{"id":14737,"date":"2022-06-29T12:39:12","date_gmt":"2022-06-29T11:39:12","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14737"},"modified":"2022-06-29T13:34:55","modified_gmt":"2022-06-29T12:34:55","slug":"le-printemps-asiatique","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-printemps-asiatique\/","title":{"rendered":"Le Printemps Asiatique"},"content":{"rendered":"\n

Le mus\u00e9e des Arts d\u00e9coratifs participe \u00e0 la 5e<\/sup>\u00a0\u00e9dition du Printemps Asiatique et d\u00e9voile 80 nouvelles pi\u00e8ces chinoises et japonaises, qui dialoguent avec les \u0153uvres du mus\u00e9e.<\/strong> Il invite amateurs et collectionneurs \u00e0 explorer les collections asiatiques dans un parcours qui rassemble d\u00e9sormais plus de 300 \u0153uvres du\u00a0XIVe<\/sup>\u00a0au\u00a0XXe<\/sup>\u00a0si\u00e8cle.<\/p>\n\n\n\n

\"\"
\nAigui\u00e8re, Chine (fours de Jingdezhen), dynastie Ming, p\u00e9riode Zhengde (1506-1521) ; France, XVIIIe si\u00e8cle (monture)\nPorcelaine \u00e0 couverte blanc bleut\u00e9 (qingbai), bronze dor\u00e9 (monture)<\/figcaption><\/figure>\n\n\n\n

Pour cette nouvelle \u00e9dition, 4 th\u00e8mes rythment le parcours\u00a0:<\/p>\n\n\n\n

\u2022 Les laques de l\u2019\u00e9poque d\u2019Edo (1603-1868) : trois \u00e9critoires Namban<\/em> (des Barbares du Sud) du d\u00e9but du XVIIe<\/sup> si\u00e8cle, mais aussi des bo\u00eetes de formes et usages vari\u00e9s, dont des inr\u00f4s<\/em>.<\/p>\n\n\n\n

\u2022 Les objets d\u00e9di\u00e9s \u00e0 l\u2019encens en Chine et au Japon : variation de la forme du br\u00fble-parfum (m\u00e9tal, \u00e9maux cloisonn\u00e9s, jade) en Chine sous la dynastie Ming (1368-1644); objets et n\u00e9cessaires \u00e0 encens en laque et en c\u00e9ramique de la p\u00e9riode d\u2019Edo (1603-1868) et de l\u2019\u00e8re Meiji (1868-1912).<\/p>\n\n\n\n

\"\"
Jarre couverte avec socle, Chine (fours de Jingdezhen), dynastie Qing, r\u00e8gne de Yongzheng (1723-1735) ; France, XVIIIe si\u00e8cle (socle)\u2060\nPorcelaine, \u00e0 d\u00e9cor d\u2019\u00e9maux sur couverte de type famille rose ; bois sculpt\u00e9, dor\u00e9 \u00a9 Les Arts D\u00e9coratifs \/ Jean Tholanc\u2060e<\/figcaption><\/figure>\n\n\n\n

\u2022 Un renouvellement de la pr\u00e9sentation des porcelaines chinoises et japonaises d\u00e9di\u00e9es \u00e0 l\u2019exportation. La production de c\u00e9ramiques d\u00e9di\u00e9e au march\u00e9 europ\u00e9en est mise en regard de la production chinoise faite pour la cour imp\u00e9riale et le go\u00fbt chinois sous la dynastie Qing (1644-1912).<\/p>\n\n\n\n

\"\"
\u2060\u2060Paravent de Coromandel [Femmes dans un palais au milieu de jardins], Chine, Dynastie Qing (1644-1912), XVIIIe si\u00e8cle. Bois laqu\u00e9, laque de Coromandel en relief.\u00a9 Photo Les Arts D\u00e9coratifs \/ Jean Tholance<\/figcaption><\/figure>\n\n\n\n

\u2022\u00a0Un nouvel accrochage d\u2019estampes (ukiyo-e<\/em>), de pochoirs (katagami<\/em>) et de textiles japonais \u00e9voque les mod\u00e8les qui ont inspir\u00e9 les cr\u00e9ateurs et artistes du japonisme. Quelques \u0153uvres illustrent le lien de l\u2019institution avec le c\u00e9l\u00e8bre marchand Siegfried Bing, mais aussi avec les artistes-collectionneurs et les collectionneurs-amateurs d\u2019art japonais que furent Raymond Koechlin, Henri Vever, Alexis Rouart. Une douzaine d\u2019estampes d\u2019artistes tels que Suzuki Harubonu (1725- 1770), Utagawa Hiroshige (1797-1858), Katsushita Hokusai (1760-1849), Utagawa Toyokuni (1769-1825) et Kitagawa Utamaro (1753-1806) ont \u00e9t\u00e9 choisies pour cette pr\u00e9sentation.<\/p>\n\n\n\n

En savoir plus:<\/p>\n\n\n\n

Exposition pr\u00e9sent\u00e9e jusqu’au 10 juillet 2022<\/p>\n\n\n\n

Mus\u00e9e des arts d\u00e9coratifs. <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Le mus\u00e9e des Arts d\u00e9coratifs participe \u00e0 la 5e\u00a0\u00e9dition du Printemps Asiatique et d\u00e9voile 80 nouvelles pi\u00e8ces chinoises et japonaises, qui dialoguent avec les \u0153uvres du mus\u00e9e. Il invite amateurs et collectionneurs \u00e0 explorer les collections asiatiques dans un parcours qui rassemble d\u00e9sormais plus de 300 \u0153uvres du\u00a0XIVe\u00a0au\u00a0XXe\u00a0si\u00e8cle. Pour cette nouvelle \u00e9dition, 4 th\u00e8mes rythment […]<\/p>\n","protected":false},"author":6,"featured_media":14741,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-14737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nLe Printemps Asiatique Le Magazine de Proantic<\/title>\n<meta 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