{"id":15205,"date":"2023-01-04T15:17:55","date_gmt":"2023-01-04T14:17:55","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15205"},"modified":"2023-01-04T15:53:00","modified_gmt":"2023-01-04T14:53:00","slug":"letoffe-des-flamands","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/","title":{"rendered":"L&rsquo;\u00e9toffe des Flamands"},"content":{"rendered":"\n<p><strong>Le mus\u00e9e de Tess\u00e9 pr\u00e9sente l&rsquo;exposition \u00ab\u00a0L&rsquo;\u00e9toffe des Flamands, mode et peinture au XVIIe si\u00e8cle\u00a0\u00bb jusqu&rsquo;au 29 janvier 2023. Par la diversit\u00e9 des th\u00e8mes abord\u00e9s, elle offre une approche in\u00e9dite du costume et de son \u00e9vocation par les \u00e9coles du Nord.<\/strong><\/p>\n\n\n\n<p>Les mus\u00e9es des Beaux-Arts du Mans, d&rsquo;Angers et de Tours s&rsquo;associent pour proposer, \u00e0 partir des collections de peinture nordique de ces trois mus\u00e9es, une exposition consacr\u00e9e au\u00a0<strong>dialogue entre mode et peinture<\/strong>\u00a0dans les Pays-Bas au XVII<sup>e<\/sup>\u00a0si\u00e8cle.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"1024\" data-attachment-id=\"15209\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?fit=1600%2C2827&amp;ssl=1\" data-orig-size=\"1600,2827\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;11&quot;,&quot;credit&quot;:&quot;D COUINEAU&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark IV&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655222402&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;59&quot;,&quot;iso&quot;:&quot;500&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"L&amp;rsquo;\u00e9toffe des Flamands\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Copie d\u2019apr\u00e8s Frans (II) Pourbus (1569 \u2013 1622), Portrait de l\u2019archiduchesse Isabelle d\u2019Autriche, souveraine (1598-1621), puis gouvernante des Pays-Bas espagnols (1621-1633) Vers 1603&lt;br \/&gt;\n\u00a9 Mus\u00e9es du Mans, D. Couineau&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?fit=170%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?fit=580%2C1024&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=580%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-15209\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=580%2C1024&amp;ssl=1 580w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=170%2C300&amp;ssl=1 170w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=768%2C1357&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=869%2C1536&amp;ssl=1 869w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=1159%2C2048&amp;ssl=1 1159w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?resize=102%2C180&amp;ssl=1 102w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-3_1-1600x0-1.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption>Copie d\u2019apr\u00e8s Frans (II) Pourbus (1569 \u2013 1622), Portrait de l\u2019archiduchesse Isabelle d\u2019Autriche, souveraine (1598-1621), puis gouvernante des Pays-Bas espagnols (1621-1633) Vers 1603\n\u00a9 Mus\u00e9es du Mans, D. Couineau<\/figcaption><\/figure>\n\n\n\n<p>Le parcours aborde, de mani\u00e8re tr\u00e8s large, des questions sociales, commerciales, \u00e9conomiques et m\u00eame philosophiques propres aux Pays-Bas de cette \u00e9poque. Les v\u00eatements et la mode ne sont pas consid\u00e9r\u00e9s du seul point de vue de l&rsquo;histoire des formes mais \u00e9tudi\u00e9s en tant qu&rsquo;expression des probl\u00e9matiques propres \u00e0 la&nbsp;<strong>soci\u00e9t\u00e9 n\u00e9erlandaise du XVII<sup>e<\/sup>&nbsp;si\u00e8cle<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/w02ftusxXcY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>L&rsquo;exposition s&rsquo;interroge sur la relation au v\u00eatement entretenue non seulement par les \u00e9lites mais aussi par les classes sociales plus modestes, en \u00e9tudiant leurs modes de production, de commercialisation et de consommation dans la soci\u00e9t\u00e9 n\u00e9erlandaise du XVII<sup>e<\/sup>\u00a0si\u00e8cle. On insiste aussi tout particuli\u00e8rement sur\u00a0<strong>trois industries \u00ab\u00a0locales\u00a0\u00bb<\/strong>\u00a0li\u00e9es \u00e0 la production textile, particuli\u00e8rement florissantes pendant la p\u00e9riode, et qui connurent \u00e0 l\u2019international un succ\u00e8s commercial consid\u00e9rable.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>La dentelle,<\/li><li>le&nbsp;lin, en particulier \u00e0 Haarlem,<\/li><li>le drap de laine, \u00e0 Leyde.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"887\" data-attachment-id=\"15206\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?fit=1600%2C2133&amp;ssl=1\" data-orig-size=\"1600,2133\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"L&amp;rsquo;\u00e9toffe des Flamands\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Paire de gants de mari\u00e9e de Cornelia Fagel (1619-1693), qui se maria le 15 f\u00e9vrier 1637&lt;br \/&gt;\n\u00a9 Amsterdam Museum&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?fit=665%2C887&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=665%2C887&#038;ssl=1\" alt=\"\" class=\"wp-image-15206\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?resize=135%2C180&amp;ssl=1 135w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-copy-0-1600x0-1.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Paire de gants de mari\u00e9e de Cornelia Fagel (1619-1693), qui se maria le 15 f\u00e9vrier 1637\n\u00a9 Amsterdam Museum<\/figcaption><\/figure>\n\n\n\n<p>Au XVIIe si\u00e8cle, pour \u00eatre honorable, une femme des classes ais\u00e9es doit \u00eatre mari\u00e9e. Un accessoire en particulier symbolise ce statut : les gants \u00ab\u00a0de mariage\u00a0\u00bb. Offerts par le fianc\u00e9 \u00e0 sa future \u00e9pouse, ils sont utilis\u00e9s lors de la c\u00e9r\u00e9monie nuptiale. La mari\u00e9e doit s\u2019y d\u00e9ganter pour serrer la main de son \u00e9poux, en signe de fid\u00e9lit\u00e9 conjugale. Cette somptueuse paire de gants est orn\u00e9e d\u2019un d\u00e9cor brod\u00e9 \u00e0 symbolique conjugale, m\u00ealant l\u2019\u0153illet (amour et mariage) et la violette (virginit\u00e9 et humilit\u00e9).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"463\" data-attachment-id=\"15207\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/paulus-van-beresteyn-et-son-epouse-catherina-both-van-des-eem\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?fit=1600%2C1114&amp;ssl=1\" data-orig-size=\"1600,1114\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Christian Jean \/ RMN-GP&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Soutman Pieter Claesz (vers 1580-1657). Paris, mus\\u00e9e du Louvre. RF426.&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Christian Jean&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Paulus van Beresteyn et son \\u00e9pouse Catherina Both van des Eem&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"L&amp;rsquo;\u00e9toffe des Flamands\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pieter Soutman (v. 1593\/1601 \u2013 1657) Portrait de la famille Beresteyn : Paulus van Beresteyn (1588-1636) et son \u00e9pouse Catherina Both van der Eem, avec leurs six enfants et deux servantes Vers 1630-1631&lt;br \/&gt;\nPhoto \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Christian Jean&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?fit=300%2C209&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?fit=665%2C463&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=665%2C463&#038;ssl=1\" alt=\"\" class=\"wp-image-15207\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=1024%2C713&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=300%2C209&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=768%2C535&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=1536%2C1069&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?resize=180%2C125&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/exposition-letoffe-des-flamands-musee-de-tessee-1-1-1600x0-1.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Pieter Soutman (v. 1593\/1601 \u2013 1657) Portrait de la famille Beresteyn : Paulus van Beresteyn (1588-1636) et son \u00e9pouse Catherina Both van der Eem, avec leurs six enfants et deux servantes Vers 1630-1631\nPhoto \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Christian Jean<\/figcaption><\/figure>\n\n\n\n<p>Ce portrait de groupe par Pieter Soutman repr\u00e9sente une riche famille de Haarlem. Saisis dans des attitudes tr\u00e8s naturelles, les mod\u00e8les nous donnent \u00e0 voir comment on se mouvait dans ces v\u00eatements peu commodes, notamment avec les contraignantes fraises \u2013 qui en 1630 allaient d\u2019ailleurs tr\u00e8s rapidement passer de mode. Les parents ont rev\u00eatu des tenues formelles noires, habituelles dans les portraits des bourgeois. Les enfants et les servantes permettent de voir des tenues color\u00e9es plus informelles peu repr\u00e9sent\u00e9es d&rsquo;ordinaire.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"495\" height=\"742\" data-attachment-id=\"15208\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/csm_expo_etoffe_portrait_e3d41f1b4e\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?fit=495%2C742&amp;ssl=1\" data-orig-size=\"495,742\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"L&amp;rsquo;\u00e9toffe des Flamands\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?fit=495%2C742&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?resize=495%2C742&#038;ssl=1\" alt=\"\" class=\"wp-image-15208\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?w=495&amp;ssl=1 495w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_portrait_e3d41f1b4e.jpg?resize=120%2C180&amp;ssl=1 120w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><figcaption>\u00a9 David Riou &#8211; Mus\u00e9es d&rsquo;Angers<\/figcaption><\/figure><\/div>\n\n\n\n<p>Cette jeune femme porte fi\u00e8rement de nombreuses dentelles, qui ornent la bordure de sa chemise et sous forme d&rsquo;une large bande accentuant l&rsquo;horizontalit\u00e9 de la silhouette. Elle porte aussi une \u00ab\u00a0gorgerette\u00a0\u00bb presque transparente, une pi\u00e8ce de lingerie en fine batiste qui couvre le d\u00e9collet\u00e9. Les dentelles, en fil de soie ou de lin, constituaient des accessoires extr\u00eamement co\u00fbteux. Tr\u00e8s en vogue au XVIIe si\u00e8cle, elles provenaient principalement d&rsquo;Italie et de Flandre.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"495\" height=\"330\" data-attachment-id=\"15210\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/letoffe-des-flamands\/csm_expo_etoffe_album_dc70cd291a\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?fit=495%2C330&amp;ssl=1\" data-orig-size=\"495,330\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"L&amp;rsquo;\u00e9toffe des Flamands\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u00a9 Museum De Lakenhal&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?fit=495%2C330&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?resize=495%2C330&#038;ssl=1\" alt=\"\" class=\"wp-image-15210\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?w=495&amp;ssl=1 495w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2023\/01\/csm_expo_etoffe_album_dc70cd291a.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><figcaption>\u00a9 Museum De Lakenhal<\/figcaption><\/figure><\/div>\n\n\n\n<p>Au XVIIe si\u00e8cle, Leyde, au nord de La Haye, est la capitale mondiale du drap de laine. La ville exporte ses \u00e9toffes dans le monde entier. La guilde des marchands-drapiers contr\u00f4le la qualit\u00e9 de toute la production. On v\u00e9rifie d&rsquo;abord la longueur et les finitions des tissus puis on teste la solidit\u00e9 de la teinture des draps noirs \u2013 les plus chers : des \u00e9chantillons sont mis \u00e0 bouillir puis on les consigne dans ces albums, avec les coordonn\u00e9es du fabriquant, tandis que les tissus eux-m\u00eames sont marqu\u00e9s de plombs de contr\u00f4le qui servent de garantie de qualit\u00e9 pour les acheteurs.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le mus\u00e9e de Tess\u00e9 pr\u00e9sente l&rsquo;exposition \u00ab\u00a0L&rsquo;\u00e9toffe des Flamands, mode et peinture au XVIIe si\u00e8cle\u00a0\u00bb jusqu&rsquo;au 29 janvier 2023. Par la diversit\u00e9 des th\u00e8mes abord\u00e9s, elle offre une approche in\u00e9dite du costume et de son \u00e9vocation par les \u00e9coles du Nord. Les mus\u00e9es des Beaux-Arts du Mans, d&rsquo;Angers et de Tours s&rsquo;associent pour proposer, \u00e0 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":15211,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-15205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;\u00e9toffe des Flamands Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Le mus\u00e9e de Tess\u00e9 pr\u00e9sente l&#039;exposition &quot;L&#039;\u00e9toffe des Flamands, mode et peinture au XVIIe si\u00e8cle&quot; jusqu&#039;au 29 janvier 2023. 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