{"id":12856,"date":"2020-09-13T17:54:40","date_gmt":"2020-09-13T16:54:40","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=12856"},"modified":"2020-09-13T17:55:19","modified_gmt":"2020-09-13T16:55:19","slug":"le-cabinet-chinois-de-lhotel-du-duc-de-richelieu","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-cabinet-chinois-de-lhotel-du-duc-de-richelieu\/","title":{"rendered":"Le cabinet chinois de l\u2019h\u00f4tel du duc de Richelieu"},"content":{"rendered":"\n

D\u00e9cupl\u00e9e au d\u00e9but du XVIIIe si\u00e8cle, la vogue des produits exotiques extr\u00eame-orientaux avait incit\u00e9 la mise en \u0153uvre rapide d\u2019\u0153uvres de substitution<\/strong>. Pour orner les boiseries ainsi que le mobilier, des peintres mirent au point des proc\u00e9d\u00e9s d\u2019imitation de ces d\u00e9cors laqu\u00e9s que l\u2019on baptisa commun\u00e9ment \u00ab\u00a0vernis Martin\u00a0\u00bb, du nom d\u2019une famille, les Martin, qui s\u2019en \u00e9tait fait une sp\u00e9cialit\u00e9. <\/p>\n\n\n\n

\"\"
\u00a9 Mus\u00e9e Carnavalet, Paris <\/figcaption><\/figure>\n\n\n\n

En ces premi\u00e8res d\u00e9cennies du XVIIIe si\u00e8cle o\u00f9 se multipliaient les pi\u00e8ces d\u2019atmosph\u00e8re orientale fantaisiste, le \u00ab\u00a0cabinet de Chine\u00a0\u00bb (ann\u00e9es 1720) de la duchesse du Maine dans son ch\u00e2teau (d\u00e9truit) de Sceaux acquit la c\u00e9l\u00e9brit\u00e9, de m\u00eame que celui de son h\u00f4tel parisien (d\u00e9truit) rue de Lille.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Le remarquable cabinet chinois (vers 1730) de l\u2019h\u00f4tel du duc de Richelieu place des Vosges fut plus chanceux puisque quatre grands panneaux peints et deux dessus-de-porte\u00a0\u00a0furent acquis, en 1868, pour le futur mus\u00e9e Carnavalet.<\/p>\n\n\n\n

\"\"
\u00a9 Mus\u00e9e Carnavalet, Paris <\/figcaption><\/figure><\/div>\n\n\n\n

Cet Orient transpara\u00eet dans ce qui est sans doute l\u2019\u0153uvre de chinoiserie la plus \u00e9labor\u00e9e des d\u00e9cors fran\u00e7ais\u00a0: le cabinet de la Chine de l\u2019h\u00f4tel de Richelieu. <\/p>\n\n\n\n

Ce d\u00e9cor est l\u2019\u0153uvre de plusieurs artistes et artisans\u00a0: Menuiserie : Julien-Gabriel Maillard ou Pierre Gay\u00e9. Sculpture : Fran\u00e7ois Roumier ou Louis R\u00e9gnier. Laque : Gilles H\u00e9cquan , Guillaume Martin ou Justin Moyrin. Paris, 1731.<\/p>\n\n\n\n

\"\"
\u00a9 Mus\u00e9e Carnavalet, Paris <\/figcaption><\/figure>\n\n\n\n

Le duc de Richelieu, qui cesse d\u2019y r\u00e9sider se d\u00e9partit de son h\u00f4tel en 1756. Les glaces, boiseries et tableaux, c\u00e9d\u00e9s \u00e0 part, sont vendus. L\u2019\u00e9tat des d\u00e9corations \u00e9tabli alors, ainsi qu\u2019un \u00e9tat des lieux dress\u00e9 en 1772 permettent de conna\u00eetre minutieusement le d\u00e9cor du grand cabinet de la Chine. <\/p>\n\n\n\n

\"\"
\u00a9 Mus\u00e9e Carnavalet, Paris <\/figcaption><\/figure><\/div>\n\n\n\n

Il est compos\u00e9 de sept trumeaux de glace en deux parties, la partie sup\u00e9rieure \u00e9tant cintr\u00e9e, surmont\u00e9s de bas-reliefs \u00e0 sujet chinois vernis en couleurs et dor\u00e9s, et de douze parcloses ou pilastres sculpt\u00e9s et dor\u00e9s dans lesquels sont incrust\u00e9s, en haut, en bas et au centre, des m\u00e9daillons sculpt\u00e9s de sc\u00e8nes chinoises et vernis, s\u00e9parant les quatre grands panneaux et les glaces. De ce d\u00e9cor d\u00e9membr\u00e9, dix-neuf \u00e9l\u00e9ments sont perdus. <\/p>\n\n\n\n

En savoir plus:<\/p>\n\n\n\n

Mus\u00e9e Carnavalet<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

D\u00e9cupl\u00e9e au d\u00e9but du XVIIIe si\u00e8cle, la vogue des produits exotiques extr\u00eame-orientaux avait incit\u00e9 la mise en \u0153uvre rapide d\u2019\u0153uvres de substitution. Pour orner les boiseries ainsi que le mobilier, des peintres mirent au point des proc\u00e9d\u00e9s d\u2019imitation de ces d\u00e9cors laqu\u00e9s que l\u2019on baptisa commun\u00e9ment \u00ab\u00a0vernis Martin\u00a0\u00bb, du nom d\u2019une famille, les Martin, qui […]<\/p>\n","protected":false},"author":6,"featured_media":12877,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-12856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nLe cabinet chinois de l\u2019h\u00f4tel du duc de Richelieu Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"D\u00e9cupl\u00e9e au d\u00e9but du XVIIIe si\u00e8cle, la vogue des produits exotiques extr\u00eame-orientaux avait incit\u00e9 la mise en \u0153uvre rapide d\u2019\u0153uvres de substitution. 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