{"id":15560,"date":"2023-04-14T16:44:23","date_gmt":"2023-04-14T15:44:23","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15560"},"modified":"2023-04-14T16:45:53","modified_gmt":"2023-04-14T15:45:53","slug":"doucet-et-camondo-une-passion-pour-le-xviiie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/doucet-et-camondo-une-passion-pour-le-xviiie-siecle\/","title":{"rendered":"Doucet et Camondo\u00a0: une passion pour le XVIIIe si\u00e8cle"},"content":{"rendered":"\n

Les Arts D\u00e9coratifs et l\u2019Institut national d\u2019histoire de l\u2019art (INHA) pr\u00e9sentent, au mus\u00e9e Nissim de Camondo, une exposition consacr\u00e9e \u00e0 la riche collection d\u2019\u0153uvres d\u2019art du\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle constitu\u00e9e par Jacques Doucet.<\/strong> <\/p>\n\n\n\n

C\u00e9l\u00e8bre couturier et grand m\u00e9c\u00e8ne, Jacques Doucet (1853-1929) est aussi l\u2019un des plus importants collectionneurs de son temps. Une s\u00e9lection de dessins, photographies et documents d\u2019archives conserv\u00e9s \u00e0 l\u2019INHA\u00a0retrace l\u2019histoire de ce prestigieux patrimoine. <\/p>\n\n\n\n

\"\"<\/a>
Adrien Karbowsky, \u00ab \u00c9tude pour le salon des pastels \u00bb, 1907\nAquarelle\nSource : INHA<\/figcaption><\/figure>\n\n\n\n

L\u2019exposition d\u00e9voile les d\u00e9cors \u00e9ph\u00e9m\u00e8res de l\u2019h\u00f4tel particulier situ\u00e9 rue Spontini dans le\u00a0XVIe<\/sup>\u00a0arrondissement que Doucet fait sp\u00e9cialement \u00e9difier pour accueillir cet ensemble de tableaux, dessins, sculptures, meubles et objets d\u2019art du\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle. Elle met en lumi\u00e8re les \u0153uvres ayant appartenu \u00e0 Jacques Doucet, conserv\u00e9es notamment au mus\u00e9e Nissim de Camondo, ancien h\u00f4tel particulier de Mo\u00efse de Camondo, tissant ainsi le lien entre ces deux grands collectionneurs.<\/p>\n\n\n\n

\u00a0Tandis que les plans de l\u2019architecte Louis Parent (1854-1909) prennent d\u00e9j\u00e0 en compte les d\u00e9cors anciens que poss\u00e8de Doucet et les \u0153uvres importantes de sa collection, le travail de d\u00e9coration de l\u2019h\u00f4tel est confi\u00e9 au peintre d\u00e9corateur Adrien Karbowsky (1855-1945) et au sculpteur Georges Hoentschel (1855-1915).<\/p>\n\n\n\n

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Photographe non identifi\u00e9, \u00ab Salon des pastels \u00bb, 1912\nSource : INHA<\/figcaption><\/figure>\n\n\n\n

Aujourd\u2019hui conserv\u00e9s \u00e0 la biblioth\u00e8que de l\u2019INHA, les 31 dessins d\u2019Adrien Karbowsky, d\u00e9licatement color\u00e9s \u00e0 l\u2019aquarelle, font rena\u00eetre ce monument \u00e9difi\u00e9 \u00e0 la gloire de ces collections du\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle, qui conna\u00eet une existence \u00e9ph\u00e9m\u00e8re. \u00c0 la surprise g\u00e9n\u00e9rale, Jacques Doucet vend aux ench\u00e8res quasiment toutes ses \u0153uvres en 1912 et quitte d\u00e9finitivement l\u2019h\u00f4tel \u00e0 la fin de l\u2019ann\u00e9e 1913. Si les raisons de ce d\u00e9part demeurent aujourd\u2019hui incertaines, il est probable qu\u2019il soit li\u00e9 au d\u00e9c\u00e8s de sa ma\u00eetresse, Jeanne Raimon, n\u00e9e Ruaud, assassin\u00e9e le 28\u00a0f\u00e9vrier 1911 par son mari, alors qu\u2019elle avait d\u00e9cid\u00e9 de le quitter pour \u00e9pouser son amant.<\/p>\n\n\n\n

\"\"<\/a>
Henry Tenr\u00e9, \u00ab Salon des pastels \u00bb, 1911\nAquarelle sur carton\nSource : INHA<\/figcaption><\/figure>\n\n\n\n

Exceptionnels pour leurs qualit\u00e9s esth\u00e9tiques, les dessins jouent un r\u00f4le de t\u00e9moignage dans l\u2019appr\u00e9hension des collections et leur accrochage\u00a0: ils montrent que cet ensemble constitu\u00e9 par Doucet est bien au c\u0153ur du projet d\u00e9coratif. Les visiteurs d\u00e9couvrent, \u00e0 travers ces dessins, les d\u00e9cors de la rue Spontini o\u00f9 chaque objet y a sa place, soigneusement pens\u00e9e, tels que ceux du grand vestibule, le d\u00e9cor Directoire, le salon des pastels qui rassemblent des oeuvres d\u2019Hubert Robert, Jean Honor\u00e9 Fragonard, Louise \u00c9lisabeth Vig\u00e9e Le Brun, Antoine Watteau et Fran\u00e7ois Boucher ou enfin le majestueux salon aux lambris anciens et modernes de style R\u00e9gence.<\/p>\n\n\n\n

L\u2019exposition retrace, tout au long du parcours, les liens \u00e9troits entre ces deux collectionneurs contemporains l\u2019un de l\u2019autre. Si Jacques Doucet et Mo\u00efse de Camondo ne semblent pas avoir \u00e9t\u00e9 proches ou m\u00eame s\u2019\u00eatre fr\u00e9quent\u00e9s, ils ont pourtant en commun une passion pour le\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle et des d\u00e9marches de collectionneurs tr\u00e8s comparables. Comme Doucet, Camondo a d\u00e9j\u00e0 une collection qu\u2019il entreprend d\u2019enrichir pendant la construction de l\u2019h\u00f4tel. Spectaculaire, la vente aux ench\u00e8res de la collection de Doucet en 1912 attire les plus grands mus\u00e9es, marchands et amateurs, fran\u00e7ais et \u00e9trangers, dont Mo\u00efse de Camondo.<\/p>\n\n\n\n

L\u2019exposition r\u00e9v\u00e8le les pratiques distinctes de ces deux collectionneurs : contrairement \u00e0 Camondo, tr\u00e8s attentif \u00e0 la coh\u00e9rence temporelle des \u0153uvres qu\u2019il assemble et qui se concentre sur des objets dat\u00e9s de la seconde moiti\u00e9 du XVIIIe<\/sup> si\u00e8cle, Doucet fait primer l\u2019\u00e9quilibre visuel de l\u2019accrochage sur sa coh\u00e9rence historique ou intellectuelle. Il op\u00e8re \u00e9galement des rapprochements th\u00e9matiques audacieux tel que l\u2019\u00e9rotisme : la gouache de Pierre Antoine Baudouin dans le salon des pastels est accroch\u00e9e avec \u00ab <\/small>Le Feu aux poudres <\/small>\u00bb de Fragonard, peinture aujourd\u2019hui au Louvre, et une terre cuite de Clodion, \u00ab <\/small>L\u2019Innocence <\/small>\u00bb, d\u00e9sormais au Metropolitan Museum of Art, \u00e0 New York.<\/p>\n\n\n\n

En mettant en lumi\u00e8re Jacques Doucet, une figure fondatrice de l\u2019INHA mais \u00e9galement grand m\u00e9c\u00e8ne des Arts D\u00e9coratifs, qui comprend le mus\u00e9e \u00e9ponyme et le mus\u00e9e Nissim de Camondo, cette exposition rend hommage \u00e0 l\u2019histoire de ces deux grandes institutions.<\/p>\n\n\n\n

Exposition \u00ab\u00a0Doucet et Camondo\u00a0: une passion pour le XVIIIe si\u00e8cle\u00a0\u00bb pr\u00e9sent\u00e9e au mus\u00e9e Nissim de Camondo, \u00e0 Paris, jusqu’au 3 septembre 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Les Arts D\u00e9coratifs et l\u2019Institut national d\u2019histoire de l\u2019art (INHA) pr\u00e9sentent, au mus\u00e9e Nissim de Camondo, une exposition consacr\u00e9e \u00e0 la riche collection d\u2019\u0153uvres d\u2019art du\u00a0XVIIIe\u00a0si\u00e8cle constitu\u00e9e par Jacques Doucet. C\u00e9l\u00e8bre couturier et grand m\u00e9c\u00e8ne, Jacques Doucet (1853-1929) est aussi l\u2019un des plus importants collectionneurs de son temps. Une s\u00e9lection de dessins, photographies et documents […]<\/p>\n","protected":false},"author":6,"featured_media":15564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-15560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nDoucet et Camondo\u00a0: une passion pour le XVIIIe si\u00e8cle Le 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