{"id":16714,"date":"2024-05-09T14:43:25","date_gmt":"2024-05-09T13:43:25","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16714"},"modified":"2024-05-09T14:43:25","modified_gmt":"2024-05-09T13:43:25","slug":"plateau-japonisant-attribue-a-l-c-sevin-circa-1860","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/plateau-japonisant-attribue-a-l-c-sevin-circa-1860\/","title":{"rendered":"Plateau Japonisant attribu\u00e9. \u00e0 L.-C. Sevin , Circa 1860"},"content":{"rendered":"\n

Plateau japonisant attribu\u00e9. \u00e0 L.-C. Sevin et F. Barbedienne \u00e0 d\u00e9cor de riche paysage lacustre en \u00e9mail cloisonn\u00e9 sur fond bleu et brun imitant l\u2019Aventurine repr\u00e9sentant un cours d\u2019eau bord\u00e9 de glycines, chrysanth\u00e8mes, pivoines, iris et roseaux, anim\u00e9 par des oiseaux et poissons.<\/strong> L\u2019ensemble est encadr\u00e9 d\u2019une frise \u00e0 motif floraux. L\u2019\u00e9mail repose sur une magnifique monture en bronze aux quatre pieds \u00e0 t\u00eates d\u2019\u00e9l\u00e9phants surmont\u00e9s de anses \u00e0 lambrequins typiques de la Maison Barbedienne.<\/p>\n\n\n\n

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Plateau japonisant attribu\u00e9. \u00e0 L.-C. Sevin et F. Barbedienne . (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Biographie :
Louis-Constant S\u00e9vin (1821-1888) cr\u00e9e d\u00e8s 1839 en tant que dessinateur, des objets d\u2019orf\u00e8vrerie pour des maisons renomm\u00e9es telles Deni\u00e8re, Froment-Meurice et Morel. Pendant la R\u00e9volution de 1848, C. S\u00e9vin rejoint Morel \u00e0 Londres et lui cr\u00e9e des pi\u00e8ces qui sont alors expos\u00e9es \u00e0 l\u2019Exposition Universelle de 1851. Revenu en France, Constant S\u00e9vin travaille en 1855 pour le c\u00e9l\u00e8bre bronzier Ferdinand Barbedienne qui le nomme chef de ses d\u00e9corateurs. L\u2019\u0153uvre de C. S\u00e9vin est consid\u00e9rable. Parmi ses deux mille dessins r\u00e9pertori\u00e9s, il r\u00e9alise ceux destin\u00e9s aux bronzes d\u2019ameublement de l\u2019h\u00f4tel de La Pa\u00efva sur les Champs-Elys\u00e9es.<\/p>\n\n\n\n

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Plateau japonisant attribu\u00e9. \u00e0 L.-C. Sevin et F. Barbedienne . (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Son talent est alors reconnu\u00a0et \u00e0 l\u2019Exposition de Londres en 1862, il re\u00e7oit une m\u00e9daille \u00ab\u00a0pour l\u2019excellence artistique des meubles qu\u2019il a dessin\u00e9s et qui sont expos\u00e9s par Barbedienne\u00a0\u00bb. Une m\u00e9daille d\u2019or en qualit\u00e9 de coop\u00e9rateur lui est \u00e9galement d\u00e9cern\u00e9e \u00e0 l\u2019exposition de l\u2019Union centrale des Arts d\u00e9coratifs de 1863. F. Barbedienne disait que la post\u00e9rit\u00e9 se souviendrait des compositions de Constant S\u00e9vin. L\u2019objet le plus extraordinaire cr\u00e9\u00e9 par C. S\u00e9vin pour F. Barbedienne, fut une horloge monumentale en bronze dor\u00e9 de style Renaissance, de quatre m\u00e8tres de haut, qui valut une m\u00e9daille d\u2019or et la l\u00e9gion d\u2019honneur \u00e0 son cr\u00e9ateur \u00e0 l\u2019Exposition Universelle de 1878 \u00e0 Paris. Cet incontestable triomphe perdura \u00e0 l\u2019Exposition Universelle de 1889.<\/p>\n\n\n

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Plateau japonisant attribu\u00e9. \u00e0 L.-C. Sevin et F. Barbedienne . (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

N\u00e9 en 1810, mort \u00e0 Paris en 1892,\u00a0Ferdinand Barbedienne\u00a0cr\u00e9a et dirigea l\u2019une des plus importantes fonderies d\u2019art du XIX\u00e8me si\u00e8cle. En plus de sa propre production, il travailla pour les sculpteurs les plus renomm\u00e9s comme Cl\u00e9singer, Carrier-Belleuse ou encore Guillemin. L\u2019ensemble de sa production fut toujours hautement remarqu\u00e9e et sa personne constamment honor\u00e9e par la critique contemporaine, notamment en le comparant, \u00e0 l\u2019Exposition Universelle de 1878, \u00e0 \u201cun prince de l\u2019Industrie et au roi du bronze\u201d. Il y re\u00e7ut le Grand prix de l\u2019Exposition Universelle et 28 m\u00e9dailles de collaborateurs. Sa gloire ne tarit pas avec les ann\u00e9es, puisqu\u2019\u00e0 l\u2019Exposition Universelle de 1889, les critiques remerci\u00e8rent Barbedienne de servir de ma\u00eetre aux autres bronziers, par la qualit\u00e9 toujours exemplaire de ses bronzes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Plateau japonisant attribu\u00e9. \u00e0 L.-C. Sevin et F. Barbedienne \u00e0 d\u00e9cor de riche paysage lacustre en \u00e9mail cloisonn\u00e9 sur fond bleu et brun imitant l\u2019Aventurine repr\u00e9sentant un cours d\u2019eau bord\u00e9 de glycines, chrysanth\u00e8mes, pivoines, iris et roseaux, anim\u00e9 par des oiseaux et poissons. L\u2019ensemble est encadr\u00e9 d\u2019une frise \u00e0 motif floraux. L\u2019\u00e9mail repose sur une […]<\/p>\n","protected":false},"author":6,"featured_media":16718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-16714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nPlateau Japonisant attribu\u00e9. \u00e0 L.-C. 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