{"id":17008,"date":"2024-08-19T14:25:26","date_gmt":"2024-08-19T13:25:26","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17008"},"modified":"2024-08-19T14:25:27","modified_gmt":"2024-08-19T13:25:27","slug":"commode-dite-a-moustache","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/commode-dite-a-moustache\/","title":{"rendered":"Commode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb"},"content":{"rendered":"\n

Commode dite \u00ab \u00e0 moustache \u00bb de forme tombeau richement marquet\u00e9e de motifs losang\u00e9s en palissandre et de bois de violette dans les encadrements.<\/strong> La commode ouvre en fa\u00e7ade par cinq tiroirs sur trois rangs et repose sur quatre petits pieds. La fa\u00e7ade galb\u00e9e alterne les formes concaves et convexes sur les tiroirs. Les c\u00f4t\u00e9s \u00e9galement pr\u00e9sentent un jeu complexe de courbes. 
La commode est garnie d\u2019une large garniture de bronzes dor\u00e9s et cisel\u00e9s. Les sabots sont compos\u00e9s d\u2019enroulements agr\u00e9ment\u00e9s de feuillages et suivent le prolongement de la chute o\u00f9 un impressionnant buste de femme couvre le montant. Les poign\u00e9es mobiles sont fix\u00e9es \u00e0 la commode par deux larges tournesols. Les entr\u00e9es de serrure sont compos\u00e9es de feuilles d\u2019acanthe, de rangs de perles.<\/p>\n\n\n

\n
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Commode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb. (c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

La partie basse pr\u00e9sente un cartouche encadr\u00e9 par deux \u00ab moustaches \u00bb \u00e0 d\u00e9cors de feuilles, de godrons et de fleurs, un bronze fleuri souligne ce dernier tiroir central \u00e9galement. Les tiroirs sont s\u00e9par\u00e9s par des cannelures horizontales reprises sur les c\u00f4t\u00e9s. Ces m\u00eames c\u00f4t\u00e9s sont aussi d\u00e9cor\u00e9s par une fleur entour\u00e9e de feuillages en bronze dor\u00e9.
La commode est surmont\u00e9e par un dessus en marbre rouge Belge moulur\u00e9.
\u00c9poque R\u00e9gence<\/p>\n\n\n\n

La commode que nous pr\u00e9sentons aujourd\u2019hui est remarquable par ses volumes et par la qualit\u00e9 et la richesse de ses bronzes.<\/em> Il s\u2019agit d\u2019une vraie pi\u00e8ce de collection. Parfaitement en accord avec son \u00e9poque, elle est un v\u00e9ritable t\u00e9moignage du style R\u00e9gence. En effet, sa forme en tombeau o\u00f9 deux larges moustaches en fa\u00e7ade viennent d\u00e9finir les formes du tiroir central est prodigieusement ma\u00eetris\u00e9e. Prenons un peu de recul sur l\u2019histoire de la commode afin de comprendre pourquoi celle-ci est consid\u00e9r\u00e9e comme \u00e9tant un \u00ab tr\u00e8s beau meuble \u00bb et comparons l\u00e0 avec d\u2019autres mod\u00e8les similaires.<\/p>\n\n\n

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Commode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb. (c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

La commode apparut depuis peu sous Louis XIV, se complexifie au tournant des ann\u00e9es 1710. Le galbe s\u2019impose et avec lui cette forme de commode dite \u00ab\u00a0sarcophage\u00a0\u00bb ou en tombeau, puisqu\u2019elle en rappelle les volumes. Ici, nous avons en plus un d\u00e9cor sp\u00e9cifiquement R\u00e9gence form\u00e9 par deux moustaches dans la partie basse. Le plus souvent, ces moustaches \u00e9taient form\u00e9es par deux cornes d\u2019abondances, ici transform\u00e9es en deux rinceaux d\u2019acanthe. La forme du tiroir suit alors la forme de ces moustaches en divisant son rang en trois tiroirs. Cette particularit\u00e9 est propre aux productions R\u00e9gence, comme en atteste la commode conserv\u00e9e au Mus\u00e9e Carnavalet \u00e0 Paris (inv. MB 176) qui pr\u00e9sente cette r\u00e9partition curieuse des tiroirs du bas.<\/p>\n\n\n\n

Le mus\u00e9e des Beaux-Arts de Dijon conserve \u00e9galement une commode estampill\u00e9e de l\u2019\u00e9b\u00e9niste Louis-Simon Painsun (\u00e0 qui est aussi attribu\u00e9e celle du mus\u00e9e Carnavalet) et orn\u00e9e de deux cornes d\u2019abondances. Nous relevons que nos entr\u00e9es de serrures sont similaires \u00e0 celles employ\u00e9es par Painsun sur la commode conserv\u00e9e \u00e0 Dijon (1980-9-OA). <\/p>\n\n\n

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Commode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb. (c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

De cette mani\u00e8re, plusieurs pistes sont ouvertes quant \u00e0 l\u2019attribution d\u2019un \u00e9b\u00e9niste \u00e0 cette commode. La R\u00e9gence n\u2019imposait pas encore l\u2019estampille, il est donc tout \u00e0 fait normal de ne pas retrouver de \u00ab signature \u00bb de l\u2019auteur. Louis-Simon Painsun, Etienne Doirat ou Fran\u00e7ois Mondon sont trois noms qui pourraient correspondre au travail que nous avons devant nous. Parmi les \u0153uvres que vous pourrez comparer, nous souhaitons insister sur le fait que nos bronzes sont plus \u00ab int\u00e9ressants \u00bb, plus original et imposant et en particulier au niveau des chutes. Le buste de femme et la d\u00e9composition des tiroirs avec ce cartouche rend la commode unique.<\/p>\n\n\n

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Commode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb. (c) Galerie Pellat de Villedon<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Louis-Simon Painsun est un des \u00e9b\u00e9nistes que nous donc avons retenu. Ce dernier obtient sa maitrise avant 1730, et \u00e9pouse la fille de l\u2019\u00e9b\u00e9niste Etienne Doirat, autre artisan talentueux de la R\u00e9gence, qui affectionnait les formes \u00ab \u00e0 pont \u00bb. Le recul du tiroir central, souvent pratiqu\u00e9 par Painsun sur le dernier rang de ses commodes, \u00e9voque d\u2019ailleurs l\u2019allure des commodes \u00e0 pont. Painsun travailla beaucoup avec son beau-p\u00e8re dont il proposait la marchandise dans sa boutique. 

Etienne Doirat, quant \u00e0 lui, est re\u00e7u ma\u00eetre avant 1730. Sa production de haute qualit\u00e9 compte un nombre important de commodes en tombeaux, souvent marquet\u00e9es de bois sombre dont le frisage propose un beau jeu de quadrillages comme la n\u00f4tre. 

Enfin, l\u2019\u00e9b\u00e9niste Fran\u00e7ois Mondon (actif d\u00e8s les ann\u00e9es 1730) utilisa les m\u00eames sabots de bronzes \u00e0 plusieurs reprises sur ses commodes et n\u2019en reste pas moins une piste s\u00e9rieuse pour l\u2019attribution de cette exceptionnelle commode.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Commode dite \u00ab \u00e0 moustache \u00bb de forme tombeau richement marquet\u00e9e de motifs losang\u00e9s en palissandre et de bois de violette dans les encadrements. La commode ouvre en fa\u00e7ade par cinq tiroirs sur trois rangs et repose sur quatre petits pieds. La fa\u00e7ade galb\u00e9e alterne les formes concaves et convexes sur les tiroirs. Les c\u00f4t\u00e9s \u00e9galement pr\u00e9sentent […]<\/p>\n","protected":false},"author":6,"featured_media":17012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-17008","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nCommode dite \u00ab\u00a0\u00e0 Moustache\u00a0\u00bb Le Magazine de 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