{"id":15700,"date":"2023-05-07T15:45:33","date_gmt":"2023-05-07T14:45:33","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15700"},"modified":"2026-01-01T11:03:33","modified_gmt":"2026-01-01T10:03:33","slug":"madeleine-attribuee-a-francesco-montemezzano-verone-1555-1600","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/madeleine-attribuee-a-francesco-montemezzano-verone-1555-1600\/","title":{"rendered":"Madeleine attribu\u00e9e \u00e0 Francesco Montemezzano (V\u00e9rone, 1555 – 1600)"},"content":{"rendered":"\n

La toile repr\u00e9sentant la figure de Madeleine qui laisse derri\u00e8re elle la vie dissolue d\u2019une p\u00e9cheresse pour embrasser celle d\u2019une p\u00e9nitente est, par la reddition des \u00e9toffes, la force de la figure et l\u2019usage savant de la palette, constitu\u00e9e de pigments pr\u00e9cieux et savamment modul\u00e9s, \u00e0 relier \u00e0 la figure de Francesco Montemezzano (V\u00e9rone 1555 – 1600)<\/strong>.<\/p>\n\n\n\n

\u00c9l\u00e8ve dans l\u2019atelier de Paolo Veronese et de son fr\u00e8re Benedetto Caliari, l\u2019artiste a \u00e9t\u00e9 actif sur le territoire v\u00e9nitien\u00a0: en 1570, un acte notari\u00e9 le signale \u00e0 Tr\u00e9vise pour prendre part avec Benedetto Caliari \u00e0 la r\u00e9alisation des fresques qui ornent la salle ducale du palais \u00e9piscopal; en 1583, l\u2019artiste se trouve \u00e0 Sacile, o\u00f9 il peint les fresques dans la salle de bal du Palazzo Ragazzoni. Cinq des six \u00e9pisodes (un, d\u00e9tach\u00e9, se trouve \u00e0 la Gem\u00e4ldegalerie de Dresde) tir\u00e9s de la vie du noble frioulan Giacomo Ragazzoni (1528-1609), personnage de premier plan du monde marchand et diplomatique v\u00e9nitien, en contact avec des repr\u00e9sentants de haut niveau du patriciat lagunaire. Bien ins\u00e9r\u00e9 \u00e9galement \u00e0 Venise, Montemezzano participe \u00e0 la d\u00e9coration renouvel\u00e9e de certaines salles du palais ducal \u00e0 la suite des deux incendies d\u00e9sastreux de 1574 et 1577. <\/p>\n\n\n

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Madeleine attribu\u00e9e \u00e0 Francesco Montemezzano. (c) Ars Antiqua srl<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

L\u2019artiste se trouva ainsi faire partie des plus importants chantiers d\u00e9coratifs de la construction civile v\u00e9nitienne de ces ann\u00e9es-l\u00e0, au c\u0153ur de l\u2019\u00e9picentre politique de la ville, probablement en exploitant les liens de Paolo Veronese, prot\u00e9g\u00e9 de Contarini et proche de l\u2019\u00e9lite du gouvernement. L\u2019adh\u00e9sion au langage du ma\u00eetre dut procurer \u00e0 Montemezzano un certain succ\u00e8s tant dans la lagune que sur la terre ferme, o\u00f9 il re\u00e7ut de nombreuses ordinations pour des tableaux de d\u00e9votion tant publique que priv\u00e9e.
Il fut \u00e9galement tr\u00e8s appr\u00e9ci\u00e9 en tant que portraitiste et r\u00e9alisa un important noyau d\u2019effigies, notamment de dames v\u00e9nitiennes, comme en t\u00e9moignent par exemple Gentilfemme avec \u00e9cureuil au Rrijksmuseum d\u2019Amsterdam et Portrait de Gentilfemme aujourd\u2019hui conserv\u00e9 au Metropolitan Museum of Art de New York. <\/p>\n\n\n

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Madeleine attribu\u00e9e \u00e0 Francesco Montemezzano. (c) Ars Antiqua srl<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n

De grande puissance expressive, la Madeleine est repr\u00e9sent\u00e9e au moment de la renonciation aux biens terrestres et de l\u2019acceptation de la nouvelle vie de p\u00e9nitence. Sans h\u00e9sitation, la main gauche jette au sol une pr\u00e9cieuse cha\u00eene d\u2019or et un bracelet, minutieusement rendu dans les plus petites pierres pr\u00e9cieuses, avec l\u2019autre main enl\u00e8ve deux pr\u00e9cieuses perles. \u00c0 ses pieds, ce qui devait \u00eatre une robe pr\u00e9cieuse en soie pourpre avec de d\u00e9licates greffes dor\u00e9es finement d\u00e9cor\u00e9es et encore des bijoux, un collier de perles, un bracelet et une cha\u00eene en or. <\/p>\n\n\n\n

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Madeleine attribu\u00e9e \u00e0 Francesco Montemezzano. (c) Ars Antiqua srl,<\/a> Proantic<\/figcaption><\/figure>\n\n\n\n

De petits peignes en ivoire, autrefois symbole d\u2019une extr\u00eame richesse, sont abandonn\u00e9s sur le terrain nu flanqu\u00e9s d\u2019un miroir d\u00e9sormais bris\u00e9. Le miroir est le plus grand symbole de Vanitas; point de m\u00e9ditation sur la \u00ab\u00a0vanit\u00e9\u00a0\u00bb et la caducit\u00e9 des choses terrestres selon ce qui est \u00e9crit dans le livre biblique de Qohelt. M\u00eame le cr\u00e2ne repr\u00e9sent\u00e9 au loin symbolise la r\u00e9flexion sur la vie mais surtout sur la mort et est le signe type de la vie \u00e9r\u00e9mitique qui se pr\u00e9sente dans l\u2019avenir de Marie-Madeleine.\u00a0
S\u2019appuyant sur une protub\u00e9rance rocheuse, une ampoule de verre contenant l\u2019onguent parfum\u00e9 avec lequel il parfuma les pieds de J\u00e9sus et le premier parmi les attributs iconographiques de la Madeleine.
La signification de la phrase \u00e9crite en dessous de l\u2019ampoule dont on reconna\u00eet les mots \u00ab\u00a0DEO NON MAMOAE\u00a0\u00bb signifient\u00a0: Je d\u00e9sire donner \u00e0 Dieu tout ce que je poss\u00e8de.<\/p>\n\n\n\n

<\/p>\n\n\n\n



<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La toile repr\u00e9sentant la figure de Madeleine qui laisse derri\u00e8re elle la vie dissolue d\u2019une p\u00e9cheresse pour embrasser celle d\u2019une p\u00e9nitente est, par la reddition des \u00e9toffes, la force de la figure et l\u2019usage savant de la palette, constitu\u00e9e de pigments pr\u00e9cieux et savamment modul\u00e9s, \u00e0 relier \u00e0 la figure de Francesco Montemezzano (V\u00e9rone 1555 […]<\/p>\n","protected":false},"author":6,"featured_media":15704,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-15700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nMadeleine attribu\u00e9e \u00e0 Francesco Montemezzano (V\u00e9rone, 1555 - 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