{"id":16384,"date":"2024-01-30T14:52:49","date_gmt":"2024-01-30T13:52:49","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=16384"},"modified":"2024-01-30T14:52:49","modified_gmt":"2024-01-30T13:52:49","slug":"par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/","title":{"rendered":"Par-del\u00e0 Rembrandt: Estampes n\u00e9erlandaises du Si\u00e8cle d&rsquo;or"},"content":{"rendered":"\n<p><strong>le mus\u00e9e Cond\u00e9 pr\u00e9sente une partie totalement in\u00e9dite de ses collections \u00e0 l\u2019occasion de sa saison n\u00e9erlandaise. Illustre amateur d\u2019estampes, le duc d\u2019Aumale a r\u00e9uni une collection de gravures au burin ou d\u2019eaux fortes qui t\u00e9moigne du fait que Rembrandt est loin d\u2019\u00eatre le seul artiste \u00e0 avoir fait preuve de brio dans ce domaine.<\/strong><\/p>\n\n\n\n<p>Sommets de virtuosit\u00e9 technique, les paysages grav\u00e9s par Jacob Van Ruisdael, les sc\u00e8nes de folklore rural d\u2019Adriaen Van Ostade, les portraits d\u2019Antoine Van Dyck, les soldats d\u2019Hendrik Goltzius, les marines de Reinier Nooms dit Zeeman ou les vaches et moutons de Nicolaes Berchem et Paulus Potter conserv\u00e9s \u00e0 Chantilly offrent un acc\u00e8s privil\u00e9gi\u00e9 \u00e0 ce que fut l\u2019imaginaire collectif du Si\u00e8cle d\u2019or n\u00e9erlandais \u2013 soit une \u00e9poque qui s\u2019est d\u00e9finie elle-m\u00eame comme un \u00e2ge d\u2019or florissant et optimiste.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/ZcFzrl0czzE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Jamais expos\u00e9s jusqu\u2019ici, ces chefs-d\u2019\u0153uvre grav\u00e9s sont pr\u00e9sent\u00e9s pour la premi\u00e8re fois aux visiteurs pour que chacun prenne conscience de l\u2019extr\u00eame richesse artistique du Si\u00e8cle d\u2019or n\u00e9erlandais et de la grande diversit\u00e9 de ses artistes.<\/p>\n\n\n\n<p>Si la figure aussi superbe qu\u2019\u00e9crasante de Rembrandt a souvent \u00e9clips\u00e9 ses contemporains, ceux-ci n\u2019en ont pas moins r\u00e9alis\u00e9 des gravures qui occupent une place de premier plan dans l\u2019histoire de cet art. Elles sont d\u2019une port\u00e9e historique et politique majeure, puisque la diffusion de ces gravures magnifiant chaque aspect de la vie quotidienne accompagne les r\u00e9voltes contre la domination espagnole qui jalonnent toute la premi\u00e8re moiti\u00e9 du si\u00e8cle et aboutissent en 1648 \u00e0 l\u2019ind\u00e9pendance des Provinces-Unies des Pays-Bas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"785\" data-attachment-id=\"16385\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/fig-2-chantilly\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?fit=1098%2C1296&amp;ssl=1\" data-orig-size=\"1098,1296\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1510061566&quot;,&quot;copyright&quot;:&quot;\\u00a9 RMN - Grand Palais - Michel Urtado&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"par-del\u00e0 rembrandt estampes du si\u00e8cle d&amp;rsquo;or n\u00e9erlandais\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Cornelis Visscher (1629-1662), Le marchand de mort-aux-rats, 1655. Eau-forte et burin sur papier verg\u00e9, 40 x 34 cm. Chantilly, mus\u00e9e Cond\u00e9. Photo service de presse. \u00a9 RMN-Grand Palais \/ Domaine de Chantilly \/ Michel Urtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?fit=254%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?fit=665%2C785&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?resize=665%2C785&#038;ssl=1\" alt=\"\" class=\"wp-image-16385\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?resize=868%2C1024&amp;ssl=1 868w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?resize=768%2C906&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/Fig.2-Chantilly.jpg?w=1098&amp;ssl=1 1098w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Cornelis Visscher (1629-1662), Le marchand de mort-aux-rats, 1655. Eau-forte et burin sur papier verg\u00e9, 40 x 34 cm. Chantilly, mus\u00e9e Cond\u00e9. \u00a9 RMN-Grand Palais \/ Domaine de Chantilly \/ Michel Urtado<\/figcaption><\/figure>\n\n\n\n<p>Ces \u0153uvres offrent ainsi un aper\u00e7u privil\u00e9gi\u00e9 de ce que fut le Si\u00e8cle d\u2019or n\u00e9erlandais, tant dans sa construction d\u2019une identit\u00e9 culturelle que dans son \u00e9mergence politique.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"510\" data-attachment-id=\"16386\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/cat-20-est-159rmn-grand-palais-domaine-de-chantilly-michel-urtado17-6309761\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?fit=2000%2C1533&amp;ssl=1\" data-orig-size=\"2000,1533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1510061499&quot;,&quot;copyright&quot;:&quot;\\u00a9 RMN - Grand Palais - Michel Urtado&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"par-del\u00e0 rembrandt estampes du si\u00e8cle d&amp;rsquo;or n\u00e9erlandais\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Nicolas (Claes Pietersz.) Berchem (1620-1683), Vaches s\u2019abreuvant, 1680. Eau-forte sur papier verg\u00e9, filet de marge, 28,2 x 38,7 cm. Chantilly, mus\u00e9e Cond\u00e9. Photo service de presse. \u00a9 RMN-Grand Palais \/ Domaine de Chantilly \/ Michel Urtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?fit=300%2C230&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?fit=665%2C510&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?resize=665%2C510&#038;ssl=1\" alt=\"\" class=\"wp-image-16386\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?resize=1024%2C785&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?resize=300%2C230&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?resize=768%2C589&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?resize=1536%2C1177&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/CAT-20-EST-159%C2%A9RMN-Grand-Palais-domaine-de-Chantilly-Michel-Urtado17-6309761.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Nicolas (Claes Pietersz.) Berchem (1620-1683), Vaches s\u2019abreuvant, 1680. Eau-forte sur papier verg\u00e9, filet de marge, 28,2 x 38,7 cm. Chantilly, mus\u00e9e Cond\u00e9.\u00a9 RMN-Grand Palais \/ Domaine de Chantilly \/ Michel Urtado<\/figcaption><\/figure>\n\n\n\n<p>La p\u00e9riode qui s\u2019\u00e9tend de 1581 \u00e0 1702, auto-proclam\u00e9e \u00ab Si\u00e8cle d\u2019or \u00bb n\u00e9erlandais, d\u00e9signe une p\u00e9riode de profondes mutations religieuses, politiques et \u00e9conomiques qui affectent les Provinces-Unies. Fortes de leur ind\u00e9pendance r\u00e9cemment conquise contre l\u2019Espagne, elles s\u2019\u00e9rigent en R\u00e9publique, renforcent leur \u00e9conomie et s\u2019imposent comme le principal centre financier du nord de l\u2019Europe. La part prise par l\u2019estampe dans la diffusion des images et la constitution d\u2019imaginaires collectifs la d\u00e9signe comme un support privil\u00e9gi\u00e9 pour t\u00e9moigner ces diff\u00e9rentes mutations.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"778\" data-attachment-id=\"16389\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/van-dyck-luca-vorsterman-copie\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?fit=948%2C1110&amp;ssl=1\" data-orig-size=\"948,1110\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"par-del\u00e0 rembrandt estampes du si\u00e8cle d&amp;rsquo;or n\u00e9erlandais\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Antoon van Dyck, Lucas Vorsterman, 1630-1641. Chantilly, mus\u00e9e Cond\u00e9 \u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado.&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?fit=256%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?fit=665%2C778&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?resize=665%2C778&#038;ssl=1\" alt=\"\" class=\"wp-image-16389\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?resize=875%2C1024&amp;ssl=1 875w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?resize=256%2C300&amp;ssl=1 256w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?resize=768%2C899&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/van-dyck-luca-vorsterman-copie.jpg?w=948&amp;ssl=1 948w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\"> Antoon van Dyck, Lucas Vorsterman, 1630-1641. Chantilly, mus\u00e9e Cond\u00e9 \u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado.<\/figcaption><\/figure>\n\n\n\n<p> <strong>Sublimer le r\u00e9el<\/strong><\/p>\n\n\n\n<p>Les \u0153uvres d\u2019art participent activement de la construction d\u2019une culture visuelle renouvel\u00e9e qui diffuse les piliers de cette utopie collective qualifi\u00e9e de \u00ab Si\u00e8cle d\u2019or \u00bb. Dans cette optique, l\u2019estampe diffuse \u00e0 large \u00e9chelle des images fantasm\u00e9es qui subliment le r\u00e9el plut\u00f4t que de le repr\u00e9senter tel qu\u2019il est. L\u2019id\u00e9al d\u2019une vie pastorale et idyllique ou les repr\u00e9sentations de paysans flirtant dans les champs tandis que leurs troupeaux prennent des bains de soleil maquillent, par exemple, la r\u00e9alit\u00e9 de la captivit\u00e9, de l\u2019\u00e9levage et de l\u2019industrie laiti\u00e8re dans un si\u00e8cle en proie \u00e0 de nombreuses transformations agricoles et \u00e9conomiques. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"448\" data-attachment-id=\"16390\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/nbhu-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?fit=691%2C466&amp;ssl=1\" data-orig-size=\"691,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1706626002&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"nbhu\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Constantijn Daniel van Renesse (Marsein, 1626 &amp;#8211; Eidhoven, 1680)&lt;br \/&gt;\nKermesse de village avec deux charlatans, vers 1636-1650.&lt;br \/&gt;\n\u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?fit=300%2C202&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?fit=665%2C448&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?resize=665%2C448&#038;ssl=1\" alt=\"\" class=\"wp-image-16390\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?w=691&amp;ssl=1 691w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/nbhu.jpg?resize=300%2C202&amp;ssl=1 300w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Constantijn Daniel van Renesse (Marsein, 1626 &#8211; Eidhoven, 1680) Kermesse de village avec deux charlatans, vers 1636-1650. Eau-forte sur papier verg\u00e9, \u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado<\/figcaption><\/figure>\n<\/div>\n\n\n<p>En parall\u00e8le, l\u2019estampe rev\u00eat \u00e9galement un r\u00f4le politique majeur \u2013 dans une veine quasi journalistique. Les gravures d\u2019Hendrick Goltzius t\u00e9moignent notamment de la n\u00e9cessit\u00e9 de faire advenir une identit\u00e9 politique propre dans une nation nouvellement cr\u00e9\u00e9e, d\u2019o\u00f9 l\u2019hommage que ses burins rendent aux soldats qui se battent pour conserver l\u2019ind\u00e9pendance arrach\u00e9e \u00e0 l\u2019Espagne par les Provinces-Unies. Les vues d\u2019Amsterdam de Reinier Nooms, dit Zeeman, soulignent l\u2019extraordinaire croissance de ce nouveau centre \u00e9conomique qui devient la premi\u00e8re place financi\u00e8re du Nord de l\u2019Europe.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"359\" data-attachment-id=\"16391\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/par-dela-rembrandt-estampes-neerlandaises-du-siecle-dor\/bnrty\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?fit=721%2C389&amp;ssl=1\" data-orig-size=\"721,389\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1706626135&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"par-del\u00e0 rembrandt estampes du si\u00e8cle d&amp;rsquo;or n\u00e9erlandais\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Renier Nooms, dit Zeeman (Amsterdam, vers 1623 \u2013 Amsterdam, 1664)&lt;br \/&gt;\nVue d\u2019un canal \u00e0 Amsterdam, vers 1659-1662 ?&lt;br \/&gt;\n\u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?fit=300%2C162&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?fit=665%2C359&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?resize=665%2C359&#038;ssl=1\" alt=\"\" class=\"wp-image-16391\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?w=721&amp;ssl=1 721w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/01\/bnrty.jpg?resize=300%2C162&amp;ssl=1 300w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Renier Nooms, dit Zeeman (Amsterdam, vers 1623 \u2013 Amsterdam, 1664) Vue d\u2019un canal \u00e0 Amsterdam, vers 1659-1662 ? Eau-forte sur papier verg\u00e9 \u00a9 RMN-Grand Palais Domaine de Chantilly-Michel Urtado<\/figcaption><\/figure>\n<\/div>\n\n\n<p> R\u00e9currentes dans les gravures du Si\u00e8cle d\u2019or, les marines insistent sur le fait que la puissance des Provinces-Unies d\u00e9coule de comptoirs commerciaux \u00e9tablis gr\u00e2ce \u00e0 des routes maritimes qui font affluer des marchandises du monde entier \u00e0 Amsterdam. Par le biais d\u2019artistes tels Nicolaes Berchem, Paulus Potter, Karel Du Jardin, Ruisdael ou Ferdinand Bol, l\u2019estampe magnifie chaque aspect de la vie quotidienne pour convaincre ses citoyens de l\u2019av\u00e8nement d\u2019un \u00e2ge florissant et optimiste.<\/p>\n\n\n\n<p><strong>Ch\u00e2teau de Chantilly<\/strong><br>Cabinet d\u2019art graphique<\/p>\n\n\n\n<p>Exposition jusqu&rsquo;au 25 f\u00e9vrier 2024<\/p>\n","protected":false},"excerpt":{"rendered":"<p>le mus\u00e9e Cond\u00e9 pr\u00e9sente une partie totalement in\u00e9dite de ses collections \u00e0 l\u2019occasion de sa saison n\u00e9erlandaise. Illustre amateur d\u2019estampes, le duc d\u2019Aumale a r\u00e9uni une collection de gravures au burin ou d\u2019eaux fortes qui t\u00e9moigne du fait que Rembrandt est loin d\u2019\u00eatre le seul artiste \u00e0 avoir fait preuve de brio dans ce domaine. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":16387,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-16384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Par-del\u00e0 Rembrandt: Estampes n\u00e9erlandaises du Si\u00e8cle d&#039;or Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"le mus\u00e9e Cond\u00e9 pr\u00e9sente une partie totalement in\u00e9dite de ses collections \u00e0 l\u2019occasion de sa saison n\u00e9erlandaise. 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