{"id":16509,"date":"2024-03-12T15:05:17","date_gmt":"2024-03-12T14:05:17","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16509"},"modified":"2024-03-12T15:05:17","modified_gmt":"2024-03-12T14:05:17","slug":"groupe-de-bassets-emmanuel-fremiet-1824-1910","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/groupe-de-bassets-emmanuel-fremiet-1824-1910\/","title":{"rendered":"Groupe de Bassets, Emmanuel Fremiet (1824 -1910)"},"content":{"rendered":"\n

Groupe en bronze , \u00e0 patine brune nuanc\u00e9e , repr\u00e9sentant deux chiens ,\u00a0\u00ab\u00a0Ravageot et Ravageode\u00a0\u00bb<\/strong>\u00a0,\u00a0c\u00e9l\u00e8bres bassets de Napol\u00e9on III<\/em>\u00a0<\/strong>, expos\u00e9 au\u00a0<\/strong>Salon de 1853\u00a0<\/strong>, par Emmanuel Fr\u00e9miet .\u00a0
Signature du sculpteur\u00a0\u00ab\u00a0E. FREMIET\u00a0\u00bb<\/strong>\u00a0, en creux , sur la terrasse ovale naturaliste , richement cisel\u00e9e , o\u00f9 figure un escargot .
Sculpture d’\u00e9dition ancienne , p\u00e9riode seconde partie du XIX \u00e8me si\u00e8cle .<\/p>\n\n\n\n

\"\"<\/a>
Groupe De Bassets \u00a0\u00bb Ravageot Et Ravageode \u00a0\u00bb , Emmanuel Fremiet. (c) Galerie Caroline Miguet-Giafferri<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Emmanuel Fremiet (1824-1910)<\/strong><\/p>\n\n\n\n

Emmanuel Fremiet est le neveu et l\u2019\u00e9l\u00e8ve du sculpteur Fran\u00e7ois Rude .<\/p>\n\n\n\n

Parall\u00e8lement \u00e0 ses \u0153uvres monumentales command\u00e9es par l\u2019 \u00c9tat , il est reconnu comme\u00a0un excellent sculpteur animalier r\u00e9aliste .
Il d\u00e9bute comme lithographe scientifique (ost\u00e9ologie) et travaille dans l\u2019atelier des peintres de la morgue .
En 1843 , il envoie au Salon une \u00e9tude de gazelle , pr\u00e9lude \u00e0 une production prolifique .
Son\u00a0\u00ab\u00a0Ours bless\u00e9\u00a0\u00bb\u00a0et son\u00a0\u00ab\u00a0Chien bless\u00e9\u00a0\u00bb\u00a0sont acquis par l\u2019 \u00c9tat pour le Mus\u00e9e du Luxembourg \u00e0 Paris en 1850 .
Au cours des ann\u00e9es 1850 , Fremiet produit des \u0153uvres sur le th\u00e8me de Napol\u00e9on III \u2026<\/p>\n\n\n\n

Il expose des bronzes repr\u00e9sentant les bassets de Napol\u00e9on III , \u00ab Ravageot et Ravagode \u00bb , au Salon de 1853 .<\/p>\n\n\n\n

\"\"<\/a>
Groupe De Bassets \u00a0\u00bb Ravageot Et Ravageode \u00a0\u00bb , Emmanuel Fremiet. (c) Galerie Caroline Miguet-Giafferri<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

De 1855 \u00e0 1859 , il ex\u00e9cute une s\u00e9rie de statuettes \u00e0 sujet militaire pour l\u2019empereur .
Il r\u00e9alise le Monument de \u00ab\u00a0Napol\u00e9on Ier\u00a0\u00bb en 1868 , et celui de \u00ab\u00a0Louis d\u2019Orl\u00e9ans\u00a0\u00bb en 1869 (ch\u00e2teau de Pierrefonds) .
En 1874 , Emmanuel Fremiet con\u00e7oit\u00a0le premier Monument \u00e9questre de \u00ab\u00a0Jeanne d\u2019Arc\u00a0\u00bb\u00a0, \u00e9rig\u00e9 place des Pyramides \u00e0 Paris , qu\u2019il rempla\u00e7a \u00e0 la suite de critiques sur les proportions par une autre version en 1900 .
Pendant cette p\u00e9riode , il ex\u00e9cute aussi\u00a0 <\/strong>\u00ab\u00a0Pan et les oursons\u00a0\u00bb\u00a0<\/strong>(Paris , Mus\u00e9e d\u2019Orsay) .<\/p>\n\n\n\n

\u00c0 la fin du XIXe si\u00e8cle , un th\u00e8me \u00e0 la mode inspire Fremiet et d\u2019autres artistes : celui de l\u2019affrontement entre l\u2019Homme et la B\u00eate <\/em>.
Un fait divers rapport\u00e9 par le journal \u00ab Le Temps \u00bb relatait que dans un village gabonais , un gorille \u00e9gar\u00e9 et furieux aurait enlev\u00e9 et molest\u00e9 une femme , apr\u00e8s avoir d\u00e9truit des cabanes , en 1880 .
 Par ailleurs , les r\u00e9cits d\u2019explorateurs comme Alfred Russel Wallace emplissent les journaux d\u2019articles et de gravures illustrant l\u2019attaque d\u2019un pisteur malais par un orang-outang . <\/p>\n\n\n\n

\"\"<\/a>
Groupe De Bassets \u00a0\u00bb Ravageot Et Ravageode \u00a0\u00bb , Emmanuel Fremiet. (c) Galerie Caroline Miguet-Giafferri<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Ce th\u00e8me inspire \u00e0 Fremiet plusieurs \u0153uvres majeures .<\/strong><\/p>\n\n\n\n

\u00ab\u00a0Le Gorille enlevant une n\u00e9gresse\u00a0\u00bb<\/em>\u00a0est d\u2019abord refus\u00e9 au Salon de 1859 , puis pr\u00e9sent\u00e9 derri\u00e8re un rideau.
\u00a0Une nouvelle version \u00ab\u00a0Gorille enlevant une femme\u00a0\u00bb , re\u00e7oit une m\u00e9daille d\u2019honneur au Salon de la Soci\u00e9t\u00e9 des Artistes Fran\u00e7ais de 1887, dont il est membre jusqu\u2019en 1908 .
Cette \u0153uvre , c\u00e9l\u00e8bre \u00e0 son \u00e9poque , fait n\u00e9anmoins scandale car elle repr\u00e9sente un gorille enlevant une femme nue , pr\u00e9tendument avec une intention de la violer , ce qui excitait la curiosit\u00e9 du public .
\u00a0De la m\u00eame veine et encore plus remarquable est\u00a0\u00ab\u00a0L\u2019Orang-outang \u00e9tranglant un sauvage de Born\u00e9o\u00a0\u00bb<\/em>\u00a0(1895) , une commande du Mus\u00e9e National d\u2019Histoire Naturelle de Paris , inspir\u00e9e par les r\u00e9cits de Wallace , rapport\u00e9s avec beaucoup d\u2019exag\u00e9rations par \u00ab\u00a0The Times\u00a0\u00bb .
Cette fois l\u2019animal est un m\u00e2le , et en \u00e9tranglant le \u00ab sauvage \u00bb , il accomplit un acte aussi impossible , physiquement et \u00e9thologiquement , que le viol d\u2019une femme par un gorille .
Mais l\u2019art op\u00e8re et des g\u00e9n\u00e9rations de visiteurs de la galerie du Mus\u00e9um o\u00f9 elle est expos\u00e9e , ont \u00e9t\u00e9 horrifi\u00e9es par la force \u00e9manant de l\u2019\u0153uvre .<\/p>\n\n\n\n

\"\"<\/a>
Groupe De Bassets \u00a0\u00bb Ravageot Et Ravageode \u00a0\u00bb , Emmanuel Fremiet. (c) Galerie Caroline Miguet-Giafferri<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

En 1893 , Fremiet r\u00e9alise \u00a0\u00ab\u00a0<\/strong>le Monument de Vel\u00e1zquez\u00a0\u00bb<\/strong>\u00a0pour le jardin de la Colonnade du palais du Louvre \u00e0 Paris et , en 1897, la statue de\u00a0\u00ab\u00a0<\/strong>Saint Michel terrassant le dragon\u00a0\u00bb<\/strong>\u00a0pour la fl\u00e8che de l\u2019abbatiale du Mont Saint-Michel .
Fr\u00e9miet est \u00e9lu membre de l\u2019Acad\u00e9mie des beaux-arts en 1892 et succ\u00e8de \u00e0 Antoine-Louis Barye\u00a0, comme professeur de dessin animalier , au Mus\u00e9um national d\u2019histoire naturelle \u00e0 Paris .
Il est membre de la Soci\u00e9t\u00e9 des artistes fran\u00e7ais jusqu\u2019en 1908 .<\/p>\n","protected":false},"excerpt":{"rendered":"

Groupe en bronze , \u00e0 patine brune nuanc\u00e9e , repr\u00e9sentant deux chiens ,\u00a0\u00ab\u00a0Ravageot et Ravageode\u00a0\u00bb\u00a0,\u00a0c\u00e9l\u00e8bres bassets de Napol\u00e9on III\u00a0, expos\u00e9 au\u00a0Salon de 1853\u00a0, par Emmanuel Fr\u00e9miet .\u00a0Signature du sculpteur\u00a0\u00ab\u00a0E. FREMIET\u00a0\u00bb\u00a0, en creux , sur la terrasse ovale naturaliste , richement cisel\u00e9e , o\u00f9 figure un escargot .Sculpture d’\u00e9dition ancienne , p\u00e9riode seconde partie du XIX […]<\/p>\n","protected":false},"author":6,"featured_media":16512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[574],"tags":[],"class_list":["post-16509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lobjet-du-mois"],"yoast_head":"\nGroupe de Bassets, Emmanuel Fremiet (1824 -1910) Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Groupe 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