{"id":14495,"date":"2022-03-23T11:47:55","date_gmt":"2022-03-23T10:47:55","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14495"},"modified":"2022-03-23T11:49:15","modified_gmt":"2022-03-23T10:49:15","slug":"le-decor-impressionniste-aux-sources-des-nympheas","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-decor-impressionniste-aux-sources-des-nympheas\/","title":{"rendered":"Le d\u00e9cor impressionniste – Aux sources des Nymph\u00e9as"},"content":{"rendered":"\n

L\u2019impressionnisme est rarement associ\u00e9 au terme d\u00e9coration. Pas plus aux murs, aux objets, \u00e9ventails, c\u00e9ramiques et autres bas-reliefs. <\/strong>Pourtant, des \u0153uvres impressionnistes regard\u00e9es aujourd\u2019hui comme des tableaux de chevalet \u2013 paysages, fleurs ou sc\u00e8nes de la vie moderne \u2013 ont d\u2019abord \u00e9t\u00e9 con\u00e7ues comme des d\u00e9corations. Soucieux de la place du beau dans la vie quotidienne, les artistes impressionnistes en ont fait un terrain d\u2019exp\u00e9rimentation, s\u2019aventurant sur des supports vari\u00e9s dont ils ont explor\u00e9 toutes les possibilit\u00e9s.<\/p>\n\n\n\n

\"\"
Camille Pissarro, \u00e9ventail, vers 1883 Gouache sur soie, \u00a9 mus\u00e9e d’Orsay \/ Patrice Schmidt<\/figcaption><\/figure>\n\n\n\n

\u00ab \u00c7\u2019a \u00e9t\u00e9 le r\u00eave de toute ma vie de peindre des murs \u00bb, confiait Degas. L\u2019artiste n\u2019\u00e9tait pas le seul \u00e0 vouloir participer aux nombreux chantiers d\u00e9coratifs de la fin du XIXe\u00a0<\/sup>si\u00e8cle. Si Manet et les impressionnistes n\u2019ont pas re\u00e7u de commandes officielles, ils ont r\u00e9alis\u00e9, tout au long de leurs carri\u00e8res, des peintures et des objets d\u00e9coratifs.<\/p>\n\n\n\n

\"\"
Pierre Auguste Renoir (1841 \u2013 1919) Baigneuses. Essai de peinture d\u00e9corative, dit aussi Les Grandes Baigneuses. \u00a9 Philadelphia Museum of Art<\/figcaption><\/figure>\n\n\n\n

Ils ont exp\u00e9riment\u00e9 de nombreuses techniques tout en red\u00e9finissant \u00e0 leur mani\u00e8re l\u2019id\u00e9e m\u00eame de \u00ab d\u00e9coratif \u00bb, notion paradoxale, \u00e0 la fois positive et d\u00e9pr\u00e9ciative, au c\u0153ur de la pratique artistique, de la r\u00e9flexion esth\u00e9tique et sociale \u00e0 la fin du XIXe<\/sup>\u00a0si\u00e8cle.<\/p>\n\n\n\n

\"\"
Claude Monet , Les Dindons 1877 \u00a9 Mus\u00e9e d\u2019Orsay \/ Patrice Schmidt<\/figcaption><\/figure>\n\n\n\n

Cet aspect de l\u2019impressionnisme est peu connu aujourd\u2019hui. Pourtant, le cycle des Nymph\u00e9as <\/em>de l\u2019Orangerie, que Monet nommait ses \u00ab grandes d\u00e9corations \u00bb, vient couronner plus de soixante ann\u00e9es d\u2019incursions dans ce domaine. Et si les tableaux expos\u00e9s par les impressionnistes ont choqu\u00e9, c\u2019est aussi parce qu\u2019ils \u00e9taient vu telles de simples d\u00e9corations, d\u00e9nu\u00e9es de signification et vou\u00e9es au seul plaisir des sens. Un critique n\u2019a-t-il pas \u00e9crit en 1874 que ce que Monet peignait s\u2019apparentait \u00e0 un \u00ab papier peint \u00bb ?<\/p>\n\n\n\n

\"\"
Gustave Caillebotte , 4 panneaux de porte \u00a9 Thomas Hennocque<\/figcaption><\/figure>\n\n\n\n

Cette exposition invite donc pour la premi\u00e8re fois \u00e0 explorer une autre histoire de l\u2019impressionnisme avec des \u0153uvres de Cassatt, C\u00e9zanne, Degas, Manet, Monet, Morisot, Pissarro et Renoir, venant du monde entier, pour certaines rarement ou jamais pr\u00e9sent\u00e9es en France. Elle montre comment, \u00e0 travers quelque quatre-vingt peintures, \u00e9ventails, c\u00e9ramiques ou dessins, les impressionnistes ont trac\u00e9 un chemin nouveau, avec la conviction que, pour citer Renoir, l\u2019art est fait avant tout pour \u00ab \u00e9gayer les murs \u00bb.<\/p>\n\n\n\n

Exposition jusqu’au 11 juillet 2022<\/strong><\/p>\n\n\n\n

Mus\u00e9e de L’orangerie<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019impressionnisme est rarement associ\u00e9 au terme d\u00e9coration. Pas plus aux murs, aux objets, \u00e9ventails, c\u00e9ramiques et autres bas-reliefs. Pourtant, des \u0153uvres impressionnistes regard\u00e9es aujourd\u2019hui comme des tableaux de chevalet \u2013 paysages, fleurs ou sc\u00e8nes de la vie moderne \u2013 ont d\u2019abord \u00e9t\u00e9 con\u00e7ues comme des d\u00e9corations. Soucieux de la place du beau dans la vie […]<\/p>\n","protected":false},"author":6,"featured_media":14516,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-14495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nLe d\u00e9cor impressionniste - Aux sources des Nymph\u00e9as Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"L\u2019impressionnisme est rarement associ\u00e9 au terme d\u00e9coration. 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