{"id":15777,"date":"2023-06-05T10:06:53","date_gmt":"2023-06-05T09:06:53","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15777"},"modified":"2024-03-12T15:17:34","modified_gmt":"2024-03-12T14:17:34","slug":"ecole-venitienne-xviiie-siecle-allegories-des-quatre-continents","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/ecole-venitienne-xviiie-siecle-allegories-des-quatre-continents\/","title":{"rendered":"Ecole V\u00e9nitienne, XVIIIe Si\u00e8cle. All\u00e9gories des Quatre Continents"},"content":{"rendered":"\n

Les quatre \u0153uvres illustr\u00e9es, de dimensions modestes, repr\u00e9sentent les All\u00e9gories des continents connus jusqu\u2019alors\u00a0: Europe, Afrique, Asie et Am\u00e9rique.<\/strong> Du XVIe si\u00e8cle au XVIIIe si\u00e8cle, les personnifications des quatre continents ont \u00e9t\u00e9 un th\u00e8me artistique qui a connu une grande popularit\u00e9, de la peinture \u00e0 la sculpture, des estampes et des gravures aux services en porcelaine. Parmi ceux-ci se trouvent les c\u00e9l\u00e8bres fresques r\u00e9alis\u00e9es par Giambattista Tiepolo (1696-1770 avec son fils Giandomenico \u00e0 la r\u00e9sidence des princes \u00e9v\u00eaques de Wurzburg, vers 1752.<\/p>\n\n\n\n

L\u2019artiste des quatre \u0153uvres illustr\u00e9es, dont l\u2019identit\u00e9 est inconnue mais qui peut \u00eatre ins\u00e9r\u00e9e dans le contexte v\u00e9nitien, construit les images en se r\u00e9f\u00e9rant en partie au texte de 1593 de Cesare Ripa, Iconologie.<\/p>\n\n\n

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\u00e9cole V\u00e9nitienne, XVIIIe Si\u00e8cle. All\u00e9gories des Quatre Continents. (c) Ars Antiqua srl<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Le Ripa pr\u00e9voit pour l\u2019all\u00e9gorie de l\u2019Europe une \u00ab\u00a0Femme tr\u00e8s riche v\u00eatue d\u2019habito Regale de plusieurs couleurs, avec une couronne sur la t\u00eate, […] il y aura un cheval, des troph\u00e9es, des boucliers, et plus de sort d\u2019armes\u00a0\u00bb. Parmi les \u0153uvres examin\u00e9es, l\u2019Europe se distingue en effet par la figure f\u00e9minine v\u00eatue de robes \u00e9l\u00e9gantes et fastueuses aux tons bleus et dor\u00e9s, accompagn\u00e9e d\u2019un cheval.<\/p>\n\n\n\n

Pour l\u2019Asie par contre le Ripa indique une \u00ab\u00a0Femme couronn\u00e9e d\u2019une tr\u00e8s belle guirlande de fleurs vagues, […], sera v\u00eatue d\u2019habit tr\u00e8s riche, tout brod\u00e9 d\u2019or, de perles et autres joies d\u2019estime; dans la main droite elle aura des ramuscelli avec des feuilles, et des fruits de cassia, du poivre et des \u0153illets, […] Sur la gauche, il y aura un bel encensoir, artifiteux, dont on voit beaucoup de fum\u00e9e. Pr\u00e8s de cette femme, il y aura un Camelo couch\u00e9 sur ses genoux, ou d\u2019une autre mani\u00e8re, comme il semble le mieux au peintre avis\u00e9 et discret\u00a0\u00bb. L\u2019Asie est donc reconnaissable, parmi les peintures examin\u00e9es, dans la figure avec une coiffe, v\u00eatue d\u2019un \u00e9l\u00e9gant v\u00eatement de brocart vert surmont\u00e9 d\u2019un manteau rouge et qui, agenouill\u00e9e, porte un encensoir.
En arri\u00e8re-plan se trouve \u00e9galement le chameau, attribut indiqu\u00e9 par le Ripa.<\/p>\n\n\n

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\"\"<\/a>
\u00e9cole V\u00e9nitienne, XVIIIe Si\u00e8cle. All\u00e9gories des Quatre Continents. (c) Ars Antiqua srl<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

En ce qui concerne le continent africain, notre peintre inconnu ne s\u2019en tient pas toujours \u00e0 la description du Ripa : En effet, il d\u00e9crivait pour l\u2019Afrique une femme brune semi-d\u00e9shabill\u00e9e. Ici, au lieu de cela, nous voyons une figure masculine, la poitrine envelopp\u00e9e \u00e0 moiti\u00e9 de draperies bleues tenues par une ceinture d\u2019or et de pierres pr\u00e9cieuses. Autour du cou un collier pr\u00e9cieux, ainsi que la couronne somptueuse qui porte autour du front. Sous lui se trouve \u00ab\u00a0un lion f\u00e9roce\u00a0\u00bb \u00e9galement indiqu\u00e9 dans l\u2019iconologie, qui regarde de mani\u00e8re mena\u00e7ante le spectateur.<\/p>\n\n\n

\n
\"\"<\/a>
\u00e9cole V\u00e9nitienne, XVIIIe Si\u00e8cle. All\u00e9gories des Quatre Continents. (c) Ars Antiqua srl<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Le Ripa en fait une description assez inqui\u00e9tante de l\u2019Am\u00e9rique\u00a0: \u00ab\u00a0Femme nue, de teint sombre, de jaune mixte, de visage terrible, et qu\u2019un voile ray\u00e9 de plusieurs couleurs en tombant d\u2019une \u00e9paule \u00e0 travers le corps, lui recouvre les parties honteuses\u00a0\u00bb. La peinture \u00e0 l\u2019examen, en revanche, pr\u00e9voit une figure masculine de teint fonc\u00e9, habill\u00e9e comme indiqu\u00e9 par le Ripa mais dans l\u2019ensemble, elle nous appara\u00eet moins mena\u00e7ante que ce qui est indiqu\u00e9 par le texte de r\u00e9f\u00e9rence. Au pied du continent personnifi\u00e9, il y a \u00ab\u00a0un l\u00e9zard, au-dessus d\u2019un Ligure de grandeur d\u00e9mesur\u00e9e\u00a0\u00bb. En g\u00e9n\u00e9ral, l\u2019auteur r\u00e9alise des compositions assez essentielles en caract\u00e9risant les All\u00e9gories, ins\u00e9r\u00e9es dans des contextes naturels, avec peu d\u2019\u00e9l\u00e9ments par rapport \u00e0 la multitude de d\u00e9tails fournis par le Ripa, auxquels font appel d\u2019autres artistes, dont le guitariste Tiepolo.<\/p>\n\n\n

\n
\"\"<\/a>
\u00e9cole V\u00e9nitienne, XVIIIe Si\u00e8cle. All\u00e9gories des Quatre Continents. (c) Ars Antiqua srl,<\/a> Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

Le Metropolitan Museum de New York conserve \u00e9galement des fresques repr\u00e9sentant les quatre continents d\u00e9tach\u00e9s au XXe si\u00e8cle du Palazzo Valle Marchesini Sala \u00e0 Vicence. Ici, l\u2019artiste s\u2019essaie \u00e0 des compositions moins sc\u00e9nographiques que celles de Wurzburg, m\u00eame pour des raisons d\u2019espace \u00e9videntes, mais il s\u2019en tient avec ponctualit\u00e9 aux indications de Cesare Ripa. Le v\u00e9nitien Jean-Baptiste Crosato ( 1686 ou 1697 – 1758) est lui aussi confront\u00e9 au m\u00eame th\u00e8me dans quatre toiles conserv\u00e9es au Salzburger Barockmueum de Salzbourg.<\/p>\n","protected":false},"excerpt":{"rendered":"

Les quatre \u0153uvres illustr\u00e9es, de dimensions modestes, repr\u00e9sentent les All\u00e9gories des continents connus jusqu\u2019alors\u00a0: Europe, Afrique, Asie et Am\u00e9rique. Du XVIe si\u00e8cle au XVIIIe si\u00e8cle, les personnifications des quatre continents ont \u00e9t\u00e9 un th\u00e8me artistique qui a connu une grande popularit\u00e9, de la peinture \u00e0 la sculpture, des estampes et des gravures aux services en […]<\/p>\n","protected":false},"author":6,"featured_media":15782,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-15777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nEcole V\u00e9nitienne, XVIIIe Si\u00e8cle. 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