{"id":14857,"date":"2022-08-25T09:19:43","date_gmt":"2022-08-25T08:19:43","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14857"},"modified":"2022-08-25T10:07:49","modified_gmt":"2022-08-25T09:07:49","slug":"vegetal-lecole-de-la-beaute","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/vegetal-lecole-de-la-beaute\/","title":{"rendered":"V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9."},"content":{"rendered":"\n

Les Beaux-Arts de Paris et la Maison Chaumet pr\u00e9sentent V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9, <\/em>sous le commissariat du botaniste Marc Jeanson. <\/strong>Cette exposition in\u00e9dite et ambitieuse affirme la beaut\u00e9 de la nature et c\u00e9l\u00e8bre le caract\u00e8re intemporel du v\u00e9g\u00e9tal en croisant les visions, les \u00e9poques et les supports, invitant ainsi \u00e0 regarder la nature \u00e0 travers le prisme universel de l\u2019art et de la beaut\u00e9.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9.<\/figcaption><\/figure>\n\n\n\n

Initiatrice du projet, la Maison Chaumet a puis\u00e9 dans son vaste patrimoine, l\u2019un des plus importants de l\u2019histoire du bijou en Europe, pour faire r\u00e9sonner son identit\u00e9 naturaliste et son regard botaniste avec toutes les formes artistiques qui se sont, elles aussi, pench\u00e9es sur le v\u00e9g\u00e9tal.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9.<\/figcaption><\/figure>\n\n\n\n

Pr\u00e8s de 400 oeuvres offrent ainsi au public une libre fl\u00e2nerie \u00e0 travers 5 000 ans d\u2019art et de science racont\u00e9s par le dialogue entre peintures, sculptures, textiles, photographies, mobilier et pr\u00e8s de 80 objets joailliers de Chaumet et d\u2019autres maisons. Source majeure d\u2019inspiration pour la Maison depuis sa cr\u00e9ation, en 1780, par Marie-\u00c9tienne Nitot, qui se pr\u00e9sentait comme \u00ab joaillier naturaliste \u00bb, <\/em>la nature est aujourd\u2019hui au coeur de notre soci\u00e9t\u00e9 engag\u00e9e dans un nouvel \u00e9veil \u00e0 l\u2019environnement.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9. <\/figcaption><\/figure>\n\n\n\n

C\u2019est pourquoi les Beaux-Arts de Paris et Chaumet ont confi\u00e9 le commissariat de l\u2019exposition au botaniste Marc Jeanson, ancien responsable de l\u2019Herbier du Mus\u00e9um national d\u2019Histoire naturelle de Paris, aujourd\u2019hui directeur botanique du jardin Majorelle, \u00e0 Marrakech. Complice de la Maison depuis plusieurs ann\u00e9es, Marc Jeanson a imagin\u00e9 V\u00e9g\u00e9tal <\/em>comme un herbier compos\u00e9 \u00e0 partir des esp\u00e8ces pr\u00e9sentes dans les cr\u00e9ations Chaumet.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9. <\/figcaption><\/figure><\/div>\n\n\n\n

Les plantes apparaissent ainsi au sein du paysage dans lequel elles cohabitent : la for\u00eat, l\u2019estran, la roseli\u00e8re, le champ de bl\u00e9\u2026 Au fil des chapitres, le visiteur renoue avec les outils du botaniste, l\u2019oeil, le savoir et la m\u00e9moire. Face \u00e0 ces objets de science devenus objets d\u2019art et ces observations pr\u00e9liminaires d\u2019artistes devenus botanistes s\u2019ouvre un monde qui \u00e9merveille, guid\u00e9 par l\u2019\u00e9motion et le sensible.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9.<\/figcaption><\/figure>\n\n\n\n

Un regard crois\u00e9, une m\u00eame sublimation du v\u00e9g\u00e9tal<\/strong><\/p>\n\n\n\n

Rendant hommages aux figures tut\u00e9laires de la taxonomie, la science des lois de la classification, avec, par exemple, les dessins des Jussieu ou l\u2019herbier de Paul Hermann, V\u00e9g\u00e9tal r\u00e9unit des oeuvres majeures, d\u2019autres jamais expos\u00e9es, rarement vues ou gagnant \u00e0 \u00eatre connues. Exceptionnellement autoris\u00e9s \u00e0 quitter le Louvre, Le Printemps et L\u2019\u00c9t\u00e9 de Giuseppe Arcimboldo prennent une dimension autre, tout comme le lys d\u2019Henri Fantin-Latour venus du Victoria and Albert Museum, les nymph\u00e9as, mais aussi les iris de Claude Monet, la chaise aux ombelles d\u2019\u00c9mile Gall\u00e9, les pens\u00e9es peintes par Eliot Hodgkin, une robe Christian Dior brod\u00e9e de muguet, des narcisses fleurissant sur la panse d\u2019un vase Daum ou encore les oeillets de Bartolomeo Bimbi, \u00e9l\u00e8ve de Lorenzo Lippi officiant \u00e0 la cour des M\u00e9dicis.<\/p>\n\n\n\n

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V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9.<\/figcaption><\/figure>\n\n\n\n

\u00c0 leurs c\u00f4t\u00e9s, de nombreuses cr\u00e9ations joailli\u00e8res issues de collections particuli\u00e8res confirment l\u2019in\u00e9dit : diad\u00e8me Bedford, bracelet aux nymph\u00e9as, broches hanneton, martin-p\u00eacheur, diad\u00e8me-bandeau feuille de ch\u00eane, suite d\u2019hirondelles, diad\u00e8me aux oeillets, broche de la reine Hortense.<\/p>\n\n\n\n

\"\"
V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9.<\/figcaption><\/figure>\n\n\n\n

Ces pi\u00e8ces exceptionnelles entrent en dialogue avec des oeuvres inattendues, telles que ces photographies de jacinthes de Dora Maar, de pistil de tulipe de Brassa\u00ef ou de pivoine de Robert Mapplethorpe ; ou encore ces \u00e9tudes de chardons d\u2019Eug\u00e8ne Delacroix, croquis de lierre de Le Corbusier, peintures d\u2019iris d\u2019Otto Dix ou de fleurs de Gustave Courbet. <\/p>\n\n\n\n

\"\"
Joseph Chaumet, atelier de dessin, Projet de broche \u00e0 la fleur de nymph\u00e9a blanc, vers 1900. plume et encre noire, lavis et rehauts de gouache, Paris, collections Chaumet \u00a9 Collections Chaumet \/ Joseph Chaumet<\/figcaption><\/figure>\n\n\n\n

Exposition Chaumet \u00ab\u00a0V\u00e9g\u00e9tal – L’\u00c9cole de la Beaut\u00e9\u00a0\u00bb.<\/strong>
Jusqu’au 4 septembre 2022.
Mus\u00e9e des Beaux-Arts de Paris.<\/p>\n","protected":false},"excerpt":{"rendered":"

Les Beaux-Arts de Paris et la Maison Chaumet pr\u00e9sentent V\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9, sous le commissariat du botaniste Marc Jeanson. Cette exposition in\u00e9dite et ambitieuse affirme la beaut\u00e9 de la nature et c\u00e9l\u00e8bre le caract\u00e8re intemporel du v\u00e9g\u00e9tal en croisant les visions, les \u00e9poques et les supports, invitant ainsi \u00e0 regarder la nature \u00e0 travers le prisme universel de l\u2019art et de […]<\/p>\n","protected":false},"author":6,"featured_media":14865,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-14857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nV\u00e9g\u00e9tal \u2013 L\u2019\u00c9cole de la beaut\u00e9. 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