{"id":12627,"date":"2020-07-12T16:07:56","date_gmt":"2020-07-12T15:07:56","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=12627"},"modified":"2020-07-12T16:26:17","modified_gmt":"2020-07-12T15:26:17","slug":"camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/","title":{"rendered":"Camille Moreau-N\u00e9laton &#8211; Une femme c\u00e9ramiste au temps des impressionnistes"},"content":{"rendered":"\n<p>  <br>Une femme c\u00e9ramiste ? \u00c0 l\u2019\u00e9poque impressionniste ? Allons donc. C\u2019est pourtant bien cette figure originale que le Mus\u00e9e de la C\u00e9ramique r\u00e9v\u00e8le dans une exposition in\u00e9dite, la toute premi\u00e8re jamais consacr\u00e9e \u00e0 Camille Moreau. Un incroyable talent \u00e0 d\u00e9couvrir\u2026 ! Il s&rsquo;agit de la peintre et c\u00e9ramiste Camille Moreau-N\u00e9laton (1840-1897), contemporaine de la g\u00e9n\u00e9ration des Monet et Renoir. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"470\" data-attachment-id=\"12643\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/klki-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?fit=340%2C470&amp;ssl=1\" data-orig-size=\"340,470\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1594572315&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Camille Moreau-N\u00e9laton, Une femme c\u00e9ramiste au temps des impressionnistes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;DATE : 1888 | TECHNIQUE : FA\u00cfENCE (TERRE DE BOURG-LA-REINE), D\u00c9COR \u00c0 LA BARBOTINE COLOR\u00c9E SOUS COUVERTE TRANSPARENTE&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?fit=217%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?fit=340%2C470&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?resize=340%2C470&#038;ssl=1\" alt=\"\" class=\"wp-image-12643\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?w=340&amp;ssl=1 340w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?resize=217%2C300&amp;ssl=1 217w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/klki.jpg?resize=130%2C180&amp;ssl=1 130w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><figcaption>DATE : 1888 | TECHNIQUE : FA\u00cfENCE (TERRE DE BOURG-LA-REINE), D\u00c9COR \u00c0 LA BARBOTINE COLOR\u00c9E SOUS COUVERTE TRANSPARENTE<\/figcaption><\/figure><\/div>\n\n\n\n<p>Artiste amateure, \u00e9voluant dans un milieu lettr\u00e9 et f\u00e9ru d&rsquo;arts, elle a d\u00e9velopp\u00e9 pour ses r\u00e9alisations en terre une production au style personnel fortement teint\u00e9 de japonisme. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"521\" data-attachment-id=\"12644\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/hjnhe-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?fit=423%2C521&amp;ssl=1\" data-orig-size=\"423,521\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1594572461&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Camille Moreau-N\u00e9laton, Une femme c\u00e9ramiste au temps des impressionnistes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Fallet Splendore Venenum : Amanites tue-mouches et ch\u00e2taignier&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?fit=244%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?fit=423%2C521&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?resize=423%2C521&#038;ssl=1\" alt=\"\" class=\"wp-image-12644\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?w=423&amp;ssl=1 423w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?resize=244%2C300&amp;ssl=1 244w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhe.jpg?resize=146%2C180&amp;ssl=1 146w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><figcaption> Fallet Splendore Venenum : Amanites tue-mouches et ch\u00e2taignier<\/figcaption><\/figure><\/div>\n\n\n\n<p>Marqu\u00e9e par les figures tut\u00e9laires de F\u00e9lix Bracquemond et Laurent Bouvier (pour l&rsquo;esth\u00e9tique), de Th\u00e9odore Deck et Fran\u00e7ois Laurin (pour la technique), Camille Moreau \u2013 qui signe ses \u0153uvres de son nom d&rsquo;\u00e9pouse \u2013 a jou\u00e9 un r\u00f4le essentiel dans la formation de son fils, \u00c9tienne, artiste, historien et collectionneur de la premi\u00e8re heure (puis donateur) des peintres impressionnistes. Ce dernier est d&rsquo;ailleurs l&rsquo;auteur de la premi\u00e8re et unique monographie consacr\u00e9e \u00e0 l&rsquo;artiste (1899).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"321\" height=\"505\" data-attachment-id=\"12645\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/hjnhu-9\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?fit=321%2C505&amp;ssl=1\" data-orig-size=\"321,505\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1594572426&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Camille Moreau-N\u00e9laton, Une femme c\u00e9ramiste au temps des impressionnistes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Vase, Terre cuite jaune ; d\u00e9cor d&amp;rsquo;\u00e9maux color\u00e9s  parfois en superposition, partiellement grav\u00e9s, recouverte d&amp;rsquo;un vernis. Mus\u00e9e des Arts D\u00e9coratifs, Paris&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?fit=191%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?fit=321%2C505&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?resize=321%2C505&#038;ssl=1\" alt=\"\" class=\"wp-image-12645\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?w=321&amp;ssl=1 321w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/hjnhu.jpg?resize=114%2C180&amp;ssl=1 114w\" sizes=\"auto, (max-width: 321px) 100vw, 321px\" \/><figcaption>Vase, Terre cuite jaune ; d\u00e9cor d&rsquo;\u00e9maux color\u00e9s  parfois en superposition, partiellement grav\u00e9s, recouverte d&rsquo;un vernis. Mus\u00e9e des Arts D\u00e9coratifs, Paris<\/figcaption><\/figure><\/div>\n\n\n\n<p> Le statut tr\u00e8s singulier de Camille Moreau, femme artiste amateure mari\u00e9e, mais exposant et vendant ses \u0153uvres, sera au c\u0153ur de l&rsquo;exposition \u2013 avec une mise en perspective historique du statut de la femme artiste, notamment c\u00e9ramiste (comme El\u00e9nonore Escallier (1827-1888)).<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"662\" data-attachment-id=\"12646\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?fit=1600%2C1594&amp;ssl=1\" data-orig-size=\"1600,1594\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Camille Moreau-N\u00e9laton, Une femme c\u00e9ramiste au temps des impressionnistes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Camille Moreau-N\u00e9laton,  Plat aux poissons&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?fit=300%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?fit=665%2C662&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=665%2C662&#038;ssl=1\" alt=\"\" class=\"wp-image-12646\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=1024%2C1020&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=768%2C765&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?resize=180%2C180&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/camille-moreau-nelaton-plat-aux-poissons-limoges-musee-national-adrien-dubouche-crmn-grand-palais-limoges-cite-de-la-ceramique-frederic-magnoux-scaled.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption>Camille Moreau-N\u00e9laton,  Plat aux poissons<\/figcaption><\/figure>\n\n\n\n<p> Les recherches de la c\u00e9ramiste portant sur le traitement du d\u00e9cor, des \u00e9maux et de la couleur constitueront un autre point focal de l&rsquo;exposition \u2013 rappelons qu&rsquo;elle a notamment utilis\u00e9 la technique de la barbotine color\u00e9e, propre aux c\u00e9ramiques dites \u00ab impressionnistes \u00bb, faisant appel aux m\u00eames fours (notamment Laurin \u00e0 Bourg-la-Reine) que cette production dont elle est contemporaine. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"569\" height=\"505\" data-attachment-id=\"12647\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/camille-moreau-nelaton-une-femme-ceramiste-au-temps-des-impressionnistes\/az-8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?fit=569%2C505&amp;ssl=1\" data-orig-size=\"569,505\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1594573353&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Camille Moreau-N\u00e9laton, Une femme c\u00e9ramiste au temps des impressionnistes\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Camille Moreau-N\u00e9laton, Plat : Saturne contemplant Paris au clair de lune&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?fit=300%2C266&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?fit=569%2C505&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?resize=569%2C505&#038;ssl=1\" alt=\"\" class=\"wp-image-12647\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?w=569&amp;ssl=1 569w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?resize=300%2C266&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2020\/07\/az.jpg?resize=180%2C160&amp;ssl=1 180w\" sizes=\"auto, (max-width: 569px) 100vw, 569px\" \/><figcaption>Camille Moreau-N\u00e9laton, Plat : Saturne contemplant Paris au clair de lune<\/figcaption><\/figure><\/div>\n\n\n\n<p>L\u2019exposition pr\u00e9sent\u00e9e \u00e0 Rouen permettra de rassembler pour la premi\u00e8re fois des pi\u00e8ces aujourd&rsquo;hui dispers\u00e9es dans des collections publiques (Cit\u00e9 de la C\u00e9ramique \u2013 sites de S\u00e8vres et de Limoges, Mus\u00e9e des Arts D\u00e9coratifs de Paris, Mus\u00e9e Th\u00e9odore Deck, Mus\u00e9e de la Loire), mais aussi provenant de collections priv\u00e9es (notamment appartenant aux descendants de l&rsquo;artiste), ex\u00e9cut\u00e9es de 1869 \u00e0 1896 environ.<\/p>\n\n\n\n<p class=\"has-text-color has-vivid-red-color\">En savoir plus: <\/p>\n\n\n\n<p><strong>Mus\u00e9e de la c\u00e9ramique de Rouen <\/strong><\/p>\n\n\n\n<p>jusqu&rsquo;au 15 novembre 2020<\/p>\n\n\n\n<p>  <br><a href=\"https:\/\/museedelaceramique.fr\/\">https:\/\/museedelaceramique.fr\/<\/a> <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une femme c\u00e9ramiste ? \u00c0 l\u2019\u00e9poque impressionniste ? Allons donc. C\u2019est pourtant bien cette figure originale que le Mus\u00e9e de la C\u00e9ramique r\u00e9v\u00e8le dans une exposition in\u00e9dite, la toute premi\u00e8re jamais consacr\u00e9e \u00e0 Camille Moreau. Un incroyable talent \u00e0 d\u00e9couvrir\u2026 ! Il s&rsquo;agit de la peintre et c\u00e9ramiste Camille Moreau-N\u00e9laton (1840-1897), contemporaine de la g\u00e9n\u00e9ration [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":12648,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-12627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Camille Moreau-N\u00e9laton - Une femme c\u00e9ramiste au temps des impressionnistes Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Une femme c\u00e9ramiste ? \u00c0 l\u2019\u00e9poque impressionniste ? 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