{"id":13660,"date":"2021-06-13T14:35:28","date_gmt":"2021-06-13T13:35:28","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=13660"},"modified":"2024-04-22T10:30:24","modified_gmt":"2024-04-22T09:30:24","slug":"ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/","title":{"rendered":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle"},"content":{"rendered":"\n<p>L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe, r\u00e9alis\u00e9e au d\u00e9but du XVIIeme si\u00e8cle par un atelier form\u00e9 par Iacobo Fiamengo et Giovanni Battista de Curtis.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"443\" data-attachment-id=\"13661\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/784995-60b8fbb8d3053\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?fit=800%2C533&amp;ssl=1\" data-orig-size=\"800,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?fit=665%2C443&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?resize=665%2C443&#038;ssl=1\" alt=\"\" class=\"wp-image-13661\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8d3053.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) <a href=\"https:\/\/www.proantic.com\/galerie\/antiquitespromenade\/\">Galerie Antiquit\u00e9s Promenade <\/a><\/figcaption><\/figure>\n\n\n\n<p>Ce rare \u00e9critoire est en placage d&rsquo;\u00e9b\u00e8ne \u00e0 plateau inclin\u00e9 et orn\u00e9 au centre d&rsquo;une plaque d&rsquo;ivoire grav\u00e9e figurant Suzanne et les vieillards entour\u00e9e de deux frises de piastres en ivoire et de huit m\u00e9daillons carr\u00e9s et rectangulaires en ivoire grav\u00e9s figurant des sc\u00e8nes mythologiques, telles que Hercule et le lion de N\u00e9m\u00e9e, ainsi qu&rsquo;une frise de pastilles aux motifs stylis\u00e9s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"532\" data-attachment-id=\"13662\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/784995-60b8fbb8aeacf\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?fit=800%2C640&amp;ssl=1\" data-orig-size=\"800,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?fit=300%2C240&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?fit=665%2C532&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?resize=665%2C532&#038;ssl=1\" alt=\"\" class=\"wp-image-13662\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?resize=300%2C240&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?resize=768%2C614&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb8aeacf.jpg?resize=180%2C144&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n\n\n\n<p>Aux quatre angles, plaques grav\u00e9es repr\u00e9sentant les quatre vertus cardinales sous les traits de jeunes femmes munies de leurs attributs : la prudence (le miroir), la force (la colonne bris\u00e9e), la justice (la balance) et la temp\u00e9rance (l\u2019eau qui se d\u00e9verse).<br>Les c\u00f4t\u00e9s en placage d&rsquo;\u00e9b\u00e8ne sont anim\u00e9s de plaquettes d&rsquo;ivoire grav\u00e9es, \u00e0 sc\u00e8nes de chasses.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"532\" data-attachment-id=\"13663\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/784995-60b8fbb88a7eb\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?fit=800%2C640&amp;ssl=1\" data-orig-size=\"800,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?fit=300%2C240&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?fit=665%2C532&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?resize=665%2C532&#038;ssl=1\" alt=\"\" class=\"wp-image-13663\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?resize=300%2C240&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?resize=768%2C614&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-60b8fbb88a7eb.jpg?resize=180%2C144&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) <a href=\"https:\/\/www.proantic.com\/galerie\/antiquitespromenade\/\">Galerie Antiquit\u00e9s Promenade <\/a><\/figcaption><\/figure>\n\n\n\n<p>A l\u2019arri\u00e8re, trois m\u00e9daillons rectangulaires figurant des sc\u00e8nes de l&rsquo;Ancien Testament : la cr\u00e9ation d\u2019Adam, la cr\u00e9ation d\u2019Eve, et l\u2019arbre du bien et du mal altern\u00e9s de plaquettes figurant des pilastres orn\u00e9s de termes.<br>L\u2019\u00e9critoire poss\u00e8de un tiroir lat\u00e9ral, et repose sur quatre pieds galettes.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"443\" data-attachment-id=\"13664\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/784995-alb-60b8fc34b40c6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?fit=800%2C533&amp;ssl=1\" data-orig-size=\"800,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?fit=665%2C443&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?resize=665%2C443&#038;ssl=1\" alt=\"\" class=\"wp-image-13664\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34b40c6.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n\n\n\n<p><strong>Atelier de Iacobo Fiamengo et Giovanni Battista de Curtis<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s avoir annex\u00e9 le Portugal en 1580, Espagne a gagn\u00e9 le monopole sur le commerce et importation de l&rsquo;ivoire et de l&rsquo;\u00e9b\u00e8ne, les mat\u00e9riaux les plus luxueux utilis\u00e9s dans la cr\u00e9ation de meubles et objets. Dans les ann\u00e9es 1590 les meubles et objets en placage d&rsquo;\u00e9b\u00e8ne orn\u00e9s de plaques d&rsquo;ivoire grav\u00e9s ont connu un engouement consid\u00e9rable en Espagne.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"443\" data-attachment-id=\"13665\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/784995-alb-60b8fc34d7936\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?fit=800%2C533&amp;ssl=1\" data-orig-size=\"800,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle. (c) Galerie Antiquit\u00e9s Promenade\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?fit=665%2C443&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?resize=665%2C443&#038;ssl=1\" alt=\"\" class=\"wp-image-13665\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-alb-60b8fc34d7936.jpg?resize=180%2C120&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n\n\n\n<p>Iacobo Fiamengo signe avec plusieurs graveurs sur ivoire des contrats de collaboration et engage entre autres Giovanni Battista de Curtis afin de travailler sur deux cabinets avec des sc\u00e8nes du Vieux testament et des m\u00e9tamorphoses d&rsquo;Ovide. La signature de De Curtis appara\u00eet sur le cabinet au mus\u00e9e des arts d\u00e9coratifs de Hambourg, seul meuble avec une origine ainsi attest\u00e9e<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe, r\u00e9alis\u00e9e au d\u00e9but du XVIIeme si\u00e8cle par un atelier form\u00e9 par Iacobo Fiamengo et Giovanni Battista de Curtis. Ce rare \u00e9critoire est en placage d&rsquo;\u00e9b\u00e8ne \u00e0 plateau inclin\u00e9 et orn\u00e9 au centre [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":13666,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-13660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic\" \/>\n<meta property=\"og:description\" content=\"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Magazine de Proantic\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Proantic\/\/259180871793\" \/>\n<meta property=\"article:published_time\" content=\"2021-06-13T13:35:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-22T09:30:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"784\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"C\u00e9line Autant\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"C\u00e9line Autant\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\"},\"author\":{\"name\":\"C\u00e9line Autant\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\"},\"headline\":\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle\",\"datePublished\":\"2021-06-13T13:35:28+00:00\",\"dateModified\":\"2024-04-22T09:30:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\"},\"wordCount\":437,\"image\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1\",\"articleSection\":[\"Arts d\u00e9coratifs sur Proantic\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\",\"url\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\",\"name\":\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic\",\"isPartOf\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1\",\"datePublished\":\"2021-06-13T13:35:28+00:00\",\"dateModified\":\"2024-04-22T09:30:24+00:00\",\"author\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\"},\"description\":\"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,\",\"breadcrumb\":{\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1\",\"width\":1200,\"height\":784},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.proantic.com\/magazine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#website\",\"url\":\"https:\/\/www.proantic.com\/magazine\/\",\"name\":\"Le Magazine de Proantic\",\"description\":\"Magazine d&#039;art et expositions\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.proantic.com\/magazine\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0\",\"name\":\"C\u00e9line Autant\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic","description":"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/","og_locale":"fr_FR","og_type":"article","og_title":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic","og_description":"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,","og_url":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/","og_site_name":"Le Magazine de Proantic","article_publisher":"https:\/\/www.facebook.com\/pages\/Proantic\/\/259180871793","article_published_time":"2021-06-13T13:35:28+00:00","article_modified_time":"2024-04-22T09:30:24+00:00","og_image":[{"width":1200,"height":784,"url":"https:\/\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg","type":"image\/jpeg"}],"author":"C\u00e9line Autant","twitter_misc":{"\u00c9crit par":"C\u00e9line Autant","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#article","isPartOf":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/"},"author":{"name":"C\u00e9line Autant","@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0"},"headline":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle","datePublished":"2021-06-13T13:35:28+00:00","dateModified":"2024-04-22T09:30:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/"},"wordCount":437,"image":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1","articleSection":["Arts d\u00e9coratifs sur Proantic"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/","url":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/","name":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle Le Magazine de Proantic","isPartOf":{"@id":"https:\/\/www.proantic.com\/magazine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage"},"image":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1","datePublished":"2021-06-13T13:35:28+00:00","dateModified":"2024-04-22T09:30:24+00:00","author":{"@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0"},"description":"L\u2019\u0153uvre que nous pr\u00e9sentons, issue d\u2019une alliance entre un \u00e9b\u00e9niste et un graveur sur ivoire s\u2019inscrit dans une production napolitaine d\u2019objets de luxe,","breadcrumb":{"@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#primaryimage","url":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1","width":1200,"height":784},{"@type":"BreadcrumbList","@id":"https:\/\/www.proantic.com\/magazine\/ecritoire-en-ebene-et-ivoire-grave-naples-xviie-siecle\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.proantic.com\/magazine\/"},{"@type":"ListItem","position":2,"name":"Ecritoire en \u00e9b\u00e8ne et ivoire grav\u00e9, Naples, XVIIe Siecle"}]},{"@type":"WebSite","@id":"https:\/\/www.proantic.com\/magazine\/#website","url":"https:\/\/www.proantic.com\/magazine\/","name":"Le Magazine de Proantic","description":"Magazine d&#039;art et expositions","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.proantic.com\/magazine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.proantic.com\/magazine\/#\/schema\/person\/63707e8f4e7d0172de7ddde897688be0","name":"C\u00e9line Autant"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2021\/06\/784995-main-60b8fb87b5de6.jpg?fit=1200%2C784&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p7EkP3-3yk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts\/13660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/comments?post=13660"}],"version-history":[{"count":2,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts\/13660\/revisions"}],"predecessor-version":[{"id":13668,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/posts\/13660\/revisions\/13668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/media\/13666"}],"wp:attachment":[{"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/media?parent=13660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/categories?post=13660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.proantic.com\/magazine\/wp-json\/wp\/v2\/tags?post=13660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}