{"id":14158,"date":"2021-12-15T16:08:41","date_gmt":"2021-12-15T15:08:41","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=14158"},"modified":"2024-04-22T10:56:18","modified_gmt":"2024-04-22T09:56:18","slug":"commode-marquetee-de-j-f-hache","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/commode-marquetee-de-j-f-hache\/","title":{"rendered":"Commode marquet\u00e9e de J-F Hache"},"content":{"rendered":"\n

Commode XVIIIe d’\u00e9poque Transition estampill\u00e9e \u00ab\u00a0HACHE FILS – A GRENOBLE\u00a0\u00bb pour Jean-Fran\u00e7ois Hache (1730-1796) l\u2019a\u00een\u00e9 de la c\u00e9l\u00e8bre dynastie des Hache, l’\u00e9b\u00e9nisterie attitr\u00e9e du Duc d’Orl\u00e9ans gouverneur du Dauphin\u00e9.<\/strong> A noter la pr\u00e9sence de son \u00e9tiquette commerciale d’origine figurant sur la porte lat\u00e9rale gauche (correspondant \u00e0 l’\u00e9tiquette n\u00b0 8 \u00e0 la date de 1773 Grenoble).<\/p>\n\n\n\n

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J-F Hache (1730-1796) Commode de Salon. (c) galerie Tramway<\/a>, Proantic.<\/figcaption><\/figure>\n\n\n\n

Elle pr\u00e9sente une tr\u00e8s \u00e9l\u00e9gante structure de forme sauteuse galb\u00e9e sur toutes faces, ouvrant par deux rangs de tiroirs et deux portes lat\u00e9rales d\u00e9licatement incurv\u00e9es. L’ensemble de la commode est garni d’une marqueterie compos\u00e9e de belles loupes moir\u00e9es, nuageuses et teint\u00e9es qui s’associent avec l’emploi de bois exotiques d\u00e9ployant un riche d\u00e9cor.<\/p>\n\n\n\n

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J-F Hache (1730-1796) Commode de Salon. (c) galerie Tramway<\/a>, Proantic.<\/figcaption><\/figure>\n\n\n\n

La commode est plaqu\u00e9e sur un b\u00e2ti de noyer, galb\u00e9e sur toute ses faces elle ouvre \u00e0 deux grands tiroirs en fa\u00e7ade et deux portes s’articulent de part et d’autre du meuble. Les marqueteries de bois essentiellement indig\u00e8nes (noyer, prunier, \u00e9pinevinette bois teint\u00e9s etc.. ) repr\u00e9sentent des guirlandes de laurier, fleurs, baies, insectes.. elles sont sur un fond de sycomore teint\u00e9 tabac et sont bord\u00e9es de filets de buis en fa\u00e7ade et de bois de violette sur les portes. Les r\u00e9serves cruciformes en satin\u00e9 ruban\u00e9 sont bord\u00e9es de filets de buis puis de frisage d’acacia alternant deux couleurs. Les montants et les pieds sont plaqu\u00e9s de loupe de fr\u00eane ou de sycomore teint\u00e9 et bord\u00e9 de buis. Le reste, traverses, pieds etc est plaqu\u00e9 d’amarante.<\/p>\n\n\n\n

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J-F Hache (1730-1796) Commode de Salon. (c) galerie Tramway<\/a>, Proantic.<\/figcaption><\/figure>\n\n\n\n

Le fils a\u00een\u00e9 de l’\u00e9b\u00e9niste Pierre Hache (1703-1776), Jean-Fran\u00e7ois, \u00e9tait le membre le plus c\u00e9l\u00e8bre de la dynastie Hache. Apr\u00e8s des ann\u00e9es d’apprentissage dans l’atelier familial, il lance sa propre entreprise en 1754, mais continue \u00e0 travailler avec son p\u00e8re. Lorsque son p\u00e8re prend sa retraite en 1770, Jean-Fran\u00e7ois reprend l’atelier. Tr\u00e8s vite, il poss\u00e8de plusieurs ateliers et compte parmi sa client\u00e8le les habitants les plus importants de sa r\u00e9gion. Il produisit des meubles du plus grand luxe ainsi que tout l’ameublement de la maison. D\u00e8s le d\u00e9but, il utilisa le cachet de son p\u00e8re pour signer ses \u0153uvres, auxquelles il ajouta des \u00ab fils \u00bb. Outre les c\u00e9l\u00e8bres ateliers parisiens, celui de Hache \u00e0 Grenoble, fond\u00e9 par Thomas Hache au d\u00e9but du XVIIIe si\u00e8cle, est l’un des ateliers fran\u00e7ais les plus productifs et les plus remarquables de menuiserie d’art europ\u00e9en. Thomas (1721) ainsi que son fils Pierre (1757) et son petit-fils Jean-Fran\u00e7ois (env. 1770) ont re\u00e7u la haute distinction \u00ab\u00a0Eb\u00e9niste et Garde (des Meubles) de Monseigneur le Duc d’Orl\u00e9ans\u00a0\u00bb. <\/p>\n\n\n\n

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J-F Hache (1730-1796) Commode de Salon. (c) galerie Tramway, Proantic.<\/figcaption><\/figure>\n\n\n\n

Les nombreux bois – amboine, thuya, noyer, fr\u00eane, \u00e9rable, m\u00fbrier, sycomore et citronnier – ornaient la structure de base du mobilier, principalement con\u00e7u avec des racines \u00e0 grain. Le grain de la racine avec son aspect tr\u00e8s vivant \u00e9tait non seulement un choix de bois typique pour les Hache, mais aussi une mise en valeur visuelle saisissante du mobilier, qui ne d\u00e9pendait donc pas de ferrures en bronze co\u00fbteuses. <\/p>\n\n\n\n

La r\u00e9partition plus pr\u00e9cise des t\u00e2ches au sein de l’atelier Hache pourrait \u00eatre d\u00e9termin\u00e9e gr\u00e2ce aux derni\u00e8res recherches sur les approches importantes. Pierre et Jean-Fran\u00e7ois travaillaient dans la m\u00eame entreprise familiale. Aujourd’hui, cependant, il est consid\u00e9r\u00e9 comme certain que Jean-Fran\u00e7ois a commenc\u00e9 \u00e0 s’engager dans une voie ind\u00e9pendante \u00e0 partir de 1745 environ. Les deux grands ma\u00eetres avaient leurs propres collaborateurs personnels. Jean-Fran\u00e7ois voyagea plusieurs fois \u00e0 Paris en 1755\/56 et y passa plusieurs mois dans l’atelier du c\u00e9l\u00e8bre \u00ab\u00a0Eb\u00e9niste du Roi\u00a0\u00bb Jean-Fran\u00e7ois Oeben. Son influence se voit bien dans l’\u0153uvre de Jean-Fran\u00e7ois, notamment dans l’\u00e9volution de la marqueterie de fleurs et de guirlandes pour l’ameublement vers 1760. C’est aussi l’\u00e9poque o\u00f9 l’on peut dater la v\u00e9ritable \u00ab perc\u00e9e \u00bb de Jean-Fran\u00e7ois au sein de l’entreprise familiale. P\u00e8re et fils avaient probablement une comptabilit\u00e9 interne s\u00e9par\u00e9e, ce qui \u00e9tait coh\u00e9rent avec l’utilisation simultan\u00e9e des timbres HACHE A GRENOBLE et HACHE FILS A GRENOBLE. En 1770 ils ont fourni au pr\u00e9sident V. de la Tour un important bureau \u00e0 cylindre (anciennement collection de la comtesse D. de Bonvouloir), encore conserv\u00e9e aujourd’hui et sign\u00e9e par les deux ma\u00eetres – par le p\u00e8re en qualit\u00e9 de menuisier , par le fils dans celui d’\u00e9b\u00e9niste. Lit. : P. Kjellberg, Le mobilier fran\u00e7ais du XVIIIe si\u00e8cle, Paris 1989 ; P. 380 F. (Informations biographiques). M. Clerc, Hache Eb\u00e9nistes \u00e0 Grenoble, Grenoble 1997 ; Pp. 12-68 (informations biographiques). R. Fonvieille, La dynastie des Hache, Grenoble 1974 (renseignements biographiques).<\/p>\n","protected":false},"excerpt":{"rendered":"

Commode XVIIIe d’\u00e9poque Transition estampill\u00e9e \u00ab\u00a0HACHE FILS – A GRENOBLE\u00a0\u00bb pour Jean-Fran\u00e7ois Hache (1730-1796) l\u2019a\u00een\u00e9 de la c\u00e9l\u00e8bre dynastie des Hache, l’\u00e9b\u00e9nisterie attitr\u00e9e du Duc d’Orl\u00e9ans gouverneur du Dauphin\u00e9. A noter la pr\u00e9sence de son \u00e9tiquette commerciale d’origine figurant sur la porte lat\u00e9rale gauche (correspondant \u00e0 l’\u00e9tiquette n\u00b0 8 \u00e0 la date de 1773 Grenoble). […]<\/p>\n","protected":false},"author":6,"featured_media":14167,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-14158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nCommode marquet\u00e9e de J-F Hache Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Commode XVIIIe d'\u00e9poque Transition estampill\u00e9e "HACHE FILS - 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