{"id":17389,"date":"2025-01-25T14:14:33","date_gmt":"2025-01-25T13:14:33","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17389"},"modified":"2026-01-06T11:17:51","modified_gmt":"2026-01-06T10:17:51","slug":"le-char-de-lamour-pendulette-en-bronze","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-char-de-lamour-pendulette-en-bronze\/","title":{"rendered":"Le Char de l’Amour –\u00a0Pendulette en bronze"},"content":{"rendered":"\n

Ravissante Pendulette  de bureau ou d’alc\u00f4ve en bronze \u00e0 double patine brune et dor\u00e9e finement cisel\u00e9 mettant en sc\u00e8ne un Ch\u00e9rubin<\/em> r\u00eaveur lov\u00e9 dans un Char en forme de Conque marine <\/em>par\u00e9e sur son corps de riches motifs<\/em> Rocaille<\/em> et guirlandes fleuries<\/em>.<\/strong> Ce dernier, attel\u00e9 \u00e0 un couple de v\u00e9nusiennes Colombes <\/em>volant au-dessus des nu\u00e9es. Le mouvement et le cadran sign\u00e9 \u00ab\u00a0Susse Fr\u00e8res\/Paris<\/em>\u00a0\u00bb inscrit dans la roue du Char. La composition sculpturale sur une base ovale en marbre \u00ab\u00a0Fleur de P\u00eacher<\/em>\u00ab\u00a0. Mod\u00e8le d\u00e9riv\u00e9 du Char de L’Aurore<\/em>, statuette en bronze pr\u00e9sent\u00e9e par Auguste Moreau au Salon des Artistes Fran\u00e7ais <\/em>de 1893 . Paris, dernier tiers du XIXe si\u00e8cle. Circa 1890.<\/p>\n\n\n\n

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Le Char de l’Amour –\u00a0Pendulette en bronze.
(c) Galerie Anticomania<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Charme, po\u00e9sie d\u00e9finissent cette ravissante petite pi\u00e8ce horlog\u00e8re d\u00e9clinant, sur un mode\u00a0n\u00e9o-rococo<\/em>, un sujet all\u00e9gorique des plus oniriques:\u00a0Le Char de L’Amour<\/em>.
Socl\u00e9e sur une base ovale en marbre\u00a0\u00ab\u00a0Fleur de P\u00eacher<\/em>\u00ab\u00a0,\u00a0elle livre \u00e0 notre regard d’embl\u00e9e s\u00e9duit une exquise composition sculpturale r\u00e9alis\u00e9e en bronze \u00e0 double patine d\u00e9licatement cisel\u00e9. D’une conception aussi originale qu’harmonieuse, cette derni\u00e8re met en sc\u00e8ne ,gracieusement lov\u00e9 dans un\u00a0rutilant\u00a0Char\u00a0<\/em>en forme de\u00a0Conque<\/em>\u00a0marine<\/em>, un\u00a0mignon\u00a0Ch\u00e9rubin<\/em>\u00a0aux formes potel\u00e9es mod\u00e9l\u00e9es avec suavit\u00e9. Saisi dans une attitude tout \u00e0 la vive et r\u00eaveuse, ce\u00a0souriant et\u00a0z\u00e9l\u00e8 Messager de\u00a0V\u00e9nus<\/em>, d\u00e9esse de\u00a0L’Amour\u00a0<\/em>fait mine de suivre la progression du divin v\u00e9hicule\u00a0 emport\u00e9 par un\u00a0couple de Colombes\u00a0<\/em>voletant , ailes d\u00e9ploy\u00e9es, au-dessus\u00a0 de nu\u00e9es\u00a0 aux ondoiements stylis\u00e9s.<\/p>\n\n\n\n

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Le Char de l’Amour –\u00a0Pendulette en bronze.
(c) Galerie Anticomania<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Ourl\u00e9, par\u00e9 sur ses profils, ses renflements d’ enveloppants\u00a0et opulents\u00a0motifs\u00a0Rocaille<\/em>\u00a0<\/strong>(demi-coquilles \u00e0 bords ond\u00e9s<\/em>,\u00a0coquille-palmette en \u00e9ventail<\/em>,\u00a0agrafes,\u00a0<\/em>retroussis<\/em>,\u00a0crossettes<\/em>\u00a0et volutes d’acanthe\u00a0<\/em>ou de\u00a0palmes feuillag\u00e9s\u00a0<\/em>)\u00a0agr\u00e9ment\u00e9s de\u00a0guirlandes fleuries\u00a0<\/em>et\u00a0jonch\u00e9es\u00a0\u00a0<\/em>\u00e9parses\u00a0de boutons de rose\u00a0<\/em>– tout comme les\u00a0Colombes<\/em>, attributs v\u00e9nusiens -, le corps du\u00a0Char<\/em>\u00a0sert d’\u00e9crin en sa partie basse simulant une\u00a0roue <\/em>au mouvement et cadran circulaire \u00e9maill\u00e9 blanc de la pendule.\u00a0Indiquant les heures, les minutes en chiffres romains et arabes\u00a0par deux aiguilles en bronze reperc\u00e9 et dor\u00e9,\u00a0ce dernier porte la signature de \u00ab\u00a0Susse Fr\u00e8res\/ Paris<\/em>\u00ab\u00a0-,\u00a0\u00e9m\u00e9rites\u00a0 Editeurs et Fondeurs de Bronzes d’art de la capitale parisienne du XIXe si\u00e8cle dont la renomm\u00e9e court toujours.
<\/p>\n\n\n\n

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Le Char de l’Amour –\u00a0Pendulette en bronze. (c) Galerie Anticomania<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Estampill\u00e9e des m\u00eames protagonistes au revers du listel moulur\u00e9 sertissant la composition sculpturale,\u00a0cette pi\u00e8ce horlog\u00e8re d’une charmante inventivit\u00e9 adapte \u00e0\u00a0l’objet-pendule<\/em>\u00a0<\/em><\/strong>un des \u00e9l\u00e9ments constitutifs de l’effigie en bronze pr\u00e9sent\u00e9e par Auguste Moreau\u00a0(Dijon, 1834-Malherbes, 1917) au Salon des Artistes Fran\u00e7ais de 1893
<\/p>\n","protected":false},"excerpt":{"rendered":"

Ravissante Pendulette  de bureau ou d’alc\u00f4ve en bronze \u00e0 double patine brune et dor\u00e9e finement cisel\u00e9 mettant en sc\u00e8ne un Ch\u00e9rubin r\u00eaveur lov\u00e9 dans un Char en forme de Conque marine par\u00e9e sur son corps de riches motifs Rocaille et guirlandes fleuries. Ce dernier, attel\u00e9 \u00e0 un couple de v\u00e9nusiennes Colombes volant au-dessus des nu\u00e9es. Le mouvement et le cadran sign\u00e9 \u00ab\u00a0Susse Fr\u00e8res\/Paris\u00a0\u00bb inscrit dans la […]<\/p>\n","protected":false},"author":6,"featured_media":17395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-17389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nLe Char de 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