{"id":11585,"date":"2019-12-01T15:20:44","date_gmt":"2019-12-01T14:20:44","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=11585"},"modified":"2019-12-17T13:56:33","modified_gmt":"2019-12-17T12:56:33","slug":"les-halles-de-leon-augustin-lhermitte-1844-1925","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-halles-de-leon-augustin-lhermitte-1844-1925\/","title":{"rendered":"Les Halles de L\u00e9on Augustin Lhermitte ( 1844-1925 )"},"content":{"rendered":"
\n

En 1889, L\u00e9on Lhermitte est choisi pour r\u00e9aliser une peinture monumentale destin\u00e9e \u00e0 l\u2019H\u00f4tel de Ville de Paris. Le peintre propose de traiter un sujet moderne, l\u2019approvisionnement des Halles, bousculant ainsi la tradition du d\u00e9cor all\u00e9gorique.<\/p>\n

\"\"<\/a>
D\u00e9tail – L\u00e9on Lhermitte, Les Halles
1895
Huile sur toile, 404 x 635 cm
\u00a9 St\u00e9phane Piera \/ Petit Palais \/ Roger-Viollet<\/figcaption><\/figure>\n<\/div>\n

Originaire de Picardie, Lhermitte est un ma\u00eetre du naturalisme, courant artistique qui se d\u00e9veloppe en France \u00e0 la fin du 19e si\u00e8cle, \u00e0 la suite de Courbet et sous l\u2019influence des romans de Zola. Le peintre se veut t\u00e9moin de son temps et dessine sur le vif des sc\u00e8nes de la vie quotidienne, qui lui servent ensuite \u00e0 peindre de grandes compositions. Il repr\u00e9sente ainsi en 1882\u00a0La paye des moissonneurs\u00a0<\/em>(mus\u00e9e d\u2019Orsay), avec laquelle il rencontre son premier grand succ\u00e8s. Il compte alors parmi les personnalit\u00e9s du monde artistique qui prennent part \u00e0 la d\u00e9fense de l\u2019art ind\u00e9pendant face \u00e0 l\u2019inertie des institutions acad\u00e9miques.<\/p>\n

\"\"<\/a>
D\u00e9tail – L\u00e9on Lhermitte, Les Halles<\/figcaption><\/figure>\n

Le Carreau, o\u00f9 se d\u00e9roule la sc\u00e8ne peinte par l’artiste, est un march\u00e9 annexe install\u00e9 en plein air. Il \u00e9tait destin\u00e9 \u00e0 la vente des fruits et des l\u00e9gumes livr\u00e9s dans la nuit par les cultivateurs et les jardiniers-mara\u00eechers des environs de Paris. Le p\u00e9rim\u00e8tre \u00e9tait ouvert aux clients de 4 heures \u00e0 10 heures du matin.<\/p>\n

On reconnait parmi la foule les forts qui portent une blouse en grosse toile bleue et un chapeau en cuir jaune \u00e0 larges bords. Ils assuraient le d\u00e9chargement des charrettes vers les \u00e9tals et le contr\u00f4le de la circulation des marchandises. De statut inf\u00e9rieur, les porteurs transportaient les marchandises achet\u00e9es par les clients. Leur costume se diff\u00e9renciait par la blouse, la casquette haute et les deux m\u00e9dailles d\u00e9livr\u00e9es par la pr\u00e9fecture de police dont ils d\u00e9pendaient. Les marchandes de soupes et de caf\u00e9 assuraient de quoi nourrir et r\u00e9chauffer ceux qui \u00e9taient arriv\u00e9s dans la nuit.<\/p>\n

\"\"<\/a>
D\u00e9tail – L\u00e9on Lhermitte, Les Halles<\/figcaption><\/figure>\n

L\u2019\u0153uvre fait sensation au Salon de 1895 et \u00e0 l\u2019Exposition universelle de 1900. En 1904, elle est transf\u00e9r\u00e9e au Petit Palais qui vient d\u2019\u00eatre inaugur\u00e9 et pr\u00e9sent\u00e9e dans la grande galerie des peintures situ\u00e9e au rez-de-jardin. Entrepos\u00e9e et roul\u00e9e dans une r\u00e9serve durant une partie du XXe si\u00e8cle, l\u2019\u0153uvre est rest\u00e9e \u00e0 l\u2019abri des regards durant plus de quatre-vingt ans. Sa restauration, qui a b\u00e9n\u00e9fici\u00e9 du m\u00e9c\u00e9nat du March\u00e9 International de Rungis, a dur\u00e9 quatre mois.<\/p>\n

Ayant retrouv\u00e9 toute sa vivacit\u00e9, cette \u0153uvre illustre l\u2019effervescence de la vie parisienne \u00e0 la Belle \u00e9poque.\u00a0 Le tableau de L\u00e9on Lhermitte nous permet de retrouver \u00e0 l\u2019aube du XXIe si\u00e8cle l\u2019activit\u00e9 industrieuse et populaire du Paris de Zola.<\/p>\n

En savoir plus:<\/span><\/p>\n

http:\/\/www.petitpalais.paris.fr\/oeuvre\/les-halles<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

En 1889, L\u00e9on Lhermitte est choisi pour r\u00e9aliser une peinture monumentale destin\u00e9e \u00e0 l\u2019H\u00f4tel de Ville de Paris. Le peintre propose de traiter un sujet moderne, l\u2019approvisionnement des Halles, bousculant ainsi la tradition du d\u00e9cor all\u00e9gorique. Originaire de Picardie, Lhermitte est un ma\u00eetre du naturalisme, courant artistique qui se d\u00e9veloppe en France \u00e0 la fin […]<\/p>\n","protected":false},"author":6,"featured_media":11591,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[261],"tags":[],"class_list":["post-11585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-peintres-tableaux"],"yoast_head":"\nLes Halles de L\u00e9on Augustin Lhermitte ( 1844-1925 ) Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"En 1889, L\u00e9on Lhermitte est choisi pour r\u00e9aliser une peinture monumentale destin\u00e9e \u00e0 l\u2019H\u00f4tel de Ville de Paris. 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