{"id":16995,"date":"2024-08-10T15:45:35","date_gmt":"2024-08-10T14:45:35","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16995"},"modified":"2024-08-10T15:45:35","modified_gmt":"2024-08-10T14:45:35","slug":"lescalier-de-lhotel-de-chateaurenard","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lescalier-de-lhotel-de-chateaurenard\/","title":{"rendered":"L’escalier de l’H\u00f4tel de Ch\u00e2teaurenard"},"content":{"rendered":"\n

Apr\u00e8s vingt ans de fermeture, l\u2019escalier en trompe-l’oeil de l\u2019H\u00f4tel Ch\u00e2teaurenard, qui a fait l\u2019objet d\u2019une restauration exceptionnelle, sera ouvert au public jusqu’au 9 septembre 2024. Ce d\u00e9cor, chef-d\u2019\u0153uvre de l\u2019art baroque achev\u00e9 en 1654, \u00e9tait unique en son temps par son ampleur et sa pr\u00e9cocit\u00e9, vingt ans avant l\u2019escalier des Ambassadeurs de Versailles. Il suscita une vive admiration de Louis XIV lorsque celui-ci s\u00e9journa en Provence en 1660.<\/strong><\/p>\n\n\n\n

L\u2019h\u00f4tel de Ch\u00e2teaurenard\u00a0est un\u00a0h\u00f4tel particulier\u00a0d’Aix-en-Provence, situ\u00e9 au c\u0153ur du bourg\u00a0Saint-Sauveur, \u00e0 l\u2019angle de la rue des Br\u00e9mondis et de la rue Gaston-de-Saporta, au\u00a0no<\/sup>\u00a019 de cette derni\u00e8re. L\u2019h\u00f4tel est construit vers 1650 par l\u2019architecte\u00a0Pierre Pavillon\u00a0(1612-1670). En 1654,\u00a0Jean Daret, peintre bruxellois \u00e9tabli \u00e0 Aix d\u00e8s 1636, d\u00e9core la cage d\u2019escalier d\u2019un magnifique\u00a0trompe-l\u2019\u0153il.<\/p>\n\n\n

\n
\"\"<\/a>
L’escalier de l’H\u00f4tel de Ch\u00e2teaurenard<\/figcaption><\/figure>\n<\/div>\n\n\n

S\u2019ouvrant sur une cour m\u00e9nag\u00e9e par l\u2019organisation en \u00e9querre du b\u00e2timent, l\u2019escalier d\u2019apparat \u00e0 balustres de pierre<\/em><\/strong> est con\u00e7u autour d\u2019une cage carr\u00e9e, conform\u00e9ment au sch\u00e9ma classique de l\u2019escalier dit d\u2019ostentation ou de vanit\u00e9 initi\u00e9 par Fran\u00e7ois MANSARD pour l\u2019H\u00f4tel de La Vrilli\u00e8re \u00e0 Paris.<\/p>\n\n\n\n

A Aix, on innove. Au volume cr\u00e9\u00e9 par l\u2019architecte s\u2019ajoute, en le dilatant, un nouvel espace d\u2019illusion cr\u00e9\u00e9 par le peintre. Suivant l\u2019exemple du trompe-l\u2019\u0153il imagin\u00e9 \u00e0 Bologne, il peint selon un double focus des perspectives volum\u00e9triques et architecturales.
L\u2019escalier est \u00e9clair\u00e9 au Sud par quatre fen\u00eatres sur deux niveaux donnant sur la cour int\u00e9rieure. Les trois autres c\u00f4t\u00e9s et le plafond sont enti\u00e8rement recouverts par le trompe l\u2019\u0153il de DARET.<\/p>\n\n\n\n

R\u00e9pondant \u00e0 la balustrade con\u00e7ue par l\u2019architecte \u00e0 gauche de l\u2019escalier, une balustrade feinte accompagne les marches sur le mur de droite jusqu\u2019au premier \u00e9tage ; au d\u00e9part de l\u2019escalier, le peintre a repr\u00e9sent\u00e9 dans une niche une statue d\u2019empereur romain en marbre blanc de Carrare.
A c\u00f4t\u00e9, inattendu dans ce d\u00e9cor italianisant\u2026 un laquais \u00e9carte d\u2019une fen\u00eatre un rideau pourpre.<\/p>\n\n\n

\n
\"\"<\/a>
l\u2019escalier de l\u2019H\u00f4tel de Ch\u00e2teaurenard<\/figcaption><\/figure>\n<\/div>\n\n\n

Le mur suivant est occup\u00e9 par une extraordinaire perspective fuyant vers le bas et int\u00e9grant une niche avec une statue d\u2019Hercule. Au premier plan, une imposante colonnade dorique donne une vision de p\u00e9ristyle et de vo\u00fbtes de palais antique ouvrant sur un parterre v\u00e9g\u00e9tal, offrant \u00e0 l\u2019habitant un jardin de r\u00eave, \u00e0 d\u00e9faut d\u2019un vrai jardin que la trop forte densit\u00e9 architecturale de la vieille ville m\u00e9di\u00e9vale ne permettait pas de r\u00e9aliser\u2026 La peinture du troisi\u00e8me mur pr\u00e9sente une fen\u00eatre au rideau rouge baiss\u00e9 et une niche avec la statue du roi Salomon.<\/p>\n\n\n\n

Dans les voussures, des grisailles repr\u00e9sentent les bustes de Pallas, Mercure, Apollon et Louis XIV, se d\u00e9tachant dans des \u0153ils-de-b\u0153uf qui laissent entrevoir une portion de ciel bleu.
Ces bustes sont flanqu\u00e9s de figures all\u00e9goriques des arts lib\u00e9raux : la Grammaire, la Rh\u00e9torique, la G\u00e9om\u00e9trie, l\u2019Arithm\u00e9tique, la Musique, l\u2019Astrologie, la Logique, la Peinture et la sculpture, entour\u00e9es de putti \u00e9voluant parmi les guirlandes d\u2019acanthes fleuries et les coquilles. Certaines des figures enjambent hardiment la corniche.<\/p>\n\n\n

\n
\"\"<\/a>
L\u2019escalier de l\u2019H\u00f4tel de Ch\u00e2teaurenard<\/figcaption><\/figure>\n<\/div>\n\n\n

L\u2019all\u00e9gorie de la peinture est occup\u00e9e \u00e0 peindre le blason du ma\u00eetre de maison, AYMAR d\u2019ALBI, Baron de Ch\u00e2teaurenard. Aux attributs de la Logique, le peintre a ajout\u00e9 un cadenas \u00e0 cercles qu\u2019un g\u00e9nie ouvre avec une clef, dont les lettres reproduisent le nom de DAYMAR chevauchant celui de DARET.
A l\u2019angle, diagonalement oppos\u00e9e, l\u2019Arithm\u00e9tique montre du doigt sur un tableau la date de l\u2019ouvrage : 1654.<\/p>\n\n\n\n

Recherchant la prouesse technique, le peintre sc\u00e9nographe n\u2019h\u00e9site pas, pour le plafond, \u00e0 r\u00e9aliser sur une toile la vue audacieuse d\u2019une fausse balustrade soutenue par des consoles \u00e0 d\u00e9cor d\u2019acanthes et, aux quatre coins, par de jeunes atlantes. Au centre une perc\u00e9e c\u00e9leste dilate l\u2019espace o\u00f9 triomphe la Vertu sous les traits de Pallas ; sur le phylact\u00e8re qui flotte, on peut lire : \u00ab\u00a0Virtus Immortalis\u00a0\u00bb.<\/p>\n\n\n\n

H\u00f4tel de Chateaurenard<\/strong>
19, rue Gaston de Saporta
Aix-en-Provence<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s vingt ans de fermeture, l\u2019escalier en trompe-l’oeil de l\u2019H\u00f4tel Ch\u00e2teaurenard, qui a fait l\u2019objet d\u2019une restauration exceptionnelle, sera ouvert au public jusqu’au 9 septembre 2024. Ce d\u00e9cor, chef-d\u2019\u0153uvre de l\u2019art baroque achev\u00e9 en 1654, \u00e9tait unique en son temps par son ampleur et sa pr\u00e9cocit\u00e9, vingt ans avant l\u2019escalier des Ambassadeurs de Versailles. Il […]<\/p>\n","protected":false},"author":6,"featured_media":16996,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-16995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nL'escalier de l'H\u00f4tel de Ch\u00e2teaurenard Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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