{"id":11790,"date":"2020-01-12T18:05:20","date_gmt":"2020-01-12T17:05:20","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=11790"},"modified":"2020-01-12T18:06:01","modified_gmt":"2020-01-12T17:06:01","slug":"officier-gentleman-au-xixe-siecle-la-collection-horace-his-de-la-salle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/officier-gentleman-au-xixe-siecle-la-collection-horace-his-de-la-salle\/","title":{"rendered":"Officier & gentleman au XIXe si\u00e8cle. La collection Horace His de La Salle"},"content":{"rendered":"

L\u2019importance du r\u00f4le des collectionneurs priv\u00e9s dans la constitution des collections publiques de dessins en France est bien connue gr\u00e2ce, notamment, \u00e0 de nombreux hommages rendus \u00e0 Everard Jabach, Pierre-Jean Mariette, \u00c9tienne Moreau-N\u00e9laton ou Philippe de Chennevi\u00e8res.<\/strong><\/p>\n

Pourtant, seule une petite pr\u00e9sentation au mus\u00e9e des Beaux-Arts de Dijon en 1974 a \u00e9voqu\u00e9 l\u2019action d\u00e9terminante d\u2019un des plus g\u00e9n\u00e9reux donateurs des mus\u00e9es fran\u00e7ais, toutes \u00e9poques confondues, Aim\u00e9 Charles Horace His de La Salle (1795-1878), connu comme amateur de dessins, mais aussi de sculptures et d\u2019objets d\u2019art.<\/p>\n

\"\"<\/a>
Th\u00e9odore G\u00e9ricault (1791-1824),
Officier de carabiniers entra\u00eenant ses troupes
\u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Mich\u00e8le Bellot<\/figcaption><\/figure>\n

Parmi d\u2019autres mus\u00e9es fran\u00e7ais, c\u2019est avant tout le mus\u00e9e du Louvre qu\u2019il a souhait\u00e9 enrichir, avec les dons et legs de 21 tableaux et de pr\u00e8s de 450 dessins de toutes les \u00e9coles.<\/p>\n

\"\"<\/a>
Nicolas Poussin (1594-1665), Le Mariage de la Vierge, plume et encre brune, lavis brun. Paris, mus\u00e9e du Louvre \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Mich\u00e8le Bellot.<\/figcaption><\/figure>\n

Afin de donner une image fid\u00e8le du go\u00fbt du collectionneur, son caract\u00e8re interdisciplinaire est mis en avant avec la pr\u00e9sentation d\u2019oeuvres conserv\u00e9es par quatre des huit d\u00e9partements du Louvre : les Arts graphiques (73 dessins, 1 miniature, 3 estampes), les Peintures (5 tableaux), les Sculptures et les Objets d\u2019Art (9 plaques et sculptures de la Renaissance).<\/p>\n

\"\"<\/a>
Nicolas Poussin (1594-1665), Renaud abandonnant Armide, plume et encre brune, lavis brun, Paris, mus\u00e9e du Louvre, \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Mich\u00e8le Bellot.<\/figcaption><\/figure>\n

Ce fonds majeur est compl\u00e9t\u00e9 par plus d\u2019une quarantaine d\u2019emprunts de pi\u00e8ces graphiques \u00e0 d\u2019autres mus\u00e9es d\u2019\u00e9lection d\u2019His de La Salle : Alen\u00e7on, Dijon, Lyon, l\u2019\u00c9cole des Beaux-Arts. Quelques feuilles sont demeur\u00e9es depuis le XIXe<\/sup>\u00a0si\u00e8cle dans le march\u00e9 de l\u2019art, la Fondation Custodia peut en montrer trois beaux exemples et une autre a pu \u00eatre retrouv\u00e9e dans une collection priv\u00e9e.<\/p>\n

\"\"<\/a>
Francesco Botticini (1446-1498), T\u00eate de Vierge, pointe de m\u00e9tal, plume et encre brune, lavis brun, rehauts de blanc sur papier pr\u00e9par\u00e9 rose. Paris, mus\u00e9e du Louvre, \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Thierry le Mage.<\/figcaption><\/figure>\n

Envisag\u00e9e comme un hommage \u00e0 l\u2019extraordinaire et n\u00e9anmoins m\u00e9connu collectionneur que fut Horace His de La Salle (1795- 1878), cette exposition pr\u00e9sente une large s\u00e9lection d\u2019oeuvres lui ayant appartenu, avant qu\u2019elles ne viennent enrichir divers mus\u00e9es fran\u00e7ais, le Louvre en particulier, au travers de nombreux dons et legs.<\/p>\n

\"\"<\/a>
Antoine Watteau (1684-1721), Guitariste assis, Paris, mus\u00e9e du Louvre, \u00a9 Mus\u00e9e des Beaux-arts et de la Dentelle, Alen\u00e7on.<\/figcaption><\/figure>\n

Cette s\u00e9lection t\u00e9moignant de la diversit\u00e9 de ses int\u00e9r\u00eats, fait la part belle aux arts du dessin, passion ma\u00eetresse qui poussa His de la Salle \u00e0 rechercher et \u00e0 acqu\u00e9rir toute sa vie les plus belles feuilles des plus grands artistes, Poussin, G\u00e9ricault ou Prud\u2019hon notamment.<\/p>\n

\"\"<\/a>
Th\u00e9odore G\u00e9ricault (1791-1824), \u00c9pisode de la campagne d\u2019\u00c9gypte, Paris, mus\u00e9e du Louvre \u00a9 RMN-Grand Palais (mus\u00e9e du Louvre) \/ Mich\u00e8le Bellot.<\/figcaption><\/figure>\n

Organis\u00e9e en sections th\u00e9matiques refl\u00e9tant les p\u00e9riodes et sujets pour lesquels il avait le plus d\u2019int\u00e9r\u00eat \u2013 des feuilles de la Renaissance italienne et paysages italiens du 17\u00e8me si\u00e8cle aux sujets militaires, en passant par les compositions orientalisantes de ses contemporains \u2013, cette exposition est ainsi l\u2019occasion de faire red\u00e9couvrir des dessins d\u2019une qualit\u00e9 exceptionnelle, tout autant que de donner \u00e0 mieux conna\u00eetre la personnalit\u00e9 et le go\u00fbt de celui qui les rassembla et gr\u00e2ce \u00e0 qui ils sont entr\u00e9s dans les collections publiques fran\u00e7aises.<\/p>\n

En savoir plus:<\/span><\/p>\n

Mus\u00e9e du Louvre<\/p>\n

Jusqu’-au 10 f\u00e9vrier 2020<\/p>\n

https:\/\/www.louvre.fr\/<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019importance du r\u00f4le des collectionneurs priv\u00e9s dans la constitution des collections publiques de dessins en France est bien connue gr\u00e2ce, notamment, \u00e0 de nombreux hommages rendus \u00e0 Everard Jabach, Pierre-Jean Mariette, \u00c9tienne Moreau-N\u00e9laton ou Philippe de Chennevi\u00e8res. Pourtant, seule une petite pr\u00e9sentation au mus\u00e9e des Beaux-Arts de Dijon en 1974 a \u00e9voqu\u00e9 l\u2019action d\u00e9terminante d\u2019un […]<\/p>\n","protected":false},"author":6,"featured_media":11815,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-11790","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nOfficier & gentleman au XIXe si\u00e8cle. 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