{"id":16787,"date":"2024-05-22T14:26:25","date_gmt":"2024-05-22T13:26:25","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16787"},"modified":"2024-05-22T14:26:25","modified_gmt":"2024-05-22T13:26:25","slug":"japon-xixeme-plat-polylobe-decore-doiseaux-dores","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/japon-xixeme-plat-polylobe-decore-doiseaux-dores\/","title":{"rendered":"Japon XIX\u00e8me, Plat polylob\u00e9 d\u00e9cor\u00e9 d’oiseaux dor\u00e9s"},"content":{"rendered":"\n

Plat d\u00e9cor\u00e9 en laque Hiramaki-e et Takamaki-e d’oiseaux dor\u00e9s, entour\u00e9s d’une frise de grecque, la bordure rehauss\u00e9e de motifs g\u00e9om\u00e9triques, le tout sur socle.
Plat typique des objets fabriqu\u00e9s pour l’exportation vers l’Occident courant fin XIX\u00e8me.<\/strong><\/p>\n\n\n\n

Au Japon, la pr\u00e9paration du laque se pratique comme en Chine. Il s’emploie surtout sur le bois, parfois sur le bambou, le papier m\u00e2ch\u00e9, le tissu, le cuir, la\u00a0poterie.<\/em><\/strong> Les rev\u00eatements de base, g\u00e9n\u00e9ralement noirs, se posent sur des appr\u00eats tr\u00e8s soign\u00e9s et subissent plusieurs polissages. On fait parfois usage de laques translucides, color\u00e9s ou non, pour laisser appara\u00eetre le grain d’un bois pr\u00e9cieux. Le\u00a0maki-e<\/em>, d\u00e9cor d’or et d’argent, donne lieu \u00e0 de tr\u00e8s nombreuses variantes. Sur le fond encore humide, les motifs sont saupoudr\u00e9s d’une poussi\u00e8re d’or ou d’argent et recouverts ensuite d’une couche de laque qui sera polie jusqu’\u00e0 ce que transparaisse le m\u00e9tal. Le\u00a0hiramaki-e\u00a0<\/em>(d\u00e9cor plat) s’accompagne souvent du\u00a0takamaki-e\u00a0<\/em>(d\u00e9cor en relief).<\/p>\n\n\n

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Plat polylob\u00e9 d\u00e9cor\u00e9 d’oiseaux dor\u00e9s en laque. (c) Pezon Antiquit\u00e9s<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

L’hiramaki-e<\/strong> est une technique d’art japonais qui consiste \u00e0 cr\u00e9er des d\u00e9cors plats sur des objets en laque. Cette m\u00e9thode se diff\u00e9rencie du takamaki-e, o\u00f9 les motifs sont en relief.<\/p>\n\n\n\n

Cette technique utilise de la poudre d’or ou d’argent m\u00e9lang\u00e9e \u00e0 de la laque pour dessiner des motifs d\u00e9licats et complexes. Les artisans appliquent ensuite plusieurs couches de laque transparente pour prot\u00e9ger et donner un aspect brillant \u00e0 l’\u0153uvre. L’hiramaki-e est particuli\u00e8rement appr\u00e9ci\u00e9 pour sa finesse et son \u00e9l\u00e9gance, et on le retrouve souvent sur des objets traditionnels japonais tels que les bo\u00eetes \u00e0 bijoux, les plateaux et les paravents.<\/p>\n\n\n\n

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Plat polylob\u00e9 d\u00e9cor\u00e9 d’oiseaux dor\u00e9s en laque. (c) Pezon Antiquit\u00e9s<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Le takamaki-e <\/strong>est une technique traditionnelle japonaise de d\u00e9coration d’objets en laque. Elle consiste \u00e0 cr\u00e9er des motifs en relief sur la surface de l’objet, contrairement au hiramaki-e qui utilise un d\u00e9cor plat. Cette m\u00e9thode implique l’utilisation de poudre d’or, d’argent ou de m\u00e9tal m\u00e9lang\u00e9e \u00e0 de la laque pour former les reliefs. Les artisans appliquent ensuite cette p\u00e2te sur l’objet avec des outils sp\u00e9cifiques et ajoutent plusieurs couches de laque pour renforcer le motif.<\/p>\n\n\n\n

Le takamaki-e est souvent utilis\u00e9 pour embellir des objets tels que des bo\u00eetes, des plateaux ou des \u00e9tuis \u00e0 pinceaux, apportant \u00e9l\u00e9gance et raffinement gr\u00e2ce \u00e0 ses motifs d\u00e9licats et complexes.<\/p>\n\n\n

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Plat polylob\u00e9 d\u00e9cor\u00e9 d’oiseaux dor\u00e9s en laque. (c) Pezon Antiquit\u00e9s<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Plat d\u00e9cor\u00e9 en laque Hiramaki-e et Takamaki-e d’oiseaux dor\u00e9s, entour\u00e9s d’une frise de grecque, la bordure rehauss\u00e9e de motifs g\u00e9om\u00e9triques, le tout sur socle.Plat typique des objets fabriqu\u00e9s pour l’exportation vers l’Occident courant fin XIX\u00e8me. Au Japon, la pr\u00e9paration du laque se pratique comme en Chine. Il s’emploie surtout sur le bois, parfois sur le […]<\/p>\n","protected":false},"author":6,"featured_media":16792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-16787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nJapon XIX\u00e8me, Plat polylob\u00e9 d\u00e9cor\u00e9 d'oiseaux dor\u00e9s Le 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