{"id":15025,"date":"2022-11-04T10:30:41","date_gmt":"2022-11-04T09:30:41","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=15025"},"modified":"2024-04-22T10:46:45","modified_gmt":"2024-04-22T09:46:45","slug":"lane-iconoclaste-dans-un-cabinet-damateur","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/lane-iconoclaste-dans-un-cabinet-damateur\/","title":{"rendered":"L\u2019\u00e2ne iconoclaste dans un cabinet d\u2019amateur."},"content":{"rendered":"\n

Irruption de l\u2019\u00e2ne Iconoclaste dans un Cabinet d\u2019amateur, Atelier de Frans Francken II (Anvers, 1581-1642). Ecole Anversoise du XVII\u00e8me si\u00e8cle.<\/strong><\/p>\n\n\n\n

Notre panneau illustre un th\u00e8me des \u00ab\u00a0\u00e2nes iconoclastes<\/em>\u00a0\u00bb, sujet rare et semble-t-il trait\u00e9 seulement par Frans Francken II mis en sc\u00e8ne dans un cabinet d\u2019amateur d\u2019art.\u00a0
Les int\u00e9rieurs de collectionneurs d\u2019arts, les premiers mus\u00e9es priv\u00e9s, constitue des sujets de pr\u00e9dilection de peintres anversois du XVII\u00e8me, repr\u00e9sentant souvent les collectionneurs en tant que connaisseurs avertis, s\u2019int\u00e9ressant non seulement aux arts visuels tels que sculpture ou peinture, mais \u00e9galement aux sciences telles que philosophie, g\u00e9ographie et astronomie.<\/p>\n\n\n\n

\"\"
Irruption de l\u2019\u00e2ne Iconoclaste dans un Cabinet d\u2019amateur, Atelier de Frans Francken II (Anvers, 1581-1642). (c) Galerie Nicolas Lent\u00e9<\/a>, Proantic.<\/figcaption><\/figure>\n\n\n\n

Parmi les \u0153uvres de Frans II Francken on d\u00e9nombre plusieurs repr\u00e9sentations d\u2019\u00ab\u00e2nes iconoclastes\u00bb dans les cabinets d\u2019amateur, en r\u00e9f\u00e9rence \u00e0 l’iconoclasme de 1566, provoquant la destruction de l\u2019int\u00e9rieur de la cath\u00e9drale d\u2019Anvers.\u00a0
Faire renaitre dans ses \u0153uvres les \u00e9v\u00e8nements vieux d\u2019un demi-si\u00e8cle permet au peintre de mieux appr\u00e9hender l\u2019agitation religieuse qui r\u00e8gne dans les ann\u00e9es 1610-1620 et d\u00e9noncer \u00e0 travers ses \u0153uvres les effets n\u00e9fastes sur l\u2019\u00e9conomie. La position de Francken est empreinte de l\u2019\u00e9rasmisme, le courant qui d\u00e9fend un compromis entre le protestantisme et la papaut\u00e9.<\/p>\n\n\n\n

\"\"
Irruption de l\u2019\u00e2ne Iconoclaste dans un Cabinet d\u2019amateur, Atelier de Frans Francken II (Anvers, 1581-1642). (c) Galerie Nicolas Lent\u00e9<\/a>, Proantic.<\/figcaption><\/figure>\n\n\n\n

La Furie iconoclaste a longtemps \u00e9t\u00e9 consid\u00e9r\u00e9e par les historiens comme une r\u00e9volte politico-populaire contre la tyrannie du prince, mais aussi comme une r\u00e9volution socio-\u00e9conomique d\u2019un peuple affam\u00e9. Le roi Philippe II, tr\u00e8s absent de son royaume des Pays-Bas, \u00e9tait en effet impopulaire et la pauvret\u00e9 et le ch\u00f4mage augmentaient dramatiquement.
Le risque de basculement entre vandalisme des \u0153uvres d\u2019art religieuses vers les \u0153uvres profanes dans un contexte \u00e9conomique instable est difficile \u00e0 pr\u00e9voir.\u00a0
C\u2019est pour cette raison dans notre tableau, comme dans tous ceux sortis de l\u2019atelier de Francken, l\u2019\u00e2ne iconoclaste brise les sculptures antiques. Le peintre alerte sur le risque de transfert de folie destructrice sur des \u0153uvres d\u2019art profanes, et non seulement limit\u00e9 au culte catholique. Une \u0153uvre d\u2019art est avant tout une cr\u00e9ation artistique, nonobstant son emploi ou sa localisation.\u00a0
En recourant \u00e0 la parodie animale, le peintre choisit l\u2019\u00e2ne pour d\u00e9noncer les ravages de l\u2019iconoclasme. L\u2019\u00e2ne \u00e0 la Renaissance est un symbole d\u2019ignorance, de la b\u00eatise, de l’ent\u00eatement, l’obstination ou encore l’ob\u00e9issance aveugle, passive et stupide.<\/p>\n","protected":false},"excerpt":{"rendered":"

Irruption de l\u2019\u00e2ne Iconoclaste dans un Cabinet d\u2019amateur, Atelier de Frans Francken II (Anvers, 1581-1642). Ecole Anversoise du XVII\u00e8me si\u00e8cle. Notre panneau illustre un th\u00e8me des \u00ab\u00a0\u00e2nes iconoclastes\u00a0\u00bb, sujet rare et semble-t-il trait\u00e9 seulement par Frans Francken II mis en sc\u00e8ne dans un cabinet d\u2019amateur d\u2019art.\u00a0Les int\u00e9rieurs de collectionneurs d\u2019arts, les premiers mus\u00e9es priv\u00e9s, constitue […]<\/p>\n","protected":false},"author":6,"featured_media":15040,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-15025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nL\u2019\u00e2ne iconoclaste dans un cabinet d\u2019amateur. 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