{"id":12662,"date":"2020-07-19T16:59:50","date_gmt":"2020-07-19T15:59:50","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=12662"},"modified":"2020-07-19T17:19:40","modified_gmt":"2020-07-19T16:19:40","slug":"musee-de-la-ceramique-de-rouen","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/musee-de-la-ceramique-de-rouen\/","title":{"rendered":"Mus\u00e9e de la c\u00e9ramique de Rouen"},"content":{"rendered":"\n

\u00c9rig\u00e9 entre une cour pav\u00e9e et un jardin \u00e9tag\u00e9 en terrasse, aux abords du mus\u00e9e des Beaux-Arts, l\u2019h\u00f4tel d\u2019Hocqueville abrite la plus importante collection publique fran\u00e7aise de fa\u00efences de Rouen.<\/strong> \u00c9difi\u00e9 au milieu du XVIIe<\/sup> si\u00e8cle et largement remani\u00e9 au si\u00e8cle suivant, le b\u00e2timent, aujourd\u2019hui encore dot\u00e9 de d\u00e9cors int\u00e9rieurs de style n\u00e9oclassique, offre un cadre intime et privil\u00e9gi\u00e9 pour d\u00e9couvrir une histoire de la c\u00e9ramique europ\u00e9enne.<\/p>\n\n\n\n

\"\"
pichet ornithomorphe, Atelier d’Edme Poterat, XVII\u00e8me,
(c) Mus\u00e9e de la c\u00e9ramique de Rouen <\/figcaption><\/figure><\/div>\n\n\n\n

Riche de plus de cinq mille pi\u00e8ces, le mus\u00e9e dresse un panorama complet de la fa\u00efence rouennaise, du XVIe<\/sup> si\u00e8cle \u00e0 la fin du XVIIIe<\/sup> si\u00e8cle, et en expose les plus beaux fleurons : pavements de la Renaissance de Mass\u00e9ot Abaquesne, grands plats d\u2019apparat \u00e0 d\u00e9cor rayonnant du d\u00e9but du XVIIIe<\/sup> si\u00e8cle, pi\u00e8ces d\u00e9cor\u00e9es \u00e0 l\u2019ocre niell\u00e9, peintures et sculptures monumentales en fa\u00efence comme les exceptionnelles Sph\u00e8res c\u00e9leste et terrestre <\/em>de Pierre II Chapelle (1725) ou la s\u00e9rie des bustes des Saisons <\/em>(1730). <\/p>\n\n\n\n

\"\"
Manufacture de Guillibaud, 1730 \n(c) Mus\u00e9e de la c\u00e9ramique de Rouen<\/figcaption><\/figure>\n\n\n\n

Si la fa\u00efence de Rouen repr\u00e9sente plus des deux tiers des collections, le mus\u00e9e conserve aussi de remarquables ensembles d\u2019autres centres fa\u00efenciers tels que Delft, Nevers et Lille qui permettent de replacer cette histoire locale dans le contexte plus g\u00e9n\u00e9ral de la c\u00e9ramique europ\u00e9enne, des majoliques italiennes du XVe<\/sup> si\u00e8cle aux cr\u00e9ations de la manufacture de S\u00e8vres des ann\u00e9es 1930.<\/p>\n\n\n\n

\"\"
Ce plat est orn\u00e9 d’un d\u00e9cor \u00ab \u00e0 la corne \u00bb, motif mis au point vers 1750 .\n(c) Mus\u00e9e de la c\u00e9ramique de Rouen\n<\/figcaption><\/figure>\n\n\n\n

Le parcours d\u00e9bute au rez-de-chauss\u00e9e avec une pr\u00e9sentation des premi\u00e8res fa\u00efences europ\u00e9ennes : les majoliques, produites en Italie du XVe<\/sup> au XVIIIe<\/sup> si\u00e8cle. Il se poursuit par les productions des ateliers rouen\u00adnais du c\u00e9ramiste Mass\u00e9ot Abaquesne (vers 1500 – avant 1564) et par des \u0153uvres normandes en terre verniss\u00e9e et des suiveurs de Palissy, du XVIIe<\/sup> au XVIIIe <\/sup>si\u00e8cle. <\/p>\n\n\n\n

\"\"
Manufacture de Nicolas Fouquay, vers 1730.\n(c) Mus\u00e9e de la c\u00e9ramique de Rouen<\/figcaption><\/figure><\/div>\n\n\n\n

Au premier et au deuxi\u00e8me \u00e9tages du mus\u00e9e, les salles consacr\u00e9es au XVIIIe<\/sup> si\u00e8cle, c\u0153ur des collections, d\u00e9voilent les chefs-d\u2019\u0153uvre de la fa\u00efence de Rouen : cama\u00efeux bleus, d\u00e9cors rayonnants rouges et bleus, ocres niell\u00e9s, sculptures et peintures de fa\u00efence polychrome, chinoiseries et d\u00e9cor \u00e0 la corne. Un cabinet d\u2019\u00e9tude regroupe les r\u00e9alisations des centres fa\u00efenciers des Pays-Bas, de Nevers, de Lille et de Moustiers.<\/p>\n\n\n\n

\"\"
Assiette d\u00e9cor Ocre niell\u00e9, 1725.\n(c) Mus\u00e9e de la c\u00e9ramique de Rouen<\/figcaption><\/figure>\n\n\n\n

Deux salles sont consacr\u00e9es \u00e0 la porcelaine et \u00e0 la fa\u00efence fine. Enfin, le parcours se prolonge au-del\u00e0 du XVIIIe<\/sup> si\u00e8cle par une pr\u00e9sentation des productions de la Manufacture de S\u00e8vres aux XIXe<\/sup> et XXe<\/sup> si\u00e8cles.<\/p>\n\n\n\n

En savoir plus:<\/p>\n\n\n\n

Mus\u00e9e de la c\u00e9ramique de Rouen<\/strong><\/p>\n\n\n\n

H\u00f4tel d’Hocqueville<\/p>\n\n\n\n

94 rue Jeanne d’Arc ou 1 rue Faucon<\/p>\n\n\n\n

76000 Rouen<\/p>\n\n\n\n

https:\/\/museedelaceramique.fr\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9rig\u00e9 entre une cour pav\u00e9e et un jardin \u00e9tag\u00e9 en terrasse, aux abords du mus\u00e9e des Beaux-Arts, l\u2019h\u00f4tel d\u2019Hocqueville abrite la plus importante collection publique fran\u00e7aise de fa\u00efences de Rouen. \u00c9difi\u00e9 au milieu du XVIIe si\u00e8cle et largement remani\u00e9 au si\u00e8cle suivant, le b\u00e2timent, aujourd\u2019hui encore dot\u00e9 de d\u00e9cors int\u00e9rieurs de style n\u00e9oclassique, offre un cadre […]<\/p>\n","protected":false},"author":6,"featured_media":12678,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-12662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"\nMus\u00e9e de la c\u00e9ramique de Rouen Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"\u00c9rig\u00e9 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