{"id":16860,"date":"2024-06-24T15:04:52","date_gmt":"2024-06-24T14:04:52","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16860"},"modified":"2024-06-24T15:04:53","modified_gmt":"2024-06-24T14:04:53","slug":"plat-la-liberte-xixe-theodore-deck-et-joseph-victor-ranvier","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/plat-la-liberte-xixe-theodore-deck-et-joseph-victor-ranvier\/","title":{"rendered":"Plat \u00ab\u00a0La libert\u00e9\u00a0\u00bb, XIXe\u00a0\u00bb Th\u00e9odore Deck et Joseph Victor Ranvier"},"content":{"rendered":"\n

Rare plat rond en fa\u00efence \u00e9maill\u00e9e repr\u00e9sentant une Amazone en danse rituelle, telle une all\u00e9gorie de la Libert\u00e9.<\/strong><\/p>\n\n\n\n

Plat \u00ab\u00a0LA LIBERT\u00c9\u00a0\u00bb
Fa\u00efence \u00e9maill\u00e9e
XIXe
Sign\u00e9 au dos\u00a0: TH DECK 1864
Monogramm\u00e9 \u00e0 l\u2019int\u00e9rieur du plat\u00a0: RV\u00a0<\/p>\n\n\n\n

TH\u00c9ODORE DECK\u00a0<\/strong>est n\u00e9 le 2 Janvier 1823 \u00e0 Guebwiller (Alsace). De 1841 \u00e0 1844, il travailla chez le po\u00ealier-fa\u00efencier Huguelin \u00e0 Strasbourg, puis voyagea \u00e0 pied en Europe centrale.
Il arriva \u00e0 Paris en 1847, chez le po\u00ealier Vogt, mais retourna en Alsace en 1848 \u00e0 cause de la R\u00e9volution. Il demeura \u00e0 Guebwiller jusqu\u2019en 1851. Il revint \u00e0 Paris en 1851, comme contrema\u00eetre chez Dumas et commen\u00e7a ses recherches sur les fa\u00efences anciennes.
D\u00e8s 1856, il s\u2019installa avec son fr\u00e8re Xavier, boulevard Saint Jacques, et cr\u00e9e son premier four sous le nom de\u00a0Fa\u00efences d\u2019Art Th.Deck.\u00a0<\/em>Cet atelier fut fr\u00e9quent\u00e9 par des artistes tels que Hamon, Ranvier, Bracquemond, Harpignies et ce fut le d\u00e9but d\u2019une collaboration fructueuse entre Deck et les peintres. Gr\u00e2ce \u00e0 cette collaboration, des \u0153uvres qui d\u00e9passent le cadre habituel de cette technique, sont n\u00e9es.<\/p>\n\n\n

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plat \u00ab\u00a0La libert\u00e9\u00a0\u00bb, XIXe\u00a0\u00bb Th\u00e9odore Deck et Joseph Victor Ranvier. (c) Antiquit\u00e9s Rodriguez D\u00e9coration<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

D\u00e8s 1861, son travail est r\u00e9compens\u00e9 par une m\u00e9daille d\u2019argent lors de l\u2019Exposition des arts industriels, ce qui lui valut d\u2019obtenir l\u2019ornementation murale de l\u2019h\u00f4tel Paiva sur les Champs Elys\u00e9es.
C\u2019est l\u2019Exposition universelle de Londres, en 1862, qui r\u00e9v\u00e9la Deck aux yeux du grand public, avec de grands plats inspir\u00e9s de l\u2019art ottoman, caract\u00e9ris\u00e9s par leur couleur bleu-turquoise (\u00e0 laquelle Deck a donn\u00e9 son nom).
Une m\u00e9daille d\u2019argent vint r\u00e9compenser son envoi \u00e0 l\u2019Exposition universelle de Londres, en 1871, o\u00f9 Deck connu un franc succ\u00e8s.
\u00c0 Vienne, en 1873, Deck fut r\u00e9compens\u00e9 d\u2019un dipl\u00f4me d\u2019honneur (dix m\u00e9dailles vont \u00e0 ses collaborateurs).
\u00c0 Paris, en 1878, il pr\u00e9sente un proc\u00e9d\u00e9 de d\u00e9cor \u00e0 fond d\u2019or qui lui vaut un Grand prix d\u00e9cern\u00e9 par le jury.<\/p>\n\n\n

\n
\"\"<\/a>
plat \u00ab\u00a0La libert\u00e9\u00a0\u00bb, XIXe\u00a0\u00bb Th\u00e9odore Deck et Joseph Victor Ranvier. (c) Antiquit\u00e9s Rodriguez D\u00e9coration, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

D\u00e8s 1880, s\u00e9duit par la mode du Japonisme, Deck pr\u00e9sente des pi\u00e8ces dont les formes et les d\u00e9cors, sont inspir\u00e9s des arts d\u2019extr\u00eame orient.
En 1883, Th\u00e9odore Deck fut nomm\u00e9 directeur des travaux d\u2019art de la Manufacture de S\u00e8vres (poste qu\u2019il occupa jusqu\u2019en 1888). Il d\u00e9c\u00e8dera \u00e0 S\u00e8vres en 1891.
\u00c0 partir de son d\u00e9c\u00e8s, c\u2019est son fr\u00e8re Xavier qui prendra la Direction de la Manufacture de fa\u00efence Deck. Celle-ci fut encore pr\u00e9sente \u00e0 l\u2019Exposition universelle de 1900, mais ne survivra pas longtemps au d\u00e9c\u00e8s de Xavier (mort en 1901). La manufacture ferma d\u00e9finitivement en 1905.<\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
JOSEPH VICTOR RANVIER<\/strong>, peintre d\u2019histoire, de genre paysagiste et graveur,\u00a0<\/strong>est n\u00e9 le 09 Juillet 1832 \u00e0 Lyon et est d\u00e9c\u00e9d\u00e9 le 24 Mai 1896 \u00e0 Chatillon-sous-Bagneux.
El\u00e8ve de Jean-Louis Janmot et d\u2019Ir\u00e9n\u00e9e Richard, il d\u00e9buta au Salon de 1859; exposa \u00e0 Vienne en 1873; m\u00e9daille de deuxi\u00e8me classe en 1873; chevalier de la L\u00e9gion d\u2019honneur en 1878.

Nous pouvons d\u00e9couvrir la plus prestigieuse collection de ses Fa\u00efences, quelques 500 r\u00e9alisations aux motifs naturalistes et aux influences orientales, au Mus\u00e9e Th\u00e9odore Deck et des Pays du Florival, dans la ville de Guebwiller (68).<\/p>\n","protected":false},"excerpt":{"rendered":"

Rare plat rond en fa\u00efence \u00e9maill\u00e9e repr\u00e9sentant une Amazone en danse rituelle, telle une all\u00e9gorie de la Libert\u00e9. Plat \u00ab\u00a0LA LIBERT\u00c9\u00a0\u00bbFa\u00efence \u00e9maill\u00e9eXIXeSign\u00e9 au dos\u00a0: TH DECK 1864Monogramm\u00e9 \u00e0 l\u2019int\u00e9rieur du plat\u00a0: RV\u00a0 TH\u00c9ODORE DECK\u00a0est n\u00e9 le 2 Janvier 1823 \u00e0 Guebwiller (Alsace). De 1841 \u00e0 1844, il travailla chez le po\u00ealier-fa\u00efencier Huguelin \u00e0 Strasbourg, puis […]<\/p>\n","protected":false},"author":6,"featured_media":16863,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-16860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nPlat "La libert\u00e9", XIXe" Th\u00e9odore Deck et Joseph Victor Ranvier Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Rare plat rond en fa\u00efence \u00e9maill\u00e9e repr\u00e9sentant une Amazone en danse rituelle, telle une all\u00e9gorie de la Libert\u00e9. 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