{"id":14687,"date":"2022-06-12T16:43:28","date_gmt":"2022-06-12T15:43:28","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14687"},"modified":"2024-04-22T10:58:51","modified_gmt":"2024-04-22T09:58:51","slug":"ruine-de-temple-guiseppe-ou-luigi-valadier","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/ruine-de-temple-guiseppe-ou-luigi-valadier\/","title":{"rendered":"Ruine de temple Guiseppe ou Luigi Valadier"},"content":{"rendered":"\n<p><strong>Ruine De Temple Guiseppe Ou Luigi Valadier .<\/strong> <strong>Marbres giallo antico, africano, rose phoc\u00e9en et bronze dor\u00e9. Rome, vers 1780.<\/strong><\/p>\n\n\n\n<p>Cette colonnade, probablement partie d\u2019un surtout, a pu \u00eatre attribu\u00e9e aux Valadier gr\u00e2ce \u00e0 une paire de ruines similaires conserv\u00e9es au mus\u00e9e Mario Praz de Rome.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"831\" data-attachment-id=\"14697\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ruine-de-temple-guiseppe-ou-luigi-valadier\/951293-main-628f8ff3d95e5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?fit=960%2C1200&amp;ssl=1\" data-orig-size=\"960,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ruine de Temple Guiseppe ou Luigi Valadier &amp;#8211; Vers 1780. (c) Galerie Lamy Chabolle, Proantic\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ruine de Temple Guiseppe ou Luigi Valadier &amp;#8211; Vers 1780. (c) Galerie Lamy Chabolle, Proantic&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?fit=240%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?fit=665%2C831&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?resize=665%2C831&#038;ssl=1\" alt=\"\" class=\"wp-image-14697\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?resize=144%2C180&amp;ssl=1 144w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-main-628f8ff3d95e5.jpg?w=960&amp;ssl=1 960w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Ruine de Temple Guiseppe ou Luigi Valadier &#8211; Vers 1780. (c) <a href=\"https:\/\/www.proantic.com\/galerie\/lamychabolle\/\">Galerie Lamy Chabolle<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n<p>Chefs-d\u2019\u0153uvre de l\u2019art \u00e0 Rome des ann\u00e9es 1770-1780, les surtouts de table des Valadier n\u2019ont pas surv\u00e9cu dans leur int\u00e9gralit\u00e9 aux outrages du temps et des ventes successives. Ceux de Luigi Braschi Onesti, duc de Nemi, conserv\u00e9 au mus\u00e9e du Louvre et du Bailli de Breteuil, conserv\u00e9 au mus\u00e9e arch\u00e9ologique de Madrid, sont incomplets.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"283\" data-attachment-id=\"14699\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ruine-de-temple-guiseppe-ou-luigi-valadier\/951293-alb-628f903838fd7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?fit=1200%2C511&amp;ssl=1\" data-orig-size=\"1200,511\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ruine de Temple Guiseppe ou Luigi Valadier &amp;#8211; Vers 1780. (c) Galerie Lamy Chabolle, Proantic\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?fit=300%2C128&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?fit=665%2C283&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?resize=665%2C283&#038;ssl=1\" alt=\"\" class=\"wp-image-14699\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?resize=1024%2C436&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?resize=300%2C128&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?resize=768%2C327&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?resize=180%2C77&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/951293-alb-628f903838fd7.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n\n\n\n<p>N\u00e9anmoins, les dessins r\u00e9alis\u00e9s par Guiseppe Valadier, donnent des indications sur certaines pi\u00e8ces qui ont \u00e9t\u00e9 r\u00e9alis\u00e9es par l\u2019atelier Valadier. En effet, une feuille portant la repr\u00e9sentation d\u2019une paire de portiques similaires est conserv\u00e9e au sein d\u2019un ensemble au mus\u00e9e napol\u00e9onien de Rome, comprenant divers projets pour des \u00e9l\u00e9ments de centre de table. Les deux portiques repr\u00e9sent\u00e9s font aujourd\u2019hui partie des collections du mus\u00e9e Mario Praz \u00e0 Rome.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"226\" data-attachment-id=\"14716\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ruine-de-temple-guiseppe-ou-luigi-valadier\/valadier_5_2000\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?fit=2000%2C679&amp;ssl=1\" data-orig-size=\"2000,679\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;IQ3 100MP&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1540719916&quot;,&quot;copyright&quot;:&quot;\\u00a9 The Frick Collection 2016&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;2.5&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Luigi Valadier (1726-1785) Surtout de table du Bailli de Breteuil, vers 1778 .\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Luigi Valadier (1726-1785)&lt;br \/&gt;\nSurtout de table du Bailli de Breteuil, vers 1778&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?fit=300%2C102&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?fit=665%2C226&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=665%2C226&#038;ssl=1\" alt=\"\" class=\"wp-image-14716\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=1024%2C348&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=300%2C102&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=768%2C261&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=1536%2C521&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?resize=180%2C61&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2022\/06\/Valadier_5_2000.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Luigi Valadier (1726-1785)\nSurtout de table du Bailli de Breteuil, vers 1778<\/figcaption><\/figure>\n\n\n\n<p>LA FAMILLE VALADIER<\/p>\n\n\n\n<p>Cette c\u00e9l\u00e8bre dynastie de \u00ab\u00a0fondatori di metalli\u00a0\u00bb d\u00e9bute avec l&rsquo;\u0153uvre d&rsquo;Andrea Valadier mais c&rsquo;est avec son fils Luigi que la production d&rsquo;objets en marbres polychromes mont\u00e9s en bronze atteint son apog\u00e9e. Parmi ses clients, les grandes familles de la haute aristocratie romaine telles que les Chigi, les Braschi, les Borghese, les Odelaschi ainsi que la Cour Papale. A la mort de Luigi en 1785, l&rsquo;atelier est repris par son fils Giuseppe. Son \u0153uvre t\u00e9moigne d&rsquo;un savoir-faire acquis dans la production d&rsquo;objets d&rsquo;art li\u00e9 \u00e0 un go\u00fbt pour l&rsquo;architecture et les fastes de la Rome antique. Pour cette raison, il participa au projet de construction de la Piazza del Popolo et du Pincio \u00e0 Rome. Sous sa direction, l&rsquo;atelier r\u00e9alisa des objets magnifiques sans jamais rencontrer la gloire du temps de Luigi Valadier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ruine De Temple Guiseppe Ou Luigi Valadier . Marbres giallo antico, africano, rose phoc\u00e9en et bronze dor\u00e9. Rome, vers 1780. Cette colonnade, probablement partie d\u2019un surtout, a pu \u00eatre attribu\u00e9e aux Valadier gr\u00e2ce \u00e0 une paire de ruines similaires conserv\u00e9es au mus\u00e9e Mario Praz de Rome. Chefs-d\u2019\u0153uvre de l\u2019art \u00e0 Rome des ann\u00e9es 1770-1780, les [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":14698,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-14687","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ruine de temple Guiseppe ou Luigi Valadier Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Ruine De Temple Guiseppe Ou Luigi Valadier . 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