{"id":16569,"date":"2024-03-26T11:33:04","date_gmt":"2024-03-26T10:33:04","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16569"},"modified":"2024-03-26T11:33:04","modified_gmt":"2024-03-26T10:33:04","slug":"aux-sources-du-neoclassicisme-lincroyable-mobilier-de-monsieur-la-live-de-jully","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/aux-sources-du-neoclassicisme-lincroyable-mobilier-de-monsieur-la-live-de-jully\/","title":{"rendered":"Aux sources du N\u00e9oclassicisme , L’incroyable mobilier de Monsieur La live de Jully"},"content":{"rendered":"\n

Le bureau-cartonnier d\u2019Ange-Laurent de La Live de Jully (1725-1775), introducteur des ambassadeurs \u00e0 la cour de Versailles, est l\u2019un des meubles les plus mythiques du XVIIIe si\u00e8cle fran\u00e7ais.<\/strong> Ex\u00e9cut\u00e9 par l\u2019\u00e9b\u00e9niste Joseph Baumhauer et la bronzier Philippe Caffieri d\u2019apr\u00e8s les dessins de Louis-Joseph Le Lorrain, ce chef d\u2019\u0153uvre du mus\u00e9e Cond\u00e9 est l\u2019un des jalons du changement de go\u00fbt et d\u2019\u00e9poque en adoptant, pour la premi\u00e8re fois, les lignes et les d\u00e9cors inspir\u00e9s de l\u2019antique, et particuli\u00e8rement des fouilles de Pomp\u00e9i et d\u2019Herculanum. <\/p>\n\n\n

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Joseph Baumhauer et Philippe Caffieri d\u2019apr\u00e8s les dessins de Louis-Joseph Le Lorrain Bureau et son cartonnier Vers 1758, achev\u00e9 en 1759 B\u00e2ti en ch\u00eane ; \u00e9b\u00e8ne et placages d\u2019\u00e9b\u00e8ne ; bronze dor\u00e9 ; filets de laiton ; cuir Chantilly, mus\u00e9e Cond\u00e9, \u00a9 RMN-Grand Palais Domaine de Chantilly-Adrien Didierjean<\/figcaption><\/figure>\n<\/div>\n\n\n

Il s\u2019agit de la premi\u00e8re incarnation du go\u00fbt \u00ab \u00e0 la grecque \u00bb en mati\u00e8re de mobilier. Le bureau et son cartonnier ont \u00e9t\u00e9 restaur\u00e9s gr\u00e2ce au soutien du Centre de recherche et de restauration des mus\u00e9es de France et des Amis du Mus\u00e9e Cond\u00e9. Sa restauration co\u00efncide avec la r\u00e9apparition de deux meubles coquilliers qui l\u2019accompagnaient, avec si\u00e8ge, \u00e9critoire et tables, au sein des h\u00f4tels parisiens successifs de La Live, rue Saint-Honor\u00e9 puis rue de M\u00e9nars.
Cet ensemble novateur fut dispers\u00e9 en 1770, dans la vente des collections de La Live alors malade. Une partie de ce c\u00e9l\u00e8bre mobilier est r\u00e9uni pour la premi\u00e8re fois depuis.<\/p>\n\n\n

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Ce meuble fut achet\u00e9 par le duc d\u2019Aumale \u00e0 la vente de son ami bibliophile, le duc d\u2019Hamilton, \u00e0 Londres en 1882 pour meubler sa galerie des Batailles, en pendant au bureau cartonnier de Choiseul. Il a notamment \u00e9t\u00e9 restaur\u00e9 par Leleu (qui y a appos\u00e9 son estampille) entre 1764 et 1770, du temps de La Live, puis par Groh\u00e9 en 1883. La pendule n\u2019est pas celle d’origine ; elle a \u00e9t\u00e9 achet\u00e9e par l\u2019Institut de France en 1970.<\/p>\n\n\n\n

Fils d\u2019un fermier-g\u00e9n\u00e9ral, avocat du Roi au Ch\u00e2telet, nomm\u00e9 introducteur des ambassadeurs \u00e0 Paris, La Live de Jully a constitu\u00e9 une riche galerie comportant nombre de peintures et de sculptures fran\u00e7aises contemporaines. M\u00e9c\u00e8ne et ami des artistes de son temps, graveur, musicien et historien, il fut \u00e9lu, tr\u00e8s jeune, membre honoraire ou associ\u00e9 libre de l\u2019Acad\u00e9mie royale de peinture et de sculpture en raison de la qualit\u00e9 des collections qu\u2019il avait r\u00e9unies et aussi de ses capacit\u00e9s artistiques. <\/p>\n\n\n

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Joseph Baumhauer et Philippe Caffieri d\u2019apr\u00e8s les dessins\nde Louis-Joseph Le Lorrain\nMeuble coquillier\nB\u00e2ti en ch\u00eane ; \u00e9b\u00e8ne et placages d\u2019\u00e9b\u00e8ne ; bronze dor\u00e9 ;\nfilets de laiton ; marbre\nVers 1758-1762\nCollection particuli\u00e8re\n\u00a9 Galerie Steinitz<\/figcaption><\/figure>\n<\/div>\n\n\n

Pour exposer la collection de coquillages qu\u2019il commen\u00e7a \u00e0 r\u00e9unir en 1758, La Live commanda, outre le bureau cartonnier, plusieurs bas d\u2019armoires vitr\u00e9s en \u00e9b\u00e8ne. Deux des quatre corps d\u2019armoires qui l\u2019entouraient sont identifi\u00e9s avec certitude et ici r\u00e9unis. Celui-ci porte l\u2019estampille de l\u2019\u00e9b\u00e9niste Joseph Baumhauer \u00e0 deux reprises, contrairement au bureau et \u00e0 son cartonnier.<\/p>\n\n\n\n

CH\u00c2TEAU DE CHANTILLY<\/strong>
Jusqu’au 29 avril 2024<\/strong>
7 rue Conn\u00e9table, 60500 Chantilly<\/p>\n","protected":false},"excerpt":{"rendered":"

Le bureau-cartonnier d\u2019Ange-Laurent de La Live de Jully (1725-1775), introducteur des ambassadeurs \u00e0 la cour de Versailles, est l\u2019un des meubles les plus mythiques du XVIIIe si\u00e8cle fran\u00e7ais. Ex\u00e9cut\u00e9 par l\u2019\u00e9b\u00e9niste Joseph Baumhauer et la bronzier Philippe Caffieri d\u2019apr\u00e8s les dessins de Louis-Joseph Le Lorrain, ce chef d\u2019\u0153uvre du mus\u00e9e Cond\u00e9 est l\u2019un des jalons […]<\/p>\n","protected":false},"author":6,"featured_media":16573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-16569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nAux sources du N\u00e9oclassicisme , L'incroyable mobilier de Monsieur La live de Jully Le Magazine de Proantic<\/title>\n<meta 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