{"id":17634,"date":"2025-05-09T11:07:01","date_gmt":"2025-05-09T10:07:01","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17634"},"modified":"2025-05-09T11:07:01","modified_gmt":"2025-05-09T10:07:01","slug":"ruhlmann-decorateur","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/ruhlmann-decorateur\/","title":{"rendered":"Ruhlmann d\u00e9corateur"},"content":{"rendered":"\n

Le mus\u00e9e des Arts d\u00e9coratifs c\u00e9l\u00e8bre le centenaire de l\u2019Art d\u00e9co avec un focus in\u00e9dit d\u00e9di\u00e9 \u00e0 Jacques-\u00c9mile Ruhlmann, d\u00e9corateur exceptionnel, v\u00e9ritable triomphateur de l\u2019Exposition internationale des arts d\u00e9coratifs de 1925. <\/strong><\/p>\n\n\n\n

\u00c0 travers pr\u00e8s de soixante-dix pi\u00e8ces, dont vingt-six carnets de dessins et plus de quarante papiers peints, mais aussi des textiles et des photographies, \u00ab <\/small>Ruhlmann d\u00e9corateur <\/small>\u00bb met en lumi\u00e8re une facette m\u00e9connue de cet artiste visionnaire : son talent pour concevoir des rev\u00eatements muraux et des tissus en harmonie avec ses cr\u00e9ations mobili\u00e8res.<\/p>\n\n\n\n

Ce focus inaugure le cabinet des Dessins, Papiers peints et Photographies, un espace intime qui met en lumi\u00e8re des tr\u00e9sors issus des collections du mus\u00e9e, am\u00e9nag\u00e9 gr\u00e2ce au soutien de Sakurako et de William Fisher, en l\u2019honneur d\u2019H\u00e9l\u00e8ne David-Weill et de Maggie Bult.<\/p>\n\n\n

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Jacques-Emile Ruhlmann\npour la Soci\u00e9t\u00e9 anonyme des Anciens Etablissements Desfoss\u00e9 & Karth, Papier peint \u00e0 motif r\u00e9p\u00e9titif, 1917. Papier, impression au cylindre, Inv. 52391.70. \u00a9 Les Arts D\u00e9coratifs<\/figcaption><\/figure>\n<\/div>\n\n\n

Jacques\u2011\u00c9mile Ruhlmann (1879\u20111933), figure embl\u00e9matique de l\u2019Art d\u00e9co, est avant tout c\u00e9l\u00e9br\u00e9 pour ses meubles d\u2019exception mais son g\u00e9nie cr\u00e9atif va bien au\u2011del\u00e0. Dans ses d\u00e9cors int\u00e9rieurs, il orchestre une parfaite harmonie entre mobilier, textiles et rev\u00eatements muraux. Lors de l\u2019Exposition internationale des arts d\u00e9coratifs et industriels modernes de 1925, ses cr\u00e9ations s\u2019imposent comme des r\u00e9f\u00e9rences majeures, faisant de lui l\u2019un des d\u00e9corateurs les plus admir\u00e9s de son \u00e9poque. Ruhlmann se forme aupr\u00e8s de son p\u00e8re qui dirige une entreprise de peinture, papiers peints et miroiterie. Il en h\u00e9rite en 1907, ce qui lui permet de financer ses r\u00eaveries esth\u00e9tiques. Les projets de rev\u00eatements qu\u2019il invente, ou que d\u2019autres, comme Henri St\u00e9phany, cr\u00e9ent pour lui, servent aussi bien pour du papier peint que pour du textile. Ils peuvent \u00eatre \u00e9dit\u00e9s dans sa propre entreprise, Ruhlmann et Laurent, ou confi\u00e9s \u00e0 des manufactures sp\u00e9cialis\u00e9es.<\/p>\n\n\n

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Parall\u00e8lement, l\u2019exposition pr\u00e9sente des papiers peints que Ruhlmann a r\u00e9alis\u00e9s en collaboration avec les manufactures Desfoss\u00e9 & Karth et\u00a0ESSEF. Les projets gouach\u00e9s et les petits \u00e9chantillons qui pr\u00e9parent les grands l\u00e9s de papiers peints, g\u00e9om\u00e9triques, floraux ou abstraits, permettent de d\u00e9couvrir les diff\u00e9rentes \u00e9tapes de leur cr\u00e9ation, et les variations de couleurs propos\u00e9es. Ils indiquent parfois les techniques d\u2019impression utilis\u00e9es, telles que l\u2019impression \u00e0 la planche de bois ou au cylindre.<\/p>\n\n\n

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Jacques-\u00c9mile Ruhlmann – D\u00e9cor d\u2019une chambre, page de carnet\n\u00a9 Les Arts D\u00e9coratifs<\/figcaption><\/figure>\n<\/div>\n\n\n

Ruhlmann \u00e9ditait lui\u2011m\u00eame des papiers peints de moindre qualit\u00e9. Il participe ainsi \u00e0 la d\u00e9coration de la nouvelle Cit\u00e9 Universitaire Internationale de Paris, entre 1924 et 1933. Des chambres d\u2019\u00e9tudiants de trois importantes Fondations ont \u00e9t\u00e9 orn\u00e9es de papiers de la firme Ruhlmann et Laurent, qui se trouvait au 27, rue de Lisbonne \u00e0 Paris. Des reproductions photographiques de la Maison des Provinces de France, tir\u00e9es des archives de la Cit\u00e9, offrent un t\u00e9moignage du confort moderne et de l\u2019intimit\u00e9 des pi\u00e8ces. Elles permettent de montrer en situation les papiers peints orn\u00e9s de cellules fleuries et de roses stylis\u00e9es et de constater l\u2019harmonie qu\u2019ils forment avec le mobilier contemporain et les tissus d\u2019ameublement.<\/p>\n\n\n

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Des photographies historiques de l\u2019H\u00f4tel du collectionneur de l\u2019Exposition de 1925, surnomm\u00e9 le Pavillon Ruhlmann, montrent la capacit\u00e9 du cr\u00e9ateur \u00e0 faire \u0153uvre d\u2019ensemblier. Les vues du grand salon frappent par la coh\u00e9rence, le luxe et l\u2019originalit\u00e9 de la pens\u00e9e de Ruhlmann. De nombreux artistes et artisans participent au projet, dont il est le chef d\u2019orchestre. Jean Lambert\u2011Rucki donne ainsi un dessin animalier r\u00e9jouissant, o\u00f9 la stylisation devient humoristique, pour un bahut fabriqu\u00e9 par les ateliers Ruhlmann mais laqu\u00e9 par Jean Dunand. De m\u00eame, un \u00e9clatant damas bicolore ornait les murs du grand salon et de la chambre \u00e0 coucher\u00a0: il a \u00e9t\u00e9 fabriqu\u00e9 \u00e0 Lyon par Cornille fr\u00e8res \u00e0 partir d\u2019un projet d\u2019Henry St\u00e9phany, collaborateur de Ruhlmann et grand fournisseur de mod\u00e8les de papier peint.<\/p>\n\n\n

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La num\u00e9risation compl\u00e8te des carnets de Jacques-\u00c9mile Ruhlmann \u00a9 Christophe Delli\u00e8re<\/figcaption><\/figure>\n<\/div>\n\n\n

Les vingt\u2011six carnets de croquis, que la veuve de Ruhlmann a l\u00e9gu\u00e9s au mus\u00e9e en 1959, donnent \u00e0 voir toute l\u2019inventivit\u00e9 et la fantaisie du d\u00e9corateur qui pense le crayon ou la plume \u00e0 la main. Au fil de ses journ\u00e9es, il y consigne ce qu\u2019il voit, comme des paysages ou des personnages croqu\u00e9s sur le vif, aussi bien que ce qu\u2019il con\u00e7oit. Partout se glissent des motifs graphiques, d\u2019un trait volontairement trembl\u00e9, o\u00f9 le g\u00e9om\u00e9trique se fait al\u00e9atoire et vibrant\u00a0: ils servent ensuite indistinctement \u00e0 orner des tapis, rev\u00eatir des murs, animer une marqueterie\u2026<\/p>\n\n\n\n

La num\u00e9risation compl\u00e8te de ces carnets permet au public d\u2019explorer en d\u00e9tail ces tr\u00e9sors. Deux fac\u2011simil\u00e9s viennent enrichir l\u2019exp\u00e9rience en permettant au visiteur de se plonger dans ces esquisses et ces r\u00e9flexions.<\/p>\n\n\n\n

\u00c0 travers les dessins et les projets de papiers peints, pour la plupart in\u00e9dits, cette exposition\u2011dossier r\u00e9v\u00e8le toute l\u2019originalit\u00e9 de la pens\u00e9e ornementale de Ruhlmann, dont l\u2019h\u00e9ritage est durable dans le monde du design.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

MAD – Mus\u00e9e des Arts d\u00e9coratifs,<\/strong> 107 rue de Rivoli, 75001 Paris<\/p>\n\n\n\n

Exposition jusqu’au \u00a001\/06\/2025<\/p>\n","protected":false},"excerpt":{"rendered":"

Le mus\u00e9e des Arts d\u00e9coratifs c\u00e9l\u00e8bre le centenaire de l\u2019Art d\u00e9co avec un focus in\u00e9dit d\u00e9di\u00e9 \u00e0 Jacques-\u00c9mile Ruhlmann, d\u00e9corateur exceptionnel, v\u00e9ritable triomphateur de l\u2019Exposition internationale des arts d\u00e9coratifs de 1925. \u00c0 travers pr\u00e8s de soixante-dix pi\u00e8ces, dont vingt-six carnets de dessins et plus de quarante papiers peints, mais aussi des textiles et des photographies, […]<\/p>\n","protected":false},"author":6,"featured_media":17637,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-17634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nRuhlmann d\u00e9corateur Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le mus\u00e9e des Arts 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