{"id":14362,"date":"2022-02-16T15:34:33","date_gmt":"2022-02-16T14:34:33","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14362"},"modified":"2022-02-16T15:50:43","modified_gmt":"2022-02-16T14:50:43","slug":"boilly-chroniques-parisiennes-1761-1845","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/boilly-chroniques-parisiennes-1761-1845\/","title":{"rendered":"Boilly. Chroniques parisiennes (1761-1845)"},"content":{"rendered":"\n

Artiste virtuose, prolifique et inclassable, Louis-L\u00e9opold Boilly (1761-1845) se fait le chroniqueur enthousiaste de Paris pendant soixante ans, d\u2019une r\u00e9volution \u00e0 l\u2019aube d\u2019une autre (1789 et 1848).<\/strong> Il est \u00e0 la fois le portraitiste des Parisiens, le peintre de sc\u00e8nes urbaines, l\u2019inventeur de trompe-l\u2019\u0153il saisissants et l\u2019auteur de caricatures piquantes.<\/p>\n\n\n\n

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Louis-L\u00e9opold Boilly (1761-1845), Apr\u00e8s le souper, apr\u00e8s 1830. (Collection particuli\u00e8re \u00a9 Guillaume Beno\u00eet)<\/figcaption><\/figure>\n\n\n\n

Cette exposition monographique explore la carri\u00e8re foisonnante de Boilly au travers de 130 \u0153uvres qui invitent \u00e0 d\u00e9couvrir la singularit\u00e9 de l\u2019artiste, son brio, son humour et son inventivit\u00e9. Elle pr\u00e9sente plusieurs chefs-d\u2019\u0153uvre in\u00e9dits ou expos\u00e9s pour la premi\u00e8re fois en France.<\/p>\n\n\n\n

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Louis-L\u00e9opold Boilly (1761-1845), La Marche incroyable, vers 1797. Collection particuli\u00e8re (\u00a9 Guillaume Beno\u00eet)<\/figcaption><\/figure>\n\n\n\n

Originaire du Nord de la France, Boilly part \u00e0 la conqu\u00eate de la capitale \u00e0 l\u2019\u00e2ge de 24 ans, en 1785, pour ne plus jamais la quitter. Peu int\u00e9ress\u00e9 par la grande histoire de Paris, il est fascin\u00e9 par la modernit\u00e9 de la ville, son effervescence et ses spectacles. Boilly, en chroniqueur de la vie quotidienne, dresse le portait intime d\u2019une g\u00e9n\u00e9ration.<\/p>\n\n\n\n

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Louis-L\u00e9opold Boilly (1761-1845), Sc\u00e8ne du carnaval, 1832. (\u00a9 The Ramsbury Manor Foundation)<\/figcaption><\/figure><\/div>\n\n\n\n

Oh ! errer dans Paris ! adorable et d\u00e9licieuse existence ! Fl\u00e2ner est une science, c\u2019est la gastronomie de l\u2019\u0153il. Se promener, c\u2019est v\u00e9g\u00e9ter ; fl\u00e2ner c\u2019est vivre. [\u2026] Fl\u00e2ner, c\u2019est jouir, c\u2019est recueillir des traits d\u2019esprit, c\u2019est admirer de sublimes tableaux de malheur, d\u2019amour, de joie, des portraits gracieux ou grotesques ; c\u2019est plonger ses regards au fond de mille existences [\u2026].
Honor\u00e9 de Balzac<\/strong>, Physiologie du mariage, 1829<\/p>\n\n\n\n

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Louis-L\u00e9opold Boilly, Le passage de la planche, vers 1810-1814\n\u00a9 RMN – Grand Palais (mus\u00e9e du Louvre) \/ Philippe Fuzeau<\/figcaption><\/figure>\n\n\n\n

L\u2019artiste aime scruter les lieux comme les visages de Paris. Il s\u2019illustre dans l\u2019art du portrait en fixant les visages des Parisiens et des Parisiennes sur des petits formats qui deviennent sa marque de fabrique. Le portraitiste se double volontiers du caricaturiste, posant sur ses concitoyens un regard amus\u00e9, voire mordant. Son go\u00fbt pour la provocation comme pour la virtuosit\u00e9 technique se retrouve dans ses Trompe-l\u2019\u0153il<\/em>, \u00e0 l\u2019\u00e9blouissante qualit\u00e9 illusionniste.<\/p>\n\n\n\n

\"\"
Louis L\u00e9opold Boilly (1761-1845). \u00ab\u00a0L’Indiscret\u00a0\u00bb, entre 1795 et 1800\n\u00a9 Paris Mus\u00e9es \/ Mus\u00e9e Cognacq-Jay<\/figcaption><\/figure>\n\n\n\n

L\u2019exposition d\u00e9voile \u00e9galement le jeu raffin\u00e9 auquel se livre l\u2019artiste pour se mettre lui-m\u00eame en sc\u00e8ne. Il brosse des autoportraits pleins de d\u00e9rision, multiplie les signatures et se glisse parmi les protagonistes de ses sc\u00e8nes de foule, \u00e0 l\u2019image d\u2019un Alfred Hitchcock dans ses films. Ces stratag\u00e8mes instaurent une relation complice entre l\u2019artiste et le spectateur. Tout au long du parcours de l\u2019exposition, le visiteur est invit\u00e9, dans un jeu de piste ludique, \u00e0 retrouver le visage ou les indices de la pr\u00e9sence de Boilly.<\/p>\n\n\n\n

Lieu :\u00a0<\/strong>Mus\u00e9e Cognacq-Jay, Paris 4e
Date de fin :\u00a0<\/strong>26 juin 2022<\/p>\n","protected":false},"excerpt":{"rendered":"

Artiste virtuose, prolifique et inclassable, Louis-L\u00e9opold Boilly (1761-1845) se fait le chroniqueur enthousiaste de Paris pendant soixante ans, d\u2019une r\u00e9volution \u00e0 l\u2019aube d\u2019une autre (1789 et 1848). Il est \u00e0 la fois le portraitiste des Parisiens, le peintre de sc\u00e8nes urbaines, l\u2019inventeur de trompe-l\u2019\u0153il saisissants et l\u2019auteur de caricatures piquantes. Cette exposition monographique explore la […]<\/p>\n","protected":false},"author":6,"featured_media":14370,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-14362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nBoilly. 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