{"id":16620,"date":"2024-04-10T10:26:08","date_gmt":"2024-04-10T09:26:08","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16620"},"modified":"2026-01-01T10:56:05","modified_gmt":"2026-01-01T09:56:05","slug":"etude-dinsectes-sur-velin-debut-du-xviiie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/etude-dinsectes-sur-velin-debut-du-xviiie-siecle\/","title":{"rendered":"Etude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle"},"content":{"rendered":"\n

Gouache sur v\u00e9lin. Ecole allemande, d\u00e9but du XVIIIe si\u00e8cle, atelier de Maria Sibylla Merian.<\/em> (1647 \u2013 1717)
Cette remarquable gouache sur v\u00e9lin est autant une \u0153uvre d\u2019art qu\u2019un document attestant du progr\u00e8s des sciences naturelles \u00e0 l\u2019Epoque Moderne.<\/strong> Y sont soigneusement repr\u00e9sent\u00e9s plusieurs insectes d\u2019esp\u00e8ces et d\u2019horizons diff\u00e9rents. Entre la rosalie des Alpes, end\u00e9mique de nos r\u00e9gions, et le plus exotique coprophanaeus lancifer d\u2019Am\u00e9rique du Sud, deux majestueux papillons d\u00e9ploient leurs ailes sur un parchemin dont l\u2019aspect velout\u00e9 fait vibrer les couleurs de la gouache. Les ombres port\u00e9es finement esquiss\u00e9es donnent l\u2019illusion d\u2019une troisi\u00e8me dimension telle que le spectateur pourrait croire que ce sont l\u00e0 de v\u00e9ritables sp\u00e9cimens s\u00e9ch\u00e9s. <\/p>\n\n\n\n

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Etude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle. (c) Galerie Thierry Matranga<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Cette pr\u00e9cision est le fruit des progr\u00e8s de l\u2019optique au XVIIe si\u00e8cle, notamment de l\u2019invention du premier microscope par Cornelis Debbrel en 1622, qui r\u00e9v\u00e8lent \u00e0 notre dessinateur l\u2019infiniment petit et lui permettent de repr\u00e9senter m\u00e9ticuleusement les organes les plus infimes. Art et science ne sont alors pas encore s\u00e9par\u00e9s mais fonctionnent de concert \u00e0 l\u2019\u00e9closion de la v\u00e9rit\u00e9. L\u2019artiste, comme le scientifique, doit fonder sa compr\u00e9hension du monde sur l\u2019observation empirique afin de cr\u00e9er un art r\u00e9aliste et vrai.<\/p>\n\n\n\n

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Etude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle. (c) Galerie Thierry Matranga<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Cette qu\u00eate de beaut\u00e9 et de connaissance est men\u00e9e par des pionniers, telle Maria Sibylla Merian, \u00e0 l\u2019atelier de laquelle nous rattachons cette \u00e9tude d\u2019insectes. Nous retrouvons en effet dans notre composition un ordonnancement r\u00e9gulier des sp\u00e9cimens \u00e0 la mani\u00e8re de ce qu\u2019elle fit dans de nombreuses \u00e9tudes aujourd\u2019hui conserv\u00e9es \u00e0 l\u2019Acad\u00e9mie des sciences de Saint-P\u00e9tersbourg. Outre la virtuosit\u00e9 du dessin, l\u2019on peut \u00e9galement relever \u00e0 titre de comparaison entre notre v\u00e9lin et le reste de son corpus une omnipr\u00e9sence de la couleur bleue avec laquelle elle mat\u00e9rialise aussi bien les transparences iridescentes des ailes que les carapaces.<\/p>\n\n\n\n

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Etude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle. (c) Galerie Thierry Matranga<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Si les qualit\u00e9s plastiques de cette \u0153uvre sont \u00e0 mettre sur le compte de sa formation de peintre de nature morte, la justesse des anatomies d\u00e9coule de sa passion pr\u00e9coce pour l\u2019entomologie. Cette soif de savoir la pousse \u00e0 mener un p\u00e9rilleux voyage d\u2019\u00e9tude au Surinam en 1699 duquel elle rapporte de nombreuses \u00e9tudes in\u00e9dites et des insectes s\u00e9ch\u00e9s. D\u00e8s lors, c\u2019est aussi bien en tant qu\u2019artiste que scientifique qu\u2019elle publie en 1705 son Metamorphosis insectorum Surinamensium<\/em>. Cette grande compilation issue de son p\u00e9riple en Am\u00e9rique constitua un ouvrage de r\u00e9f\u00e9rence pour les plus grands scientifiques, tel Carl von Linn\u00e9 qui cita ses illustrations \u00e0 136 reprises dans sa grande taxonomie des esp\u00e8ces.<\/p>\n\n\n\n

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Etude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle. (c) Galerie Thierry Matranga<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Biographie<\/strong> : Maria Sibylla Merian (Francfort, 2 avril 1647 \u2013 Amsterdam, 13 jan. 1717) d\u00e9couvre le dessin aupr\u00e8s de son beau-p\u00e8re, le peintre de nature morte Jacob Marrel. Son atelier poss\u00e8de alors un fonds de plantes et d\u2019insectes s\u00e9ch\u00e9s que la jeune Maria s\u2019entra\u00eene \u00e0 copier. Toutefois, d\u00e8s l\u2019\u00e2ge de 13 ans, elle comprend que l\u2019\u00e9tude d\u2019apr\u00e8s les sp\u00e9cimens vivants lui permettrait de se rapprocher d\u2019une meilleure repr\u00e9sentation du r\u00e9el. Ainsi raconte-t-elle avoir \u00ab mis de c\u00f4t\u00e9 sa vie sociale et d\u00e9volu tout son temps \u00e0 l\u2019observation des insectes et \u00e0 l\u2019am\u00e9lioration de ses talents de peintre, de sorte \u00e0 ce qu\u2019elle p\u00fbt dessiner et peindre des sp\u00e9cimens tels qu\u2019ils sont dans la nature \u00bb.<\/p>\n\n\n\n

A la fois \u00e9ditrice et artiste, Maria Sibylla Merian est \u00e0 la t\u00eate d\u2019un atelier prolifique dans lequel travaillent de nombreuses autres femmes auxquelles les corporations refusaient souvent la grande peinture d\u2019histoire. Ses deux filles, Johanna Helena Herolt (1668 \u2013 1723) et Dorothea Maria Henrietta Gsell (1678 \u2013 1743), firent la majeure partie de leur carri\u00e8re dans l\u2019atelier familial au point qu\u2019il est souvent difficile de distinguer leurs \u0153uvres de celles de leur m\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gouache sur v\u00e9lin. Ecole allemande, d\u00e9but du XVIIIe si\u00e8cle, atelier de Maria Sibylla Merian. (1647 \u2013 1717)Cette remarquable gouache sur v\u00e9lin est autant une \u0153uvre d\u2019art qu\u2019un document attestant du progr\u00e8s des sciences naturelles \u00e0 l\u2019Epoque Moderne. Y sont soigneusement repr\u00e9sent\u00e9s plusieurs insectes d\u2019esp\u00e8ces et d\u2019horizons diff\u00e9rents. Entre la rosalie des Alpes, end\u00e9mique de nos […]<\/p>\n","protected":false},"author":6,"featured_media":16626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-16620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nEtude d\u2019insectes sur v\u00e9lin, d\u00e9but du XVIIIe si\u00e8cle Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Gouache sur v\u00e9lin. 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