{"id":13957,"date":"2021-10-05T12:49:20","date_gmt":"2021-10-05T11:49:20","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=13957"},"modified":"2021-10-06T12:43:58","modified_gmt":"2021-10-06T11:43:58","slug":"la-dynastie-francken","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/la-dynastie-francken\/","title":{"rendered":"La dynastie Francken"},"content":{"rendered":"\n

De la dynastie Francken ressort aujourd\u2019hui un nom, celui de Frans II Francken (1581-1642) consid\u00e9r\u00e9 comme un artiste hors norme. <\/strong>Ce contemporain de Rubens se d\u00e9marque par son style raffin\u00e9 et singulier, par la diversit\u00e9 des sujets abord\u00e9s et par une production abondante qui inondera le march\u00e9 anversois.<\/p>\n\n\n\n

\"\"
FRANS II FRANCKEN (Anvers, 1581-1642) L\u2019\u00c9ternel Dilemme de l\u2019homme : le choix entre le Vice et la Vertu, , 1633<\/figcaption><\/figure>\n\n\n\n

Form\u00e9 par son p\u00e8re Frans I, peintre d\u2019\u00e9glise renomm\u00e9, il affirme tr\u00e8s t\u00f4t sa personnalit\u00e9 par son go\u00fbt pour l\u2019\u00e9rudition : il multiplie ainsi les r\u00e9f\u00e9rences \u00e0 l\u2019histoire, \u00e0 la litt\u00e9rature voire m\u00eame aux sources \u00e9sot\u00e9riques. Son art d\u00e9licat r\u00e9pond \u00e0 la qu\u00eate des bourgeois d\u00e9sireux de faire montre de leurs connaissances : le succ\u00e8s est imm\u00e9diat.  Se met alors en place un atelier, v\u00e9ritable entreprise commerciale qui fait appel ponctuellement \u00e0 des collaborateurs r\u00e9put\u00e9s comme Jan Brueghel mais qui emploie aussi et surtout ses fr\u00e8res et ses fils.<\/p>\n\n\n\n

\"\"
Frans II Francken, Tomyris, 1621\n\u00a9 Mus\u00e9e des Beaux-Arts de Dijon \/ Photo: Fran\u00e7ois Jay<\/figcaption><\/figure>\n\n\n\n

En Flandre, le mode d\u2019apprentissage fond\u00e9 sur la tradition m\u00e9di\u00e9vale des m\u00e9tiers et des corporations favorise la filiation artistique. La dynastie Francken c\u2019est donc l\u2019histoire de plusieurs g\u00e9n\u00e9rations d\u2019artistes unis par les liens du sang et par un savoir commun. Si Frans I et Ambrosius I d\u00e9voileront leur talent dans la production de spectaculaires triptyques religieux, Hieronymus I acc\u00e9dera au titre prestigieux de peintre du roi de France. <\/p>\n\n\n\n

Chacun suit son propre chemin selon les propositions et les envies tout en b\u00e9n\u00e9ficiant d\u2019une marque, celle des Francken !<\/p>\n\n\n\n

\"\"
Frans II Francken, Sc\u00e8ne de sorcellerie, 1607\n\u00a9 Kunsthistorisches Museum de Vienne, inv. 1070<\/figcaption><\/figure>\n\n\n\n

Cette exposition se concentre sur les membres les plus connus de cette dynastie. Chaque individu de la dynastie pr\u00e9sent\u00e9 dans l\u2019exposition a des sp\u00e9cialit\u00e9s et des sp\u00e9cificit\u00e9s.<\/em><\/p>\n\n\n\n

Hieronymus I (1540-1610)<\/strong>
Hieronymus I est un peintre de cour. Il part \u00e0 Paris d\u00e8s 1566 o\u00f9 il accomplit une brillante carri\u00e8re au service des rois Henri III et Henri IV.<\/p>\n\n\n\n

\"\"
Hieronymus I Francken, (Herentals, ca 1543 – Paris, 1610), L\u2019Adoration des bergers, 1585 – Paris, cath\u00e9drale Notre-Dame<\/figcaption><\/figure>\n\n\n\n

Frans I (1542-1616)<\/strong><\/p>\n\n\n\n

Frans I s\u2019impose comme peintre de retable \u00e0 Anvers \u00e0 partir de 1585. Il obtient d\u2019importantes commandes de la part de l\u2019Eglise avec son fr\u00e8re Ambrosius I.<\/p>\n\n\n\n

\"\"
Hieronymus II Francken, Cabinet d\u2019amateur, 1621\n\u00a9 Mus\u00e9es royaux des Beaux-Arts de Belgique \/ Photo: J. Geleyns \u2013 Art Photography<\/figcaption><\/figure>\n\n\n\n

Ambrosius I (1544-1642)<\/strong>
Ambrosius I est un dessinateur et un collaborateur de l\u2019atelier familial. Apr\u00e8s son apprentissage chez Frans Floris, il voyage \u00e0 Tournai et \u00e0 Paris avant de s\u2019\u00e9tablir \u00e0 Anvers en 1577En 1581\/1582, il occupe le poste de co-doyen puis de doyen de la guilde de Saint-Luc d\u2019Anvers (guilde des peintres). Comme Frans I, c\u2019est un peintre de retable, c\u2019est-\u00e0-dire d\u2019Eglise.<\/p>\n\n\n\n

\"\"
Frans II Francken (1581-1642), Cabinet de curiosit\u00e9s, 1619, huile sur bois, 56 x 85 cm, Anvers, Mus\u00e9e royal des beaux-arts.\n\u00a9 Mus\u00e9e de Flandre, Cassel<\/figcaption><\/figure>\n\n\n\n

Frans II (1581 \u2013 1642)<\/strong>
Frans II apprend aupr\u00e8s de son p\u00e8re et de ses oncles. Il devient ma\u00eetre de la guilde de Saint Luc d\u2019Anvers en 1605. Dix ans plus tard, il acc\u00e8de au titre de doyen. Il obtient rapidement de nombreuses commandes gr\u00e2ce \u00e0 son talent. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Peintre d\u2019\u00e9glise \u00e0 ses d\u00e9buts, il se tourne vers des formats plus adapt\u00e9s \u00e0 une client\u00e8le bourgeoise et aristocrate, produisant beaucoup de tableaux aux th\u00e9matiques vari\u00e9es. Il se consacre aux all\u00e9gories et aux mythes, ainsi qu\u2019aux petites toiles \u00e9voquant Marie. Il s\u2019est \u00e9galement sp\u00e9cialis\u00e9 dans les peintures de sorci\u00e8res, comportant des r\u00e9f\u00e9rences, cach\u00e9es ou non, \u00e0 l\u2019occultisme, au n\u00e9oplatonisme et \u00e0 la d\u00e9monologie. Il a \u00e9galement d\u00e9velopp\u00e9 un nouveau genre: les cabinets d\u2019art et de curiosit\u00e9s et les murs aux tr\u00e9sors.<\/p>\n\n\n\n

Sa production et sa renomm\u00e9e occultent les autres
membres de la famille. C\u2019est le plus connu de la dynastie Francken.<\/p>\n\n\n\n

Mus\u00e9e de Flandre<\/a>, <\/strong>26 Grand\u2019Place \u00e0 Cassel.<\/p>\n\n\n\n

Exposition jusqu’au 2 janvier 2022<\/p>\n","protected":false},"excerpt":{"rendered":"

De la dynastie Francken ressort aujourd\u2019hui un nom, celui de Frans II Francken (1581-1642) consid\u00e9r\u00e9 comme un artiste hors norme. Ce contemporain de Rubens se d\u00e9marque par son style raffin\u00e9 et singulier, par la diversit\u00e9 des sujets abord\u00e9s et par une production abondante qui inondera le march\u00e9 anversois. Form\u00e9 par son p\u00e8re Frans I, peintre […]<\/p>\n","protected":false},"author":6,"featured_media":13975,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-13957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nLa dynastie Francken Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"De la dynastie Francken ressort aujourd\u2019hui un nom, celui de Frans II Francken (1581-1642) consid\u00e9r\u00e9 comme un artiste hors norme. 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