{"id":13494,"date":"2021-04-05T07:28:41","date_gmt":"2021-04-05T06:28:41","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=13494"},"modified":"2024-04-22T10:32:35","modified_gmt":"2024-04-22T09:32:35","slug":"faiences-du-service-dit-aux-grands-oiseaux-de-eugene-millet","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/faiences-du-service-dit-aux-grands-oiseaux-de-eugene-millet\/","title":{"rendered":"Fa\u00efences du service dit \u00ab\u00a0Aux Grands Oiseaux\u00a0\u00bb de Eug\u00e8ne Millet"},"content":{"rendered":"\n

Suite de 6 assiettes plates en fa\u00efence fine du service de style japonisant dit aux grands oiseaux d’apr\u00e8s les dessins de Millet. Il a \u00e9t\u00e9 fabriqu\u00e9 par la manufacture de Jules vieillard \u00e0 Bordeaux dans les ann\u00e9es 1870.<\/strong>
Ce service est exceptionnel \u00e0 plus d’un titre. Les dessins vari\u00e9s illustre le mouvement \u00e9clectique qui gagne les arts au cours de la seconde moiti\u00e9 du XIXe.
Les assiettes sont rehauss\u00e9es et \u00e9maill\u00e9es. Il s’agit de l’un des services les plus pr\u00e9cieux de vieillard. Millet s’est inspir\u00e9 des estampes japonaises d’Hokusa\u00ef et d’autres artistes pour r\u00e9aliser ce service.<\/p>\n\n\n\n

\"\"
Assiettes en fa\u00efence du service dit \u00ab\u00a0Aux Grands Oiseaux\u00a0\u00bb de Millet par Vieillard (c) Galerie le Rendez-vous des Artistes, Proantic<\/figcaption><\/figure>\n\n\n\n

Ces \u201cd\u00e9cors japonais\u201d,\u00a0maintes fois r\u00e9\u00e9dit\u00e9s\u00a0et sign\u00e9s avec un sceau lui-m\u00eame japonisant ont \u00e9t\u00e9 largement export\u00e9s, via le port de Bordeaux, car\u00a0tr\u00e8s recherch\u00e9s pour leur \u00e9l\u00e9gance\u00a0et leur extr\u00eame d\u00e9licatesse. Ils sont caract\u00e9ristiques de l\u2019orientalisme bordelais et ont m\u00eame \u00e9t\u00e9 repris par Longwy apr\u00e8s la fermeture des \u00e9tablissement Vieillard<\/p>\n\n\n\n

\"\"
Assiettes en fa\u00efence du service dit \u00ab\u00a0Aux Grands Oiseaux\u00a0\u00bb de Millet par Vieillard (c) Galerie le Rendez-vous des Artistes, Proantic<\/figcaption><\/figure>\n\n\n\n

Manufacture Vieillard<\/strong><\/p>\n\n\n\n

Adoptant pour ses fa\u00efences le proc\u00e9d\u00e9 anglais, la c\u00e9ramique bordelaise prend au XIXe si\u00e8cle un nouvel essor. La production devenant industrielle, elle s\u2019ouvre alors \u00e0 un public plus large sans perte de qualit\u00e9. David Johnston, ayant fond\u00e9 une fa\u00efencerie sur le quai du Bataclan, s\u2019associe en 1840 \u00e0 Jules Vieillard (1813-1868), un commer\u00e7ant parisien. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Lui succ\u00e9dant six ans plus tard, ce dernier use habilement des techniques sp\u00e9cifiques \u00e0 la fa\u00efence fine. Multipliant les d\u00e9cors, Vieillard r\u00e9alise une c\u00e9ramique \u00e9l\u00e9gante r\u00e9pondant au go\u00fbt d\u2019une client\u00e8le bourgeoise.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00c0 son d\u00e9c\u00e8s en 1868, ses deux fils, Albert et Charles Vieillard, reprennent la manufacture, qui emploie alors mille trois cents ouvriers. Au d\u00e9but de la IIIe R\u00e9publique, la fa\u00efencerie bordelaise occupe le troisi\u00e8me rang dans l\u2019importance des \u00e9tablissements c\u00e9ramiques, derri\u00e8re les manufactures de Sarreguemines et de Creil-Montereau. Outre un bon r\u00e9seau de distribution parisien, elle b\u00e9n\u00e9ficie \u00e9galement du march\u00e9 d\u2019exportation, port\u00e9 par les navires charg\u00e9s de grands vins quittant le port de Bordeaux. <\/p>\n\n\n\n

Les fa\u00efences Vieillard, couronn\u00e9es \u00e0 plusieurs reprises aux expositions universelles, se distinguent par la d\u00e9licatesse de leur ex\u00e9cution ainsi que par la vari\u00e9t\u00e9 de leurs motifs d\u00e9coratifs. <\/p>\n","protected":false},"excerpt":{"rendered":"

Suite de 6 assiettes plates en fa\u00efence fine du service de style japonisant dit aux grands oiseaux d’apr\u00e8s les dessins de Millet. Il a \u00e9t\u00e9 fabriqu\u00e9 par la manufacture de Jules vieillard \u00e0 Bordeaux dans les ann\u00e9es 1870.Ce service est exceptionnel \u00e0 plus d’un titre. Les dessins vari\u00e9s illustre le mouvement \u00e9clectique qui gagne les […]<\/p>\n","protected":false},"author":6,"featured_media":13500,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-13494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nFa\u00efences du service dit "Aux Grands Oiseaux" de Eug\u00e8ne Millet Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Suite de 6 assiettes plates en fa\u00efence fine du service de style japonisant dit aux grands oiseaux d'apr\u00e8s les dessins de Millet. 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