{"id":13182,"date":"2020-12-21T08:21:43","date_gmt":"2020-12-21T07:21:43","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=13182"},"modified":"2020-12-21T08:30:04","modified_gmt":"2020-12-21T07:30:04","slug":"salon-du-bois-en-1900","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/salon-du-bois-en-1900\/","title":{"rendered":"Salon du bois en 1900"},"content":{"rendered":"\n

En 1891, il fut d\u00e9cid\u00e9 d\u2019installer le Mus\u00e9e des Arts D\u00e9coratifs dans le pavillon de Marsan du palais du Louvre.<\/strong> L\u2019ouverture du mus\u00e9e \u2013 qui devait co\u00efncider avec l\u2019Exposition universelle de 1900 \u2013 ayant \u00e9t\u00e9 retard\u00e9e, on confia au d\u00e9corateur et collectionneur Georges H\u0153ntschel la d\u00e9coration du pavillon de l\u2019Union centrale des arts d\u00e9coratifs \u00e0 l\u2019Exposition universelle, sur le th\u00e8me d\u2019un cabinet d\u2019amateur.<\/p>\n\n\n\n

\"\"
\u00a9 MAD, Paris<\/figcaption><\/figure>\n\n\n\n

Georges H\u0153ntschel \u00e9tait alors surtout connu pour ses am\u00e9nagements int\u00e9rieurs, de style XVIIIe<\/sup> si\u00e8cle, command\u00e9s par de riches clients fran\u00e7ais, anglais ou am\u00e9ricains. En France, on lui doit, entre autres, le d\u00e9cor du pavillon des Muses \u00e0 Neuilly pour le po\u00e8te Robert de Montesquiou en 1899, et l\u2019h\u00f4tel particulier du couturier Jacques Doucet en 1907. Le pavillon de l\u2019Ucad \u00e0 l\u2019Exposition universelle de 1900 pr\u00e9sentait l\u2019aspect d\u2019une folie du XVIIIe<\/sup> si\u00e8cle, mais le d\u00e9cor sculpt\u00e9 des fa\u00e7ades s\u2019inspirait du monde v\u00e9g\u00e9tal retranscrit dans un registre naturaliste et moderne. <\/p>\n\n\n\n

\"\"
\u00a9 MAD, Paris<\/figcaption><\/figure>\n\n\n\n

La disposition int\u00e9rieure du b\u00e2timent comprenait quatre salles en enfilade : la \u00a0\u00bb salle des M\u00e9taux \u00a0\u00bb qui servait de vestibule, la salle centrale appel\u00e9e \u00a0\u00bb salon du Bois \u00ab\u00a0, la \u00a0\u00bb salle de la C\u00e9ramique \u00a0\u00bb r\u00e9serv\u00e9e aux \u0153uvres de Georges H\u0153ntschel et enfin un petit salon pour le Comit\u00e9 des dames. Seule la salle centrale \u00e9tait orn\u00e9e de boiseries en platane d\u2019Alg\u00e9rie, constitu\u00e9es de deux portiques ajour\u00e9s ouvrant sur les deux autres salles et, aux quatre angles, de vitrines tripartites destin\u00e9es \u00e0 exposer les objets acquis par l\u2019Ucad aupr\u00e8s des artistes au cours des vingt derni\u00e8res ann\u00e9es. <\/p>\n\n\n\n

\"\"
\u00a9 MAD, Paris<\/figcaption><\/figure>\n\n\n\n

L\u2019ensemble \u00e9tait compl\u00e9t\u00e9 d\u2019une tenture \u00e0 fond rose, dessin\u00e9e par Adrien Karbowsky, et de plusieurs \u00e9l\u00e9ments de mobilier : une table, quatre fauteuils et des vitrines, achet\u00e9s d\u00e8s 1900 par le mus\u00e9e. Sculpt\u00e9s par Deschamps, de robustes pieds d\u2019aub\u00e9pine constituent les bases des vitrines et du mobilier; les boiseries encadrent la tenture brod\u00e9e d\u2019aub\u00e9pines et la peinture command\u00e9e au peintre Albert Besnard, L\u2019\u00cele heureuse, inspir\u00e9e de L\u2019Embarquement pour Cyth\u00e8re de Watteau.<\/p>\n\n\n\n

Cet ensemble \u2013 remont\u00e9 par H\u0153ntschel dans le pavillon fran\u00e7ais de l\u2019Exposition internationale universelle de Saint-Louis, en 1904 \u2013 fut install\u00e9 en 1905, apr\u00e8s quelques modifications, au pavillon de Marsan o\u00f9 le public peut encore le voir. Le d\u00e9corateur a adapt\u00e9 le plan carr\u00e9 initial \u00e0 la forme rectangulaire de la salle et transform\u00e9 trois vitrines d\u2019angle en vitrines murales. Il a d\u00fb ajouter deux vitrines plus petites, une vitrine d\u2019angle ayant entre-temps \u00e9t\u00e9 c\u00e9d\u00e9e au Museum f\u00fcr Kunst und Gewerbe de Hambourg. <\/p>\n\n\n\n

Cet ensemble, rare survivant de la d\u00e9coration con\u00e7ue pour l\u2019Exposition de 1900, est un des fleurons du Mus\u00e9e des Arts D\u00e9coratifs et t\u00e9moigne d\u2019une brillante incursion de Georges H\u0153ntschel dans l\u2019Art nouveau.<\/p>\n\n\n\n

\u00c9. P.<\/p>\n\n\n\n

\u00c9velyne Poss\u00e9m\u00e9, \u00abLe Salon du Bois du pavillon de l\u2019Union centrale des arts d\u00e9coratifs \u00e0 l\u2019Exposition universelle de 1900\u00bb, Revue de l\u2019art<\/em>, n\u00b0117, 1997-3, p. 64-70
Nicole H\u0153ntschel, Georges H\u0153ntschel<\/em>, Paris, \u00c9ditions Monelle Hayot, 1999.<\/p>\n\n\n\n

En savoir plus:<\/strong><\/p>\n\n\n\n

Mus\u00e9e des arts D\u00e9coratifs<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

En 1891, il fut d\u00e9cid\u00e9 d\u2019installer le Mus\u00e9e des Arts D\u00e9coratifs dans le pavillon de Marsan du palais du Louvre. L\u2019ouverture du mus\u00e9e \u2013 qui devait co\u00efncider avec l\u2019Exposition universelle de 1900 \u2013 ayant \u00e9t\u00e9 retard\u00e9e, on confia au d\u00e9corateur et collectionneur Georges H\u0153ntschel la d\u00e9coration du pavillon de l\u2019Union centrale des arts d\u00e9coratifs \u00e0 […]<\/p>\n","protected":false},"author":6,"featured_media":13190,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-13182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nSalon du bois en 1900 Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"En 1891, il fut d\u00e9cid\u00e9 d\u2019installer le Mus\u00e9e des Arts D\u00e9coratifs dans le pavillon de Marsan du palais du Louvre. 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