{"id":14236,"date":"2022-01-12T14:35:56","date_gmt":"2022-01-12T13:35:56","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14236"},"modified":"2022-01-12T14:36:36","modified_gmt":"2022-01-12T13:36:36","slug":"cartier-et-les-arts-de-lislam-aux-sources-de-la-modernite","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/cartier-et-les-arts-de-lislam-aux-sources-de-la-modernite\/","title":{"rendered":"Cartier et les arts de l’Islam. Aux sources de la modernit\u00e9"},"content":{"rendered":"\n

Cr\u00e9\u00e9e en 1847 par Louis-Fran\u00e7ois Cartier, la Maison est initialement sp\u00e9cialis\u00e9e en vente de bijoux et d\u2019objets d\u2019art. Son fils Alfred reprend la direction de l\u2019activit\u00e9 en 1874 et y associe son fils a\u00een\u00e9 Louis en 1898. <\/strong>Cartier con\u00e7oit alors ses propres bijoux tout en poursuivant une activit\u00e9 de revente de pi\u00e8ces anciennes.<\/p>\n\n\n\n

\"\"
Ornement de t\u00eate \u2014\nCartier, New York,\nVers 1924\nPlatine, or blanc, or rose,\ndiamants, plumes\nMarian G\u00e9rard\nCollection Cartier\n\u00a9 Cartier<\/figcaption><\/figure>\n\n\n\n

Au d\u00e9but du\u00a0XXe<\/sup>\u00a0si\u00e8cle, Louis Cartier est \u00e0 la recherche de nouvelles sources d\u2019inspiration. Paris est alors le haut lieu du commerce de l\u2019art islamique et c\u2019est certainement au travers des grandes expositions organis\u00e9es \u00e0 Paris, au Mus\u00e9e des Arts D\u00e9coratifs en 1903 puis \u00e0 Munich en 1910, que Louis d\u00e9couvre avec passion ces formes nouvelles qui impr\u00e8gnent progressivement la soci\u00e9t\u00e9 fran\u00e7aise.<\/p>\n\n\n\n

\"\"
Collier \u00ab hindou \u00bb, Cartier Paris, 1963\nPlatine, or, diamants, saphirs, \u00e9meraudes, rubis. Commande sp\u00e9ciale de Daisy Fellowes en 1936, modifi\u00e9e \u00e0 la demande de sa fille, la comtesse de Cast\u00e9ja, en 1963. Nils Herrmann. Collection Cartier\n\u00a9 Cartier<\/figcaption><\/figure>\n\n\n\n

En qu\u00eate de pierres pr\u00e9cieuses et de perles, Jacques Cartier se rend en Inde o\u00f9 il collecte des bijoux anciens et contemporains, pour les revendre en l\u2019\u00e9tat, s\u2019en inspirer ou les recomposer au sein de cr\u00e9ations nouvelles.
Chefs-d\u2019\u0153uvre de l\u2019art islamique, dessins, livres d\u2019ornements et d\u2019architecture, photographies et documents d\u2019archives nous plongent dans le processus cr\u00e9atif \u00e0 la recherche des sources d\u2019inspirations originelles des bijoux et objets de la Maison Cartier.<\/p>\n\n\n\n

\"\"
Projet de poudrier \nCartier, Paris\nVers 1920\nCrayon graphite, encre\nde Chine et gouache sur\npapier transparent\nArchives Cartier Paris\n\u00a9 Cartier<\/figcaption><\/figure>\n\n\n\n

Les diff\u00e9rentes sources d\u2019inspiration et les bijoux orientaux qui enrichissent
les stocks de la Maison contribuent au renouvellement des formes\u2009: mandorles, palmettes, fleurons, rinceaux, ocelles, tigrures, \u00e9cailles, etc., constituent un vaste r\u00e9pertoire de motifs dans lequel puisent les dessinateurs de la Maison.<\/p>\n\n\n\n

\"\"
Panneau de rev\u00eatement \u2014 Iran Fin xive – xve si\u00e8cle \u00a9 Mus\u00e9e du Louvre\/ Rapha\u00ebl Chipault <\/figcaption><\/figure>\n\n\n\n

Louis Cartier innove aussi par de nouvelles associations de couleurs et de mati\u00e8res (lapis-lazuli et turquoise, jade ou \u00e9meraude et saphir\u2026) et par l\u2019emploi de techniques de fabrication inspir\u00e9es du monde indo-persan. Parfois ais\u00e9ment identifiables, d\u2019autres fois d\u00e9compos\u00e9s et recompos\u00e9s jusqu\u2019\u00e0 rendre leur source intra\u00e7able, les motifs et les formes issus des arts et de l\u2019architecture de l\u2019Islam int\u00e8grent le langage stylistique des dessinateurs jusqu\u2019\u00e0 constituer encore \u00e0 ce jour une partie du r\u00e9pertoire de la Maison.<\/p>\n\n\n\n

\"\"
Pendentif, Cartier Paris, commande de 1902\nOr, argent, diamants. Ancienne collection Jane Hading. Vincent Wulveryck, Collection Cartier\n\u00a9 Cartier<\/figcaption><\/figure>\n\n\n\n

\u00c0 travers un parcours th\u00e9matique et chronologique d\u00e9clin\u00e9 en deux volets, l\u2019exposition retrace, dans une premi\u00e8re partie, l\u2019origine de cet int\u00e9r\u00eat pour les arts et l\u2019architecture de l\u2019Islam \u00e0 travers le contexte culturel parisien du d\u00e9but du\u00a0XXe<\/sup>\u00a0et explore le climat de cr\u00e9ation autour des dessinateurs et des ateliers, \u00e0 la recherche de leurs sources d\u2019inspiration. La seconde partie illustre le r\u00e9pertoire de formes inspir\u00e9 par les arts de l\u2019Islam depuis le d\u00e9but du\u00a0XXe<\/sup>\u00a0si\u00e8cle jusqu\u2019\u00e0 nos jours.<\/p>\n\n\n\n

\"\"
N\u00e9cessaire, Cartier Paris, 1924\nOr, platine, nacre, turquoises, \u00e9meraudes, perles, diamants, \u00e9mail. Nils Herrmann. Collection Cartier\n\u00a9 Cartier<\/figcaption><\/figure>\n\n\n\n

Le Mus\u00e9e des Arts D\u00e9coratifs pr\u00e9sente l’exposition \u00ab\u00a0Cartier et les arts de l’Islam. Aux sources de la modernit\u00e9\u00a0\u00bb jusqu’au 20 f\u00e9vrier 2022<\/p>\n\n\n\n

MAD Mus\u00e9e des Arts D\u00e9coratifs<\/a>, Paris 1er<\/p>\n","protected":false},"excerpt":{"rendered":"

Cr\u00e9\u00e9e en 1847 par Louis-Fran\u00e7ois Cartier, la Maison est initialement sp\u00e9cialis\u00e9e en vente de bijoux et d\u2019objets d\u2019art. Son fils Alfred reprend la direction de l\u2019activit\u00e9 en 1874 et y associe son fils a\u00een\u00e9 Louis en 1898. Cartier con\u00e7oit alors ses propres bijoux tout en poursuivant une activit\u00e9 de revente de pi\u00e8ces anciennes. Au d\u00e9but […]<\/p>\n","protected":false},"author":6,"featured_media":14237,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-14236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nCartier et les arts de l'Islam. 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