{"id":15541,"date":"2023-04-14T15:59:03","date_gmt":"2023-04-14T14:59:03","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15541"},"modified":"2024-04-22T10:39:47","modified_gmt":"2024-04-22T09:39:47","slug":"gilles-demarteau-graveur-liegeois-du-xviiieme","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/","title":{"rendered":"Gilles Demarteau, graveur li\u00e9geois du XVIII\u00e8me"},"content":{"rendered":"\n<p><strong>N\u00e9 au faubourg d&rsquo;Avroy\u00a0d&rsquo;une famille d&rsquo;armuriers, Gilles Demarteau rejoint vers 1748-1750 son fr\u00e8re\u00a0orf\u00e8vre\u00a0\u00e0\u00a0Paris\u00a0o\u00f9 il se lie \u00e0\u00a0Jean-Honor\u00e9 Fragonard,\u00a0Carle van Loo\u00a0et surtout\u00a0Fran\u00e7ois Boucher\u00a0dont il fut l&rsquo;ami.<\/strong><\/p>\n\n\n\n<p>Cr\u00e9ateur d&rsquo;un proc\u00e9d\u00e9 am\u00e9lior\u00e9 de gravure polychrome \u00e0 la\u00a0mani\u00e8re de crayon\u00a0emprunt\u00e9 \u00e0\u00a0Jean-Charles Fran\u00e7ois\u00a0pour lequel il travaillait, son nouveau proc\u00e9d\u00e9 fut disput\u00e9 par\u00a0Louis-Marin Bonnet, Andr\u00e9 Basset dit\u00a0<em>le jeune<\/em>\u00a0et encore\u00a0Jacques Gautier d&rsquo;Agoty, mais sa ma\u00eetrise de la technique et une lettre du chevalier Jacques de Heusy (1719-1796) lui feront justice.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"516\" data-attachment-id=\"15550\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/839444-main-6166e5c180aa7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?fit=1200%2C930&amp;ssl=1\" data-orig-size=\"1200,930\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Livre d&amp;rsquo;Etude d&amp;rsquo;Animaux Par Demarteau . Gravure \u00e0 la mani\u00e8re de la sanguine. (c) galerie Maillard-Fouilleul, Proantic\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Livre d&amp;rsquo;Etude d&amp;rsquo;Animaux Par Demarteau . Gravure \u00e0 la mani\u00e8re de la sanguine.&lt;br \/&gt;\n(c) galerie Maillard-Fouilleul, Proantic&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?fit=300%2C233&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?fit=665%2C516&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?resize=665%2C516&#038;ssl=1\" alt=\"\" class=\"wp-image-15550\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?resize=1024%2C794&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?resize=300%2C233&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?resize=768%2C595&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/839444-main-6166e5c180aa7.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\"> Livre d&rsquo;Etude d&rsquo;Animaux Par Demarteau . Gravure en mani\u00e8re de crayon\u00a0 . (c) galerie Maillard-Fouilleul, Proantic<\/figcaption><\/figure>\n\n\n\n<p>Il est agr\u00e9\u00e9 par l&rsquo;Acad\u00e9mie et montre neuf gravures au\u00a0Salon\u00a0de 1767, puis est pr\u00e9sent en 1768, 1773 et 1775 \u00e0 ce m\u00eame salon. Devenu membre le\u00a02 septembre 1769\u00a0de l&rsquo;Acad\u00e9mie, il fut pourvu d&rsquo;une pension de\u00a0600\u00a0livres et log\u00e9 au\u00a0palais du Louvre\u00a0en qualit\u00e9 de graveur du roi.<\/p>\n\n\n\n<p>Il grave de nombreux portraits d&rsquo;apr\u00e8s\u00a0Fran\u00e7ois Boucher,\u00a0Jean-Baptiste Huet,\u00a0Fr\u00e9dou\u00a0ou encore\u00a0Greuze, ainsi que des motifs floraux d&rsquo;apr\u00e8s\u00a0Louis Tessier.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"913\" data-attachment-id=\"15545\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/761063-main-60798d8326986\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?fit=874%2C1200&amp;ssl=1\" data-orig-size=\"874,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Galerie Portalis Aix\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Gilles Demarteau d&amp;rsquo;apr\u00e8s Boucher la jeune laveuse, gravure en mani\u00e8re de sanguine XVIIIe. (c) &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?fit=219%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?fit=665%2C913&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?resize=665%2C913&#038;ssl=1\" alt=\"\" class=\"wp-image-15545\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?resize=746%2C1024&amp;ssl=1 746w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?resize=768%2C1054&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/761063-main-60798d8326986.jpg?w=874&amp;ssl=1 874w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Gilles Demarteau d&rsquo;apr\u00e8s Boucher la jeune laveuse, gravure en mani\u00e8re de crayon\u00a0, XVIIIe. (c)<a href=\"https:\/\/www.proantic.com\/galerie\/galerie-portalis\/\"> Galerie Portalis Aix<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gilles Demarteau demande \u00e0 Fran\u00e7ois Boucher vers 1765 de d\u00e9corer le salon de son appartement situ\u00e9 sur l\u2019\u00eele de la Cit\u00e9. Boucher con\u00e7oit alors une \u0153uvre pleine de fantaisie, principalement compos\u00e9e de grandes peintures, ouvrant sur une campagne idyllique remplie d\u2019animaux familiers et pittoresques, de plantes et de fleurs abondantes sur un soubassement de treillage. <\/p>\n\n\n\n<p>Le d\u00e9cor a connu quelques remontages et ajouts de pastiches jusqu\u2019\u00e0 son installation au mus\u00e9e Carnavalet, en 1974<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"579\" data-attachment-id=\"15547\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/849198-main-61812d0488c75\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?fit=440%2C579&amp;ssl=1\" data-orig-size=\"440,579\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"gravure \u00e0 la mani\u00e8re de sanguine et de crayon, intitul\u00e9e \u00ab\u00a0Le marchand d&amp;rsquo; huitres\u00a0\u00bb du c\u00e9l\u00e8bre graveur Gilles Demarteau (1750 &amp;#8211; 1802. (c) Jeroen der Kinderen Fine Arts, Proantic\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;gravure \u00e0 la mani\u00e8re de sanguine et de crayon, intitul\u00e9e \u00ab\u00a0Le marchand d&amp;rsquo; huitres\u00a0\u00bb du c\u00e9l\u00e8bre graveur Gilles Demarteau (1750 &amp;#8211; 1802.&lt;br \/&gt;\n(c) Jeroen der Kinderen Fine Arts, Proantic&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?fit=228%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?fit=440%2C579&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?resize=440%2C579&#038;ssl=1\" alt=\"\" class=\"wp-image-15547\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?w=440&amp;ssl=1 440w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/04\/849198-main-61812d0488c75.jpg?resize=228%2C300&amp;ssl=1 228w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a><figcaption class=\"wp-element-caption\">gravure  en mani\u00e8re de crayon, intitul\u00e9e \u00ab\u00a0Le marchand d&rsquo; huitres\u00a0\u00bb du c\u00e9l\u00e8bre graveur Gilles Demarteau (1750 &#8211; 1802. (c) <a href=\"https:\/\/www.proantic.com\/galerie\/galerie-beukelaer\/\">Jeroen der Kinderen Fine Arts<\/a>, Proantic<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>N\u00e9 au faubourg d&rsquo;Avroy\u00a0d&rsquo;une famille d&rsquo;armuriers, Gilles Demarteau rejoint vers 1748-1750 son fr\u00e8re\u00a0orf\u00e8vre\u00a0\u00e0\u00a0Paris\u00a0o\u00f9 il se lie \u00e0\u00a0Jean-Honor\u00e9 Fragonard,\u00a0Carle van Loo\u00a0et surtout\u00a0Fran\u00e7ois Boucher\u00a0dont il fut l&rsquo;ami. Cr\u00e9ateur d&rsquo;un proc\u00e9d\u00e9 am\u00e9lior\u00e9 de gravure polychrome \u00e0 la\u00a0mani\u00e8re de crayon\u00a0emprunt\u00e9 \u00e0\u00a0Jean-Charles Fran\u00e7ois\u00a0pour lequel il travaillait, son nouveau proc\u00e9d\u00e9 fut disput\u00e9 par\u00a0Louis-Marin Bonnet, Andr\u00e9 Basset dit\u00a0le jeune\u00a0et encore\u00a0Jacques Gautier d&rsquo;Agoty, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":15546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-15541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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content=\"C\u00e9line Autant\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"C\u00e9line Autant\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/gilles-demarteau-graveur-liegeois-du-xviiieme\/\"},\"author\":{\"name\":\"C\u00e9line Autant\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\"},\"headline\":\"Gilles Demarteau, graveur li\u00e9geois du 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