{"id":15863,"date":"2023-07-03T16:27:09","date_gmt":"2023-07-03T15:27:09","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15863"},"modified":"2024-03-12T15:15:23","modified_gmt":"2024-03-12T14:15:23","slug":"pendule-neo-egyptienne-par-e-hebert-et-g-servant","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/pendule-neo-egyptienne-par-e-hebert-et-g-servant\/","title":{"rendered":"Pendule N\u00e9o-Egyptienne par E. H\u00e9bert et G. Servant"},"content":{"rendered":"\n

Pendule N\u00e9o-Egyptienne en Bronze et Marbre, France, circa 1867, sign\u00e9\u00a0Emile H\u00e9bert<\/em>\u00a0sur le buste en bronze,\u00a0Servant<\/em>\u00a0sur le cadran de la pendule et\u00a0G & S M\u00e9daille d\u2019Or, 1867<\/em>\u00a0sur le mouvement.<\/strong><\/p>\n\n\n\n

Proche des mod\u00e8les pr\u00e9sent\u00e9s \u00e0 l\u2019Exposition Universelle de Paris en 1867<\/em><\/p>\n\n\n

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Pendule N\u00e9o-Egyptienne par E. H\u00e9bert et G. Servant. (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

En marbre Onyx noir, avec de chaque c\u00f4t\u00e9 des piliers massifs en marbre rouge, sur lesquels se d\u00e9tachent des figures en bronze repr\u00e9sentant deux reines, \u00e9lev\u00e9 sur des pieds en pattes de lion et support\u00e9 par une plinthe \u00e0 gradins port\u00e9e par huit pieds. Le cadran de la pendule est orn\u00e9 de chiffres Egyptianisants et d\u2019inscriptions hi\u00e9roglyphiques pour les mois de l\u2019ann\u00e9e. L\u2019ensemble est surmont\u00e9 d\u2019un buste de Cl\u00e9op\u00e2tre en bronze patin\u00e9 et dor\u00e9, portant la d\u00e9pouille de vautour, coiffure royale \u00e9gyptienne.<\/p>\n\n\n

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Pendule N\u00e9o-Egyptienne par E. H\u00e9bert et G. Servant. (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Biographie :<\/strong>
Emile H\u00e9bert, \u00e9tudia la sculpture avec son p\u00e8re et le c\u00e9l\u00e8bre artiste Feuch\u00e8re. Il exposa des bustes et des sujets mythologiques au Salon des Artistes Fran\u00e7ais, de 1846 \u00e0 1893, ainsi qu\u2019aux Expositions Universelles de 1855 et de 1867, o\u00f9 il fut r\u00e9compens\u00e9 d\u2019une m\u00e9daille d\u2019or pour cette pendule et une paire de bustes. Il renouvela son exploit \u00e0 l\u2019Exposition Universelle de 1878, en remportant de nouveau une m\u00e9daille d\u2019or pour d\u2019autres sujets de style Egyptien. Le rapport du Jury en 1878 ne manqua pas de faire son \u00e9loge: \u201cLa ciselure d\u2019H\u00e9bert est trait\u00e9e de main de ma\u00eetre et est fort appr\u00e9ci\u00e9e des artistes.\u201d Ses r\u00e9alisations de style Egyptien figurent parmi ses \u0153uvres les plus c\u00e9l\u00e8bres, suivant la tradition de la sculpture d\u00e9corative ethnographique en France au XIXe si\u00e8cle. H\u00e9bert devint \u00e9galement c\u00e9l\u00e8bre pour avoir sculpt\u00e9 deux all\u00e9gories, La Com\u00e9die et Le Drame, pour la fa\u00e7ade du Th\u00e9\u00e2tre \u201cVaudeville\u201d de Paris.<\/p>\n\n\n

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Pendule N\u00e9o-Egyptienne par E. H\u00e9bert et G. Servant. (c) Tobogan Antiques<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

G. Servant, poss\u00e9dait une fonderie rue Vieille-du-Temple, \u00e0 Paris et se sp\u00e9cialisa dans la production de pendules de style n\u00e9o-Egyptien, alors tr\u00e8s populaires en France depuis les ann\u00e9es 1860. Il ex\u00e9cuta avec H\u00e9bert pour cette Exposition Universelle de 1867 une autre pendule et deux bustes de style Egyptien. Enfin, les deux artistes particip\u00e8rent brillamment \u00e0 l\u2019Exposition Universelle de 1878, o\u00f9 Servant cette fois non seulement exposait, mais \u00e9tait aussi membre du Jury de la classe des bronzes d\u2019art (Exposition de 1878, Rapport sur les bronzes d\u2019art, Gr. III, Classe 25, p\u00b0 25).<\/p>\n","protected":false},"excerpt":{"rendered":"

Pendule N\u00e9o-Egyptienne en Bronze et Marbre, France, circa 1867, sign\u00e9\u00a0Emile H\u00e9bert\u00a0sur le buste en bronze,\u00a0Servant\u00a0sur le cadran de la pendule et\u00a0G & S M\u00e9daille d\u2019Or, 1867\u00a0sur le mouvement. Proche des mod\u00e8les pr\u00e9sent\u00e9s \u00e0 l\u2019Exposition Universelle de Paris en 1867 En marbre Onyx noir, avec de chaque c\u00f4t\u00e9 des piliers massifs en marbre rouge, sur lesquels […]<\/p>\n","protected":false},"author":6,"featured_media":15869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-15863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nPendule N\u00e9o-Egyptienne par E. 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