-08T09:38:35","slug":"lesprit-du-trait","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lesprit-du-trait\/","title":{"rendered":"L\u2019Esprit du Trait"},"content":{"rendered":"\n

Le Mus\u00e9e des Beaux-Arts de Marseille pr\u00e9sente \u00ab\u00a0L\u2019Esprit du Trait\u00a0\u00bb, une remarquable collection particuli\u00e8re, constitu\u00e9e d\u2019une centaine de dessins fran\u00e7ais datant du XVIIe au d\u00e9but du XIXe si\u00e8cles.<\/strong><\/p>\n\n\n\n

Le Mus\u00e9e des Beaux-Arts de Marseille a choisi de mettre en lumi\u00e8re une collection d\u2019exception, fruit de la passion d\u2019un collectionneur qui, au fil des d\u00e9cennies, a r\u00e9uni une centaine de dessins fran\u00e7ais du XVIIe au d\u00e9but du XIXe si\u00e8cle dont le fil conducteur est la Provence. Cet ensemble in\u00e9dit t\u00e9moigne d\u2019un int\u00e9r\u00eat profond pour les artistes ayant exerc\u00e9 en Provence, qu\u2019ils soient natifs de la r\u00e9gion ou qu\u2019ils y aient s\u00e9journ\u00e9.<\/p>\n\n\n\n

En rassemblant aux c\u00f4t\u00e9s de figures embl\u00e9matiques telles que Pierre Puget, Michel-Fran\u00e7ois Dandr\u00e9-Bardon, Jean-Antoine Constantin, des artistes moins connus r\u00e9cemment red\u00e9couverts par la recherche – comme Joseph Andr\u00e9 Cellony, Paul Gr\u00e9goire ou David de Marseille – l\u2019exposition offre un panorama fascinant de la cr\u00e9ation sous l\u2019Ancien R\u00e9gime en Provence, qui, id\u00e9alement plac\u00e9e au coeur des r\u00e9seaux artistiques entre Paris et l\u2019Italie, fut extraordinairement r\u00e9ceptive aux \u00e9volutions des grands courants artistiques.<\/p>\n\n\n\n

\"\"<\/a>
Michel-Honor\u00e9 Bounieu (Marseille, 1739 – Paris, 1814)\nLa Confidence, 1783, Aquarelle sur traits de graphite, trait d\u2019encadrement \u00e0 la plume et encre brune\n\u00a9 Ville de Marseille, mus\u00e9e des Beaux-Arts\/Claude Almodovar<\/figcaption><\/figure>\n\n\n\n

Une histoire du dessin en Provence sous l’ancien r\u00e9gime <\/h3>\n\n\n\n

S\u2019appuyant sur les grands axes constitutifs de sa collection, les expositions du Mus\u00e9e des Beaux-Arts abordent l\u2019histoire des arts en Provence, en les repla\u00e7ant dans la richesse de leur contexte national et international.
Cette exposition est une invitation \u00e0 d\u00e9couvrir deux si\u00e8cles de cr\u00e9ation en Provence par le biais du dessin, pratique qui nous place au plus proche du processus cr\u00e9atif de l\u2019artiste. Cette pr\u00e9sentation constitue \u00e0 la fois une \u00e9tape incontournable pour les passionn\u00e9s d\u2019art graphique, ou d\u2019histoire, tout en offrant au grand public une occasion rare de d\u00e9couvrir des oeuvres que leur fragilit\u00e9 rend souvent inaccessibles.
Elle s\u2019articule autour d\u2019un parcours chronologique et th\u00e9matique mat\u00e9rialis\u00e9 en plusieurs sections : Le baroque en Provence, les ornemanistes d\u00e9corateurs, Dandr\u00e9-Bardon, figure tut\u00e9laire, Exempla virtutis, la figuration nouvelle de la vertu, Entre l\u2019Italie et la Provence, l\u2019\u00e9panouissement du paysage, et Constantin d\u2019Aix, un ma\u00eetre proven\u00e7al, etc.<\/em><\/p>\n\n\n\n

\"\"<\/a>
Michel-Fran\u00e7ois Dandr\u00e9-Bardon (Aix-en-Provence, 1700 – Paris, 1785)\nLe Sommeil, ou Figure de jeune femme \u00e9plor\u00e9e, Sanguine sur papier\n\u00a9 Ville de Marseille, mus\u00e9e des Beaux-Arts\/Claude Almodovar<\/figcaption><\/figure>\n\n\n\n

La passion du dessin incarn\u00e9e par une collection<\/h3>\n\n\n\n

\u00ab Mon souhait \u00e9tait de traduire l\u2019ambigu\u00eft\u00e9 f\u00e9conde qui existe dans le terme disegno italien, qui peut signifier \u00e0 la fois le \u2018dessein\u2019 et le \u2018dessin\u2019. \u00bb<\/em>
Depuis plusieurs d\u00e9cennies, entre Paris et Aix-en-Provence, ce collectionneur passionn\u00e9 de dessin rassemble avec exigence et passion ces feuilles rares, guid\u00e9 par une fascination pour le trait et sa force \u00e9vocatrice.
\u00ab L\u2019\u00e9conomie de moyens, et la fa\u00e7on dont l\u2019artiste est capable d\u2019en tirer parti\u2026 Pas de couleur, \u00e0 peine un peu de craie\u2026 Et malgr\u00e9 cela, quelle libert\u00e9 de cr\u00e9ation et d\u2019invention ! \u00bb<\/em>
Son parcours ne le pr\u00e9destinait pourtant pas au dessin ancien :
\u00ab C\u2019est l\u2019aboutissement d\u2019un chemin qui ne doit rien \u00e0 l\u2019\u00e9vidence et beaucoup au hasard ! [\u2026] J\u2019ai pris des chemins de traverse et sans doute \u2018perdu\u2019 beaucoup de temps par rapport \u00e0 d\u2019autres collectionneurs. \u00bb<\/em>
C\u2019est lors d\u2019un s\u00e9jour \u00e0 l\u2019\u00e9tranger qu\u2019il r\u00e9alise l\u2019importance de cet h\u00e9ritage artistique et d\u00e9cide d\u2019ancrer sa collection en Provence :
\u00ab Le d\u00e9clic s\u2019est produit alors que je vivais loin de la France. [\u2026] Mon choix \u00e9tait fait : la Provence, les dessinateurs originaires de Provence plus exactement, seraient au coeur de ma collection d\u00e9sormais. \u00bb<\/em><\/p>\n\n\n\n

\"\"<\/a>
Jean-Antoine Constantin, dit Constantin d\u2019Aix (Marseille, 1756 – Aix-en-Provence, 1844)\nPersonnages au bord d\u2019une rivi\u00e8re, vers 1780-1800, Plume et encre noire, lavis gris sur papier\n\u00a9 Ville de Marseille, mus\u00e9e des Beaux-Arts\/Claude Almodovar<\/figcaption><\/figure>\n\n\n\n

Le Mus\u00e9e des Beaux-Arts de Marseille<\/strong><\/p>\n\n\n\n

Exposition jusqu’au 21 septembre 2025<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Mus\u00e9e des Beaux-Arts de Marseille pr\u00e9sente \u00ab\u00a0L\u2019Esprit du Trait\u00a0\u00bb, une remarquable collection particuli\u00e8re, constitu\u00e9e d\u2019une centaine de dessins fran\u00e7ais datant du XVIIe au d\u00e9but du XIXe si\u00e8cles. Le Mus\u00e9e des Beaux-Arts de Marseille a choisi de mettre en lumi\u00e8re une collection d\u2019exception, fruit de la passion d\u2019un collectionneur qui, au fil des d\u00e9cennies, a […]<\/p>\n","protected":false},"author":6,"featured_media":17910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-17909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nL\u2019Esprit du Trait Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le Mus\u00e9e des Beaux-Arts de 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