{"id":11169,"date":"2019-08-26T08:10:25","date_gmt":"2019-08-26T07:10:25","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=11169"},"modified":"2019-08-26T08:11:39","modified_gmt":"2019-08-26T07:11:39","slug":"chambord-1519-2019-lutopie-a-loeuvre","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/","title":{"rendered":"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre"},"content":{"rendered":"<p><strong>En septembre 1519 d\u00e9bute le chantier de ce qui deviendra, sous l\u2019impulsion de Fran\u00e7ois Ier, la plus stup\u00e9fiante construction de la Renaissance fran\u00e7aise : le ch\u00e2teau de Chambord. <\/strong><\/p>\n<p>2019 est l\u2019occasion pour le domaine de s\u2019interroger sur cette architecture si singuli\u00e8re en proposant une exposition double, \u00e0 la fois r\u00e9trospective et prospective, liant hier et demain sous les auspices de l\u2019utopie et des architectures id\u00e9ales.<br \/>\nCette exposition, r\u00e9alis\u00e9e avec le concours exceptionnel de la Biblioth\u00e8que nationale de France est plac\u00e9e sous le commissariat de l\u2019architecte Dominique Perrault et du philosophe Roland Schaer.<\/p>\n<figure id=\"attachment_11193\" aria-describedby=\"caption-attachment-11193\" style=\"width: 459px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11193\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/gnbr\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?fit=459%2C551&amp;ssl=1\" data-orig-size=\"459,551\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480210&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Fran\u00e7ois Ier, roi de France,&lt;br \/&gt;\nTiziano Vecellio, dit Titien&lt;br \/&gt;\nVers 1539&lt;br \/&gt;\nParis, Mus\u00e9e du Louvre, D\u00e9partement&lt;br \/&gt;\ndes Peintures&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?fit=250%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?fit=459%2C551&amp;ssl=1\" class=\"size-full wp-image-11193\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?resize=459%2C551\" alt=\"\" width=\"459\" height=\"551\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?w=459&amp;ssl=1 459w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?resize=250%2C300&amp;ssl=1 250w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/gnbr.jpg?resize=150%2C180&amp;ssl=1 150w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><\/a><figcaption id=\"caption-attachment-11193\" class=\"wp-caption-text\">Fran\u00e7ois Ier, roi de France,<br \/>Tiziano Vecellio, dit Titien<br \/>Vers 1539<br \/>Paris, Mus\u00e9e du Louvre, D\u00e9partement<br \/>des Peintures<\/figcaption><\/figure>\n<p><strong>La dimension historique : la gen\u00e8se de Chambord<\/strong><\/p>\n<p>La Renaissance fut en France une p\u00e9riode d\u2019effervescence tant sur le plan politique \u2013 avec le r\u00e8gne de Fran\u00e7ois Ier \u2013 qu\u2019intellectuel avec l\u2019\u00e9mergence de nouvelles pr\u00e9occupations artistiques et philosophiques. L\u2019exposition visera \u00e0 interroger la construction du monument \u00e0 la lumi\u00e8re de ce contexte singulier.<\/p>\n<figure id=\"attachment_11194\" aria-describedby=\"caption-attachment-11194\" style=\"width: 532px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11194\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/asder-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?fit=532%2C367&amp;ssl=1\" data-orig-size=\"532,367\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480236&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Escuela de Arquitectura&lt;br \/&gt;\nde la Universidad An\u00e1huac,&lt;br \/&gt;\nMexico&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?fit=300%2C207&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?fit=532%2C367&amp;ssl=1\" class=\"size-full wp-image-11194\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?resize=532%2C367\" alt=\"\" width=\"532\" height=\"367\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?w=532&amp;ssl=1 532w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?resize=300%2C207&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/asder.jpg?resize=180%2C124&amp;ssl=1 180w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/a><figcaption id=\"caption-attachment-11194\" class=\"wp-caption-text\">Escuela de Arquitectura<br \/>de la Universidad An\u00e1huac,<br \/>Mexico<\/figcaption><\/figure>\n<p>Les pr\u00e9occupations et espoirs de la Renaissance, la personnalit\u00e9 embl\u00e9matique de Fran\u00e7ois Ier ainsi que la place de L\u00e9onard de Vinci, mort \u00e0 Amboise quelques mois avant le d\u00e9but de la construction de Chambord, seront mis en perspective par pr\u00e8s de 150 \u0153uvres remarquables provenant des collections de 33 institutions prestigieuses dont la Biblioth\u00e8que nationale de France, le Mus\u00e9e du Louvre, la Galerie des Offices, le British Museum, la Biblioteca Nazionale Centrale de Florence, le Mus\u00e9e de l\u2019Arm\u00e9e ou encore la Veneranda Biblioteca Ambrosiana de Milan.<\/p>\n<figure id=\"attachment_11195\" aria-describedby=\"caption-attachment-11195\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11195\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/dcer\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?fit=450%2C309&amp;ssl=1\" data-orig-size=\"450,309\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480276&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Apocalypse figur\u00e9e (dite de Valenciennes) : L\u2019ange montre&lt;br \/&gt;\n\u00e0 saint Jean la J\u00e9rusalem messianique&lt;br \/&gt;\nOtoltus (cop.)&lt;br \/&gt;\nIXe&lt;br \/&gt;\n si\u00e8cle&lt;br \/&gt;\nManuscrit enlumin\u00e9 sur parchemin&lt;br \/&gt;\nM\u00e9diath\u00e8que de Valenciennes &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?fit=300%2C206&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?fit=450%2C309&amp;ssl=1\" class=\"size-full wp-image-11195\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?resize=450%2C309\" alt=\"\" width=\"450\" height=\"309\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?w=450&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?resize=300%2C206&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/dcer.jpg?resize=180%2C124&amp;ssl=1 180w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-11195\" class=\"wp-caption-text\">Apocalypse figur\u00e9e (dite de Valenciennes) : L\u2019ange montre<br \/>\u00e0 saint Jean la J\u00e9rusalem messianique<br \/>Otoltus (cop.)<br \/>IXe<br \/>si\u00e8cle<br \/>Manuscrit enlumin\u00e9 sur parchemin<br \/>M\u00e9diath\u00e8que de Valenciennes<\/figcaption><\/figure>\n<p>La pr\u00e9sentation de manuscrits enlumin\u00e9s du IXe au XVIe si\u00e8cle, livres rares, dessins, tableaux, maquettes et objets d\u2019art, parmi lesquels trois feuillets originaux du Codex Atlanticus de L\u00e9onard de Vinci, l\u2019Armure aux lions de Fran\u00e7ois Ier ou encore cinq dessins originaux sur v\u00e9lin ex\u00e9cut\u00e9s par le c\u00e9l\u00e8bre architecte Jacques Androuet du Cerceau, permettra au public de v\u00e9ritablement entrer dans l\u2019architecture du monument, et d\u2019en saisir la nouveaut\u00e9 radicale.<\/p>\n<figure id=\"attachment_11196\" aria-describedby=\"caption-attachment-11196\" style=\"width: 558px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11196\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/sdera\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?fit=558%2C381&amp;ssl=1\" data-orig-size=\"558,381\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480298&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Coffre orn\u00e9 d\u2019une perspective de cit\u00e9 id\u00e9ale&lt;br \/&gt;\nMarqueterie&lt;br \/&gt;\nXVe&lt;br \/&gt;\n si\u00e8cle&lt;br \/&gt;\nGallerie degli Uffizi, Florence (Italie) &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?fit=300%2C205&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?fit=558%2C381&amp;ssl=1\" class=\"size-full wp-image-11196\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?resize=558%2C381\" alt=\"\" width=\"558\" height=\"381\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?w=558&amp;ssl=1 558w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sdera.jpg?resize=180%2C123&amp;ssl=1 180w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/a><figcaption id=\"caption-attachment-11196\" class=\"wp-caption-text\">Coffre orn\u00e9 d\u2019une perspective de cit\u00e9 id\u00e9ale<br \/>Marqueterie<br \/>XVe<br \/>si\u00e8cle<br \/>Gallerie degli Uffizi, Florence (Italie)<\/figcaption><\/figure>\n<p><strong>La dimension contemporaine : Chambord inachev\u00e9<\/strong><\/p>\n<p>\u00c0 cette dimension patrimoniale s\u2019ajoutera un pan prospectif totalement in\u00e9dit : la pr\u00e9sentation de 18 projets \u00e9manant de laboratoires d\u2019architecture des plus grandes universit\u00e9s des cinq continents et r\u00e9pondant au d\u00e9fi de relancer aujourd\u2019hui, 500 ans plus tard, l\u2019utopie architecturale de Chambord.<br \/>\n\u00c0 la pointe de l\u2019innovation technique, ces laboratoires ont eu carte blanche pour la conception de leur vision d\u2019un Chambord r\u00e9invent\u00e9. Entre utopie politique, sociale ou environnementale : comment imaginer le Chambord id\u00e9al du XXIe si\u00e8cle ?<\/p>\n<figure id=\"attachment_11197\" aria-describedby=\"caption-attachment-11197\" style=\"width: 394px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11197\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/aqsze-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?fit=394%2C556&amp;ssl=1\" data-orig-size=\"394,556\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480326&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Libro di architettura&lt;br \/&gt;\nFrancesco di Giorgio&lt;br \/&gt;\n2e&lt;br \/&gt;\n moiti\u00e9 du XVe&lt;br \/&gt;\n si\u00e8cle&lt;br \/&gt;\nManuscrit sur papier&lt;br \/&gt;\nBiblioteca Nazionale Centrale, Florence (Italie) &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?fit=213%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?fit=394%2C556&amp;ssl=1\" class=\"size-full wp-image-11197\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?resize=394%2C556\" alt=\"\" width=\"394\" height=\"556\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?w=394&amp;ssl=1 394w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?resize=213%2C300&amp;ssl=1 213w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqsze.jpg?resize=128%2C180&amp;ssl=1 128w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/a><figcaption id=\"caption-attachment-11197\" class=\"wp-caption-text\">Libro di architettura<br \/>Francesco di Giorgio<br \/>2e<br \/>moiti\u00e9 du XVe<br \/>si\u00e8cle<br \/>Manuscrit sur papier<br \/>Biblioteca Nazionale Centrale, Florence (Italie)<\/figcaption><\/figure>\n<p>Conjuguant rigueur scientifique et imagination utopique, cette exposition entend montrer comment le patrimoine vivant peut inspirer aujourd\u2019hui les recherches les plus innovantes, en mariant harmonieusement beaut\u00e9 patrimoniale et technologie, contemporaine.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/88aPoo1vGDE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p><span style=\"color: #ff6600\">LA DIMENSION HISTORIQUE : LA GEN\u00c8SE DE CHAMBORD<\/span><\/p>\n<p>Le versant historique de l\u2019exposition cherche \u00e0 donner au visiteur une compr\u00e9hension approfondie des \u00e9l\u00e9ments constitutifs du monument, nourrie des recherches les plus r\u00e9centes, en le replongeant dans le contexte intellectuel, esth\u00e9tique et politique de la Renaissance fran\u00e7aise. En s\u2019appuyant sur 150 \u0153uvres, pour beaucoup exceptionnelles, mais \u00e9galement sur des dispositifs num\u00e9riques, des \u00e9l\u00e9ments de sc\u00e9nographie spectaculaires (maquettes, reconstitutions, vid\u00e9os, douche sonore) et nombre de textes (citations, cartels d\u00e9velopp\u00e9s, chronologies, frises et sch\u00e9mas),<\/p>\n<figure id=\"attachment_11198\" aria-describedby=\"caption-attachment-11198\" style=\"width: 612px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11198\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/cer\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?fit=612%2C592&amp;ssl=1\" data-orig-size=\"612,592\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480351&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Panorama de J\u00e9rusalem&lt;br \/&gt;\nVers 1517&lt;br \/&gt;\nPeinture sur bois de ch\u00eane&lt;br \/&gt;\nMuseu Nacional do Azulejo, Lisbonne (Portugal)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?fit=300%2C290&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?fit=612%2C592&amp;ssl=1\" class=\"size-full wp-image-11198\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?resize=612%2C592\" alt=\"\" width=\"612\" height=\"592\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?w=612&amp;ssl=1 612w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?resize=300%2C290&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/cer.jpg?resize=180%2C174&amp;ssl=1 180w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/a><figcaption id=\"caption-attachment-11198\" class=\"wp-caption-text\">Panorama de J\u00e9rusalem<br \/>Vers 1517<br \/>Peinture sur bois de ch\u00eane<br \/>Museu Nacional do Azulejo, Lisbonne (Portugal)<\/figcaption><\/figure>\n<p>l\u2019exposition conjugue pr\u00e9cision scientifique, \u00e9l\u00e9gance de la pr\u00e9sentation et attractivit\u00e9 du discours, loin de l\u2019aridit\u00e9 de certaines pr\u00e9sentations d\u2019architecture patrimoniale. Dans un souci de clart\u00e9 et de p\u00e9dagogie, elle se divise en quatre sections que le visiteur est invit\u00e9 \u00e0 parcourir successivement afin d\u2019en saisir simplement le propos, chemin faisant&#8230;<\/p>\n<figure id=\"attachment_11199\" aria-describedby=\"caption-attachment-11199\" style=\"width: 347px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11199\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/lsder\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?fit=347%2C460&amp;ssl=1\" data-orig-size=\"347,460\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480388&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Madonna del Terremoto : La vierge prot\u00e8ge la ville&lt;br \/&gt;\nde Sienne pendant un tremblement de terre&lt;br \/&gt;\nFrancesco di Giorgio&lt;br \/&gt;\n1467&lt;br \/&gt;\nHuile sur bois&lt;br \/&gt;\nArchivo di Stato, Sienne (Italie)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?fit=226%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?fit=347%2C460&amp;ssl=1\" class=\"size-full wp-image-11199\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?resize=347%2C460\" alt=\"\" width=\"347\" height=\"460\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?w=347&amp;ssl=1 347w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?resize=226%2C300&amp;ssl=1 226w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lsder.jpg?resize=136%2C180&amp;ssl=1 136w\" sizes=\"auto, (max-width: 347px) 100vw, 347px\" \/><\/a><figcaption id=\"caption-attachment-11199\" class=\"wp-caption-text\">Madonna del Terremoto : La vierge prot\u00e8ge la ville<br \/>de Sienne pendant un tremblement de terre<br \/>Francesco di Giorgio<br \/>1467<br \/>Huile sur bois<br \/>Archivo di Stato, Sienne (Italie)<\/figcaption><\/figure>\n<p><strong>Cit\u00e9s id\u00e9ales, architectures id\u00e9ales<\/strong><\/p>\n<p>Cette premi\u00e8re section d\u00e9voile le contexte intellectuel, religieux et historique dans lequel est con\u00e7u Chambord : l\u2019extraordinaire floraison artistique dont l\u2019Italie a \u00e9t\u00e9 le th\u00e9\u00e2tre au Quattrocento, l\u2019\u00e9mergence de l\u2019architecture comme \u00ab l\u2019art du disegno \u00bb, c\u2019est-\u00e0-dire du pouvoir de repr\u00e9senter et d\u2019inventer des formes id\u00e9ales, conformes aux \u00ab divines proportions \u00bb inscrites dans la nature. L\u2019artiste, savant et cr\u00e9ateur, rivalise alors avec Dieu. La \u00ab cit\u00e9 id\u00e9ale \u00bb, longtemps identifi\u00e9e \u00e0 la J\u00e9rusalem c\u00e9leste dont l\u2019architecte \u00e9tait Dieu, devient l\u2019\u0153uvre possible du g\u00e9nie inventif humain.<\/p>\n<figure id=\"attachment_11200\" aria-describedby=\"caption-attachment-11200\" style=\"width: 438px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11200\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/bjui\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?fit=438%2C601&amp;ssl=1\" data-orig-size=\"438,601\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480417&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Armure aux lions&lt;br \/&gt;\nGiovanni Paolo Negroli&lt;br \/&gt;\nVers 1540-1545&lt;br \/&gt;\nFer, laiton, or, argent, cuir, textile&lt;br \/&gt;\nMus\u00e9e de l\u2019Arm\u00e9e, Paris&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?fit=219%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?fit=438%2C601&amp;ssl=1\" class=\"size-full wp-image-11200\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?resize=438%2C601\" alt=\"\" width=\"438\" height=\"601\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?w=438&amp;ssl=1 438w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/bjui.jpg?resize=131%2C180&amp;ssl=1 131w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/a><figcaption id=\"caption-attachment-11200\" class=\"wp-caption-text\">Armure aux lions<br \/>Giovanni Paolo Negroli<br \/>Vers 1540-1545<br \/>Fer, laiton, or, argent, cuir, textile<br \/>Mus\u00e9e de l\u2019Arm\u00e9e, Paris<\/figcaption><\/figure>\n<p>C\u2019est le temps des utopies, manifest\u00e9es dans les grands trait\u00e9s d\u2019architecture : Alberti inaugure, au milieu du si\u00e8cle, cette nouvelle tradition ; il sera suivi par \u00ab Filar\u00e8te \u00bb et par Francesco di Giorgio, puis par Serlio, Palladio et bien d\u2019autres. Le trait\u00e9 d\u2019architecture, le dessin et la maquette sont autant de voies par lesquelles l\u2019architecture est con\u00e7ue et repr\u00e9sent\u00e9e avant d\u2019\u00eatre mat\u00e9rialis\u00e9e : elle est \u00ab chose mentale \u00bb. L\u2019architecte qui, \u00e0 la diff\u00e9rence du peintre, n\u2019a pas \u00e0 copier le r\u00e9el, est inventeur de formes.<\/p>\n<figure id=\"attachment_11201\" aria-describedby=\"caption-attachment-11201\" style=\"width: 516px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11201\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/vfgt\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?fit=516%2C716&amp;ssl=1\" data-orig-size=\"516,716\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480470&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;L\u2019\u00eele d\u2019Utopie, extrait d\u2019Utopia&lt;br \/&gt;\nThomas More&lt;br \/&gt;\n1516&lt;br \/&gt;\nPapier, encre&lt;br \/&gt;\nBiblioth\u00e8que nationale de France, Biblioth\u00e8que de l\u2019Arsenal &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?fit=216%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?fit=516%2C716&amp;ssl=1\" class=\"size-full wp-image-11201\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?resize=516%2C716\" alt=\"\" width=\"516\" height=\"716\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?w=516&amp;ssl=1 516w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?resize=216%2C300&amp;ssl=1 216w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/vfgt.jpg?resize=130%2C180&amp;ssl=1 130w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/a><figcaption id=\"caption-attachment-11201\" class=\"wp-caption-text\">L\u2019\u00eele d\u2019Utopie, extrait d\u2019Utopia<br \/>Thomas More<br \/>1516<br \/>Papier, encre<br \/>Biblioth\u00e8que nationale de France, Biblioth\u00e8que de l\u2019Arsenal<\/figcaption><\/figure>\n<p>Tous les grands architectes de la premi\u00e8re Renaissance italienne, dont on d\u00e9couvrira au sein de l\u2019exposition les trait\u00e9s, ont \u00e9t\u00e9 des artistes de cour, proches des hommes de pouvoir, des princes, des pr\u00e9lats, des monarques. Bien s\u00fbr, leur qu\u00eate de reconnaissance et de protection y est pour beaucoup. Mais plus fondamentalement, cette collusion du \u00ab savant et du politique \u00bb tient \u00e0 ce qu\u2019\u00e0 leurs yeux, l\u2019\u00e9dification du cadre b\u00e2ti est indissociable de la production de l\u2019harmonie sociale : faire une cit\u00e9, c\u2019est \u00e0 la fois cr\u00e9er un habitat mat\u00e9riel et unir un collectif humain. L\u2019architecture et l\u2019urbanisme participent du \u00ab bon gouvernement \u00bb.<\/p>\n<p>Du coup, si l\u2019architecte est au service du Prince, c\u2019est aussi que le Prince se veut architecte : pas seulement initi\u00e9 \u00e0 cet art, mais ma\u00eetre dans celui de faire soci\u00e9t\u00e9, d\u2019unir un peuple autour de son pouvoir. De cela, aussi, Chambord est un lumineux exemple : d\u2019une conversation entre le Prince et l\u2019artiste (L\u00e9onard et Fran\u00e7ois notamment&#8230;) qui b\u00e2tissent un ch\u00e2teau comme on construit un royaume.<\/p>\n<figure id=\"attachment_11202\" aria-describedby=\"caption-attachment-11202\" style=\"width: 519px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11202\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/jrt\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?fit=519%2C369&amp;ssl=1\" data-orig-size=\"519,369\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480496&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ch\u00e2teau de Boulogne, called Madrid,&lt;br \/&gt;\nnear the Bois de Boulogne : front elevation&lt;br \/&gt;\nJacques Androuet du Cerceau&lt;br \/&gt;\nVers 1570&lt;br \/&gt;\nDessin sur v\u00e9lin&lt;br \/&gt;\nBritish Museum, Londres, Royaume-Uni&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?fit=300%2C213&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?fit=519%2C369&amp;ssl=1\" class=\"size-full wp-image-11202\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?resize=519%2C369\" alt=\"\" width=\"519\" height=\"369\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?w=519&amp;ssl=1 519w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?resize=300%2C213&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jrt.jpg?resize=180%2C128&amp;ssl=1 180w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a><figcaption id=\"caption-attachment-11202\" class=\"wp-caption-text\">Ch\u00e2teau de Boulogne, called Madrid,<br \/>near the Bois de Boulogne : front elevation<br \/>Jacques Androuet du Cerceau<br \/>Vers 1570<br \/>Dessin sur v\u00e9lin<br \/>British Museum, Londres, Royaume-Uni<\/figcaption><\/figure>\n<p>M\u00eame si L\u00e9onard a \u00e9t\u00e9 consult\u00e9 \u00e0 plusieurs reprises sur des projets pr\u00e9cis d\u2019architecture ou d\u2019urbanisme, aucune r\u00e9alisation ne porte n\u00e9anmoins v\u00e9ritablement sa signature. Et pourtant, l\u2019architecture est tr\u00e8s pr\u00e9sente dans ses carnets remplis d\u2019exercices qui sont autant de variations sur \u00ab l\u2019architecture possible \u00bb.<\/p>\n<p>Ce sont des dessins qui rel\u00e8vent plus de la recherche que de la ma\u00eetrise d\u2019\u0153uvre. Recherches techniques et scientifiques, comme lorsqu\u2019il est consult\u00e9 sur les moyens de consolider le transept de la cath\u00e9drale de Milan pour pouvoir installer \u00e0 son fa\u00eete une coupole et une fl\u00e8che. Recherches formelles, comme dans ces riches s\u00e9ries de dessins o\u00f9 il d\u00e9cline les multiples variations possibles d\u2019\u00e9glises \u00ab \u00e0 plan centr\u00e9 \u00bb. Recherches fonctionnelles, quand il \u00e9tudie ces \u00ab organes de circulation \u00bb des villes et des \u00e9difices que sont les rues, les canaux, les escaliers, o\u00f9 se joue la gestion des flux. C\u2019est cette propension \u00e0 chercher toujours des solutions nouvelles qui fait de L\u00e9onard architecte \u00e0 la fois un r\u00e9aliste et un visionnaire, un pragmatique et un pr\u00e9curseur.<\/p>\n<figure id=\"attachment_11203\" aria-describedby=\"caption-attachment-11203\" style=\"width: 472px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11203\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/sez-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?fit=472%2C662&amp;ssl=1\" data-orig-size=\"472,662\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480543&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Tristan chevalier de la table ronde (vol. 1),&lt;br \/&gt;\nprovenant de la biblioth\u00e8que de Fran\u00e7ois Ier&lt;br \/&gt;\n1496 ; Paris&lt;br \/&gt;\nOuvrage imprim\u00e9 sur v\u00e9lin&lt;br \/&gt;\nBiblioth\u00e8que nationale de France, R\u00e9serve des livres rares &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?fit=214%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?fit=472%2C662&amp;ssl=1\" class=\"size-full wp-image-11203\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?resize=472%2C662\" alt=\"\" width=\"472\" height=\"662\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?w=472&amp;ssl=1 472w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?resize=214%2C300&amp;ssl=1 214w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sez.jpg?resize=128%2C180&amp;ssl=1 128w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/a><figcaption id=\"caption-attachment-11203\" class=\"wp-caption-text\">Tristan chevalier de la table ronde (vol. 1),<br \/>provenant de la biblioth\u00e8que de Fran\u00e7ois Ier<br \/>1496 ; Paris<br \/>Ouvrage imprim\u00e9 sur v\u00e9lin<br \/>Biblioth\u00e8que nationale de France, R\u00e9serve des livres rares<\/figcaption><\/figure>\n<p><strong>Fran\u00e7ois I , b\u00e2tir un royaume<\/strong><\/p>\n<p>Ayant d\u00e9ploy\u00e9 le contexte historique, l\u2019exposition s\u2019int\u00e9resse ensuite \u00e0 celui qui, d\u2019une certaine mani\u00e8re, f\u00e9conde ce contexte propice : le roi Fran\u00e7ois Ier, sacr\u00e9 en 1515. Une \u00e8re nouvelle commence avec lui, que beaucoup annoncent alors comme un nouvel \u00c2ge d\u2019Or. La victoire de Marignan, en septembre 1515, fait de lui un \u00ab second C\u00e9sar \u00bb. Nourri de l\u2019imaginaire chevaleresque qui constitue son r\u00e9f\u00e9rent intellectuel et id\u00e9ologique, le jeune roi se voit comme destin\u00e9 \u00e0 restaurer l\u2019empire de Constantin ou celui de Charlemagne, et \u00e0 relancer les croisades pour la reconqu\u00eate des Lieux Saints.<\/p>\n<p>L\u2019ambition de Fran\u00e7ois Ier est avant tout d\u2019occuper la place de chef temporel \u2013 et militaire \u2013 du monde chr\u00e9tien : la place que s\u2019\u00e9tait donn\u00e9e Constantin en se convertissant en 313, celle qu\u2019avait occup\u00e9e Charlemagne au d\u00e9but du IXe si\u00e8cle, celle qu\u2019avaient occup\u00e9e les empereurs byzantins. Son \u00e9lection au titre d\u2019empereur du \u00ab Saint-Empire romain germanique \u00bb aurait pu lui donner officiellement cette mission. Les \u00e9lecteurs en d\u00e9cid\u00e8rent autrement : ce fut \u00e0 Charles Quint qu\u2019il revint de reb\u00e2tir l\u2019Empire. Le r\u00eave se fissure avec cette \u00e9lection (juin 1519), puis avec la d\u00e9faite de Pavie (f\u00e9vrier 1525). Mais c\u2019est au cours de ces ann\u00e9es flamboyantes que Chambord est con\u00e7u.<\/p>\n<figure id=\"attachment_11204\" aria-describedby=\"caption-attachment-11204\" style=\"width: 391px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11204\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/hrte\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?fit=391%2C568&amp;ssl=1\" data-orig-size=\"391,568\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480567&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Po\u00e8me sur la Passion&lt;br \/&gt;\nVers 1530&lt;br \/&gt;\nManuscrit sur v\u00e9lin&lt;br \/&gt;\nMedieval and Renaissance manuscripts,&lt;br \/&gt;\nPierpont Morgan Library,&lt;br \/&gt;\nNew York (\u00c9tats-Unis)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?fit=207%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?fit=391%2C568&amp;ssl=1\" class=\"size-full wp-image-11204\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?resize=391%2C568\" alt=\"\" width=\"391\" height=\"568\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?w=391&amp;ssl=1 391w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?resize=207%2C300&amp;ssl=1 207w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hrte.jpg?resize=124%2C180&amp;ssl=1 124w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/a><figcaption id=\"caption-attachment-11204\" class=\"wp-caption-text\">Po\u00e8me sur la Passion<br \/>Vers 1530<br \/>Manuscrit sur v\u00e9lin<br \/>Medieval and Renaissance manuscripts,<br \/>Pierpont Morgan Library,<br \/>New York (\u00c9tats-Unis)<\/figcaption><\/figure>\n<p>Fran\u00e7ois Ier n\u2019a de cesse d\u2019appara\u00eetre comme un roi protecteur des arts et des lettres, mais \u00e9galement comme un roi b\u00e2tisseur, \u00e0 l\u2019instar des rois de France Philippe Auguste et Charles V ou plus r\u00e9cemment, en Italie, des Montefeltre, Sforza et bien d\u2019autres qui avaient \u00e9t\u00e9 des \u00ab princes-architectes \u00bb. Avec les princes et pr\u00e9lats italiens, il partage l\u2019id\u00e9e que la \u00ab magnificence \u00bb se mesure \u00e0 la qualit\u00e9 de ses entreprises architecturales. Et de fait, \u00e0 partir de son r\u00e8gne, c\u2019est dans les projets royaux que se concentre l\u2019innovation architecturale en France.<\/p>\n<p>Il imprime sa marque dans les onze chantiers d\u2019am\u00e9nagement ou de construction qu\u2019il lance, d\u2019abord en Val de Loire (Blois, Amboise, Chambord), puis en \u00cele-deFrance (Madrid, Fontainebleau, Saint-Germain-en-Laye, Villers-Cotter\u00eats, etc.). Ma\u00eetre d\u2019ouvrage, mais sans doute davantage : Fran\u00e7ois Ier prend le crayon et dessine s\u2019appropriant \u00ab l\u2019art du disegno \u00bb, il se veut concepteur d\u2019\u00e9difices, capable de jouer lui-m\u00eame le r\u00f4le de celui qu\u2019en Italie on appelle d\u00e9j\u00e0 \u00ab l\u2019architecte \u00bb.<\/p>\n<figure id=\"attachment_11205\" aria-describedby=\"caption-attachment-11205\" style=\"width: 456px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11205\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/smlop\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?fit=456%2C692&amp;ssl=1\" data-orig-size=\"456,692\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480615&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;L\u2019institution du Prince :&lt;br \/&gt;\nGuillaume Bud\u00e9 \u00e0 l\u2019\u0153uvre pour le Roi.&lt;br \/&gt;\nGuillaume Bud\u00e9&lt;br \/&gt;\nVers 1518-1519&lt;br \/&gt;\nManuscrit sur parchemin&lt;br \/&gt;\nBiblioth\u00e8que nationale de France. Biblioth\u00e8que de l\u2019Arsenal &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?fit=198%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?fit=456%2C692&amp;ssl=1\" class=\"size-full wp-image-11205\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?resize=456%2C692\" alt=\"\" width=\"456\" height=\"692\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?w=456&amp;ssl=1 456w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?resize=198%2C300&amp;ssl=1 198w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/smlop.jpg?resize=119%2C180&amp;ssl=1 119w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><\/a><figcaption id=\"caption-attachment-11205\" class=\"wp-caption-text\">L\u2019institution du Prince :<br \/>Guillaume Bud\u00e9 \u00e0 l\u2019\u0153uvre pour le Roi.<br \/>Guillaume Bud\u00e9<br \/>Vers 1518-1519<br \/>Manuscrit sur parchemin<br \/>Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l\u2019Arsenal<\/figcaption><\/figure>\n<p><strong>Construire Chambord<\/strong><\/p>\n<p>Cette troisi\u00e8me section de l\u2019exposition pr\u00e9sente des \u00e9l\u00e9ments relatifs au chantier lui-m\u00eame. Si la documentation sur la construction de Chambord est tr\u00e8s lacunaire, l\u2019historien du XVIIe si\u00e8cle Andr\u00e9 F\u00e9libien a n\u00e9anmoins pu consulter et r\u00e9sumer ces archives dans ses M\u00e9moires pour servir \u00e0 l\u2019histoire des maisons Royalles et bastimens de France. Quelques autres documents ont \u00e9t\u00e9 retrouv\u00e9s depuis et, r\u00e9cemment, les fouilles arch\u00e9ologiques ont apport\u00e9 de pr\u00e9cieuses informations.<\/p>\n<figure id=\"attachment_11206\" aria-describedby=\"caption-attachment-11206\" style=\"width: 307px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11206\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/ndrt\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?fit=307%2C602&amp;ssl=1\" data-orig-size=\"307,602\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480637&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Saint Thomas, patron des architectes, sous les traits de Fran\u00e7ois Ier&lt;br \/&gt;\nAttribu\u00e9 \u00e0 L\u00e9onard Limosin&lt;br \/&gt;\nVers 1550&lt;br \/&gt;\n\u00c9mail peint sur cuivre, bois&lt;br \/&gt;\nParis, Mus\u00e9e du Louvre, D\u00e9partement des Objets d\u2019art &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?fit=153%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?fit=307%2C602&amp;ssl=1\" class=\"size-full wp-image-11206\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?resize=307%2C602\" alt=\"\" width=\"307\" height=\"602\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?w=307&amp;ssl=1 307w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?resize=153%2C300&amp;ssl=1 153w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ndrt.jpg?resize=92%2C180&amp;ssl=1 92w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/a><figcaption id=\"caption-attachment-11206\" class=\"wp-caption-text\">Saint Thomas, patron des architectes, sous les traits de Fran\u00e7ois Ier<br \/>Attribu\u00e9 \u00e0 L\u00e9onard Limosin<br \/>Vers 1550<br \/>\u00c9mail peint sur cuivre, bois<br \/>Paris, Mus\u00e9e du Louvre, D\u00e9partement des Objets d\u2019art<\/figcaption><\/figure>\n<p>\u00c0 la mort du roi, en 1547, Chambord n\u2019est pas achev\u00e9, et le chantier est moins actif. Mais entre 1519 et cette date, avec une interruption de plus de deux ans de l\u2019\u00e9t\u00e9 1524 \u00e0 l\u2019\u00e9t\u00e9 1526, Chambord fut un immense chantier. On verra dans l\u2019exposition plusieurs \u00e9l\u00e9ments arch\u00e9ologiques retrouv\u00e9s dans les fouilles, des \u00e9l\u00e9ments lapidaires conserv\u00e9s depuis le XIXe si\u00e8cle, ainsi qu\u2019une spectaculaire reconstitution \u00e0 l\u2019identique des fondations du ch\u00e2teau, soit une structure de 5,50m de hauteur sur 1m de largeur montrant les diff\u00e9rentes \u00ab couches \u00bb. Le visiteur entrera ainsi de plain-pied dans la construction du monument.<\/p>\n<figure id=\"attachment_11207\" aria-describedby=\"caption-attachment-11207\" style=\"width: 727px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11207\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/aqmpo-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?fit=727%2C574&amp;ssl=1\" data-orig-size=\"727,574\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480675&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ratification par le souverain&lt;br \/&gt;\npontife du concordat de Bologne&lt;br \/&gt;\nconclu entre le Saint-Si\u00e8ge et&lt;br \/&gt;\nFran\u00e7ois Ier le 18 ao\u00fbt 1516&lt;br \/&gt;\nL\u00e9on X ; Fran\u00e7ois Ier&lt;br \/&gt;\nManuscrit sur parchemin&lt;br \/&gt;\n18 ao\u00fbt 1516&lt;br \/&gt;\nArchives nationales, Armoire de fer&lt;br \/&gt;\net Mus\u00e9e, mus\u00e9e des documents&lt;br \/&gt;\n\u00e9trangers &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?fit=300%2C237&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?fit=665%2C525&amp;ssl=1\" class=\"size-full wp-image-11207\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?resize=665%2C525\" alt=\"\" width=\"665\" height=\"525\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?w=727&amp;ssl=1 727w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?resize=300%2C237&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aqmpo.jpg?resize=180%2C142&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-11207\" class=\"wp-caption-text\">Ratification par le souverain<br \/>pontife du concordat de Bologne<br \/>conclu entre le Saint-Si\u00e8ge et<br \/>Fran\u00e7ois Ier le 18 ao\u00fbt 1516<br \/>L\u00e9on X ; Fran\u00e7ois Ier<br \/>Manuscrit sur parchemin<br \/>18 ao\u00fbt 1516<br \/>Archives nationales, Armoire de fer<br \/>et Mus\u00e9e, mus\u00e9e des documents<br \/>\u00e9trangers<\/figcaption><\/figure>\n<p>Entre 1430 et 1530, le Val de Loire est la r\u00e9gion capitale du royaume, le s\u00e9jour favori de la cour. De l\u00e0, un foisonnement de chantiers, et la formation d\u2019une riche culture architecturale, port\u00e9e par les gens de m\u00e9tier qui \u0153uvrent d\u2019un ch\u00e2teau \u00e0 l\u2019autre. \u00c0 Chambord, si l\u2019intervention de Dominique de Cortone et les conversations que le roi a eues avec L\u00e9onard de Vinci ont jou\u00e9 un r\u00f4le d\u00e9terminant dans la conception du projet, on ne trouve mention d\u2019aucun \u00ab architecte \u00bb dans la conduite du chantier, ce qui est la norme pour la France de l\u2019\u00e9poque. La ma\u00eetrise d\u2019ouvrage est d\u00e9l\u00e9gu\u00e9e \u00e0 un \u00ab superintendant \u00bb qui a une fonction d\u2019administration du chantier. En r\u00e9alit\u00e9, il est tr\u00e8s vraisemblable que les directives, en particulier celles qui ont donn\u00e9 lieu \u00e0 des remaniements significatifs du projet, \u00e9manaient directement du roi.<\/p>\n<figure id=\"attachment_11208\" aria-describedby=\"caption-attachment-11208\" style=\"width: 236px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11208\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/lkt\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?fit=236%2C354&amp;ssl=1\" data-orig-size=\"236,354\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480701&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Targette en F couronn\u00e9 provenant&lt;br \/&gt;\ndu ch\u00e2teau de Chambord&lt;br \/&gt;\nFer forg\u00e9&lt;br \/&gt;\nD\u00e9but du XVIe&lt;br \/&gt;\n si\u00e8cle&lt;br \/&gt;\n\u00c9couen, Mus\u00e9e national de la&lt;br \/&gt;\nRenaissance &amp;#8211; Ch\u00e2teau d\u2019\u00c9couen &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?fit=236%2C354&amp;ssl=1\" class=\"size-full wp-image-11208\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?resize=236%2C354\" alt=\"\" width=\"236\" height=\"354\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?w=236&amp;ssl=1 236w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/lkt.jpg?resize=120%2C180&amp;ssl=1 120w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/a><figcaption id=\"caption-attachment-11208\" class=\"wp-caption-text\">Targette en F couronn\u00e9 provenant<br \/>du ch\u00e2teau de Chambord<br \/>Fer forg\u00e9<br \/>D\u00e9but du XVIe<br \/>si\u00e8cle<br \/>\u00c9couen, Mus\u00e9e national de la<br \/>Renaissance &#8211; Ch\u00e2teau d\u2019\u00c9couen<\/figcaption><\/figure>\n<p>Objets d\u2019art, menuiseries anciennes, fragments d\u2019architectures ou encore dessins viendront ensuite expliciter l\u2019embl\u00e9matique de Fran\u00e7ois Ier si pr\u00e9sente dans le d\u00e9cor de Chambord, sem\u00e9 des insignes monarchiques, couronnes et fleurs de lys, mais aussi des embl\u00e8mes propres \u00e0 ce roi : la salamandre, le monogramme en \u00ab F \u00bb, la cordeli\u00e8re en 8.<\/p>\n<p>Sans doute inspir\u00e9e par son pr\u00e9cepteur Fran\u00e7ois Desmoulins de Rochefort, conseiller de sa m\u00e8re Louise, la salamandre est une invitation \u00e0 la temp\u00e9rance. La tradition veut que l\u2019animal, invuln\u00e9rable, soit capable de vivre au milieu des flammes et d\u2019\u00e9teindre le feu ; la devise \u00ab je me nourris au bon feu \u2013 j\u2019\u00e9teins le mauvais \u00bb recommande au jeune prince de se nourrir au doux feu de la sagesse, et de refr\u00e9ner les app\u00e9tits bestiaux et les d\u00e9sirs violents. Fran\u00e7ois Ier en a fait son embl\u00e8me royal. La section s\u2019ach\u00e8ve par une s\u00e9rie de r\u00e9f\u00e9rences \u00e0 Chambord qui manifestent que, tr\u00e8s vite, le ch\u00e2teau a \u00e9t\u00e9 pris comme mod\u00e8le de palais id\u00e9al.<\/p>\n<figure id=\"attachment_11209\" aria-describedby=\"caption-attachment-11209\" style=\"width: 399px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11209\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/ampo\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?fit=399%2C526&amp;ssl=1\" data-orig-size=\"399,526\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480723&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Porte sculpt\u00e9e d\u2019une salamandre couronn\u00e9e provenant du&lt;br \/&gt;\nch\u00e2teau de Chambord&lt;br \/&gt;\nXVIe&lt;br \/&gt;\n si\u00e8cle&lt;br \/&gt;\nCh\u00eane sculpt\u00e9&lt;br \/&gt;\nParis, Mus\u00e9e du Louvre ; D\u00e9partement des objets d\u2019art &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?fit=228%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?fit=399%2C526&amp;ssl=1\" class=\"size-full wp-image-11209\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?resize=399%2C526\" alt=\"\" width=\"399\" height=\"526\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?w=399&amp;ssl=1 399w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?resize=228%2C300&amp;ssl=1 228w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ampo.jpg?resize=137%2C180&amp;ssl=1 137w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a><figcaption id=\"caption-attachment-11209\" class=\"wp-caption-text\">Porte sculpt\u00e9e d\u2019une salamandre couronn\u00e9e provenant du<br \/>ch\u00e2teau de Chambord<br \/>XVIe<br \/>si\u00e8cle<br \/>Ch\u00eane sculpt\u00e9<br \/>Paris, Mus\u00e9e du Louvre ; D\u00e9partement des objets d\u2019art<\/figcaption><\/figure>\n<p><strong>Chambord, all\u00e9gorie du royaume<\/strong><\/p>\n<p>Mais le myst\u00e8re de Chambord d\u00e9passe de beaucoup le chiffre myst\u00e9rieux qu\u2019on ne trouve que sur ce seul ch\u00e2teau du roi Fran\u00e7ois : pourquoi avoir b\u00e2ti une telle splendeur d\u00e9mesur\u00e9e au milieu de nulle part, dans ce qui \u00e9tait un \u00ab d\u00e9sert \u00bb inhospitalier cern\u00e9 de mar\u00e9cages ? On sait que le roi voulait une r\u00e9sidence de chasse, o\u00f9 la \u00ab petite bande \u00bb puisse passer de courts s\u00e9jours, et il est vrai que l\u2019endroit \u00e9tait giboyeux. Mais il voulait en m\u00eame temps que Chambord soit une merveille donn\u00e9e \u00e0 l\u2019admiration du monde. Du coup, les raisons de Chambord ne sont pas \u00e0 chercher dans les fonctions auxquelles il aurait pu r\u00e9pondre, mais dans les significations que l\u2019architecture y exprime. En cette \u00e9poque o\u00f9 la pens\u00e9e analogique r\u00e8gne, Chambord est une gerbe d\u2019all\u00e9gories o\u00f9 se m\u00ealent le politique et le religieux. Ce ch\u00e2teau est avant tout un exercice de rh\u00e9torique monarchique : le r\u00eave d\u2019un roi.<\/p>\n<figure id=\"attachment_11210\" aria-describedby=\"caption-attachment-11210\" style=\"width: 662px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11210\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/slht\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?fit=662%2C483&amp;ssl=1\" data-orig-size=\"662,483\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480746&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Vue des vo\u00fbtes sculpt\u00e9es&lt;br \/&gt;\ndu deuxi\u00e8me \u00e9tage&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?fit=300%2C219&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?fit=662%2C483&amp;ssl=1\" class=\"size-full wp-image-11210\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?resize=662%2C483\" alt=\"\" width=\"662\" height=\"483\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?w=662&amp;ssl=1 662w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?resize=300%2C219&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/slht.jpg?resize=180%2C131&amp;ssl=1 180w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/a><figcaption id=\"caption-attachment-11210\" class=\"wp-caption-text\">Vue des vo\u00fbtes sculpt\u00e9es<br \/>du deuxi\u00e8me \u00e9tage<\/figcaption><\/figure>\n<p>Chambord est un donjon entour\u00e9 d\u2019une enceinte. Comme de nombreux \u00ab ch\u00e2teau \u00bb fran\u00e7ais, il garde ces attributs de l\u2019ancien ch\u00e2teau-fort, alors qu\u2019ils n\u2019ont plus aucune fonction militaire. La grosse tour et l\u2019enceinte sont devenus les traits architecturaux propres \u00e0 la r\u00e9sidence seigneuriale. Mais si Chambord fait ainsi allusion aux anciennes forteresses royales, et particuli\u00e8rement au ch\u00e2teau de Vincennes, que Charles V avait fait construire entre 1364 et 1380, c\u2019est que Fran\u00e7ois Ier entend s\u2019inscrire dans la lign\u00e9e des rois-b\u00e2tisseurs, de ceux qui avaient fait le royaume, au cours de ce long processus o\u00f9 le suzerain s\u2019\u00e9tait fait souverain. Chambord est d\u2019abord une architecture souveraine, la traduction en pierre de la fortitudo royale.<\/p>\n<figure id=\"attachment_11211\" aria-describedby=\"caption-attachment-11211\" style=\"width: 740px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11211\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/xlt\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?fit=740%2C526&amp;ssl=1\" data-orig-size=\"740,526\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480768&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ch\u00e2teau de Chambord,&lt;br \/&gt;\nView of the posterior fa\u00e7ade&lt;br \/&gt;\nJacques Androuet du Cerceau&lt;br \/&gt;\nVers 1570&lt;br \/&gt;\nDessin sur v\u00e9lin&lt;br \/&gt;\nBritish Museum, Londres,&lt;br \/&gt;\n(Royaume-Uni) &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?fit=300%2C213&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?fit=665%2C473&amp;ssl=1\" class=\"size-full wp-image-11211\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?resize=665%2C473\" alt=\"\" width=\"665\" height=\"473\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?w=740&amp;ssl=1 740w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?resize=300%2C213&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/xlt.jpg?resize=180%2C128&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-11211\" class=\"wp-caption-text\">Ch\u00e2teau de Chambord,<br \/>View of the posterior fa\u00e7ade<br \/>Jacques Androuet du Cerceau<br \/>Vers 1570<br \/>Dessin sur v\u00e9lin<br \/>British Museum, Londres,<br \/>(Royaume-Uni)<\/figcaption><\/figure>\n<p>Au cours du XVe si\u00e8cle, le plan centr\u00e9, la croix grecque &#8211; une croix dont les bras sont \u00e9gaux \u00a0et la coupole s\u2019imposent progressivement dans la construction des \u00e9glises en Italie. Le cercle et le carr\u00e9 sont les formes parfaites, les \u00e9l\u00e9ments primordiaux de l\u2019harmonie cosmique ; c\u2019est \u00e0 elles que doit recourir l\u2019architecte pour c\u00e9l\u00e9brer le divin. La filiation est double : d\u2019une part les temples de l\u2019antiquit\u00e9 romaine, et sp\u00e9cialement le Panth\u00e9on de Rome ; d\u2019autre part, l\u2019architecture byzantine, qui les avait adopt\u00e9s depuis la construction de Sainte-Sophie par l\u2019empereur Justinien, en 532 : l\u2019\u00e9difice est la figure du monde (de l\u2019empire) dont les colonnes soutiennent la vo\u00fbte c\u00e9leste.<\/p>\n<figure id=\"attachment_11212\" aria-describedby=\"caption-attachment-11212\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11212\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/erp\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?fit=963%2C438&amp;ssl=1\" data-orig-size=\"963,438\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480798&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Vue cavali\u00e8re du ch\u00e2teau de Vincennes dans&lt;br \/&gt;\nLes plus excellents bastiments de France&lt;br \/&gt;\n(tomes I et II)&lt;br \/&gt;\nJacques Androuet du Cerceau&lt;br \/&gt;\n1576-1579&lt;br \/&gt;\nPapier, encre, gravure \u00e0 l\u2019eau-forte&lt;br \/&gt;\nDomaine national de Chambord&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?fit=300%2C136&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?fit=665%2C302&amp;ssl=1\" class=\"wp-image-11212\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?resize=665%2C302\" alt=\"\" width=\"665\" height=\"302\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?w=963&amp;ssl=1 963w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?resize=300%2C136&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?resize=768%2C349&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/erp.jpg?resize=180%2C82&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-11212\" class=\"wp-caption-text\">Vue cavali\u00e8re du ch\u00e2teau de Vincennes dans<br \/>Les plus excellents bastiments de France<br \/>(tomes I et II)<br \/>Jacques Androuet du Cerceau<br \/>1576-1579<br \/>Papier, encre, gravure \u00e0 l\u2019eau-forte<br \/>Domaine national de Chambord<\/figcaption><\/figure>\n<p>\u00c0 Constantinople, cette forme architecturale c\u00e9l\u00e9brait cet accomplissement de l\u2019histoire o\u00f9, depuis Constantin, la puissance terrestre de,l\u2019empire romain avait \u00e9pous\u00e9 la \u00ab vraie Foi \u00bb. Appliquer cette forme \u00e0 un \u00e9difice civil, c\u2019est op\u00e9rer un transfert de dignit\u00e9 et de sacralit\u00e9, de l\u2019eccl\u00e9sial au royal, du temple au palais : c\u2019est pr\u00e9cis\u00e9ment ce qui arrive \u00e0 Chambord.<\/p>\n<figure id=\"attachment_11213\" aria-describedby=\"caption-attachment-11213\" style=\"width: 334px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11213\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/der-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?fit=334%2C440&amp;ssl=1\" data-orig-size=\"334,440\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480817&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Alzato interno in prospettiva di una Chiesa o capella&lt;br \/&gt;\na croce greca&lt;br \/&gt;\nGiamberti Giuliano dit Giuliano da Sangallo&lt;br \/&gt;\n1510-1515&lt;br \/&gt;\nDessin sur papier, encre, crayon noir&lt;br \/&gt;\nGallerie degli Uffizi, Gabinetto dei Disegni e delle&lt;br \/&gt;\nStampe, Florence (Italie)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?fit=228%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?fit=334%2C440&amp;ssl=1\" class=\"size-full wp-image-11213\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?resize=334%2C440\" alt=\"\" width=\"334\" height=\"440\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?w=334&amp;ssl=1 334w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?resize=228%2C300&amp;ssl=1 228w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/der.jpg?resize=137%2C180&amp;ssl=1 137w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/a><figcaption id=\"caption-attachment-11213\" class=\"wp-caption-text\">Alzato interno in prospettiva di una Chiesa o capella<br \/>a croce greca<br \/>Giamberti Giuliano dit Giuliano da Sangallo<br \/>1510-1515<br \/>Dessin sur papier, encre, crayon noir<br \/>Gallerie degli Uffizi, Gabinetto dei Disegni e delle<br \/>Stampe, Florence (Italie)<\/figcaption><\/figure>\n<p>Sur la maquette d\u00e9crite par l\u2019historien Andr\u00e9 F\u00e9libien, l\u2019escalier, monumental, occupait l\u2019un des bras de la croix grecque. C\u2019est le cas \u00e9galement dans la villa de Poggio a Caiano (Italie), dessin\u00e9e par Giuliano Sangallo en 1485, et dans les projets qu\u2019\u00e9labore L\u00e9onard, en 1508, pour la villa de Charles d\u2019Amboise \u00e0 Milan. Tout se passe comme si, \u00e0 un moment que nous ne savons pas dater, au cours des \u00e9changes qui ont pr\u00e9c\u00e9d\u00e9 la construction de Chambord, l\u2019escalier, maintenant con\u00e7u comme une double vis, \u00e9tait venu s\u2019installer dans l\u2019axe du donjon, pour en former le pivot jusqu\u2019\u00e0 la lanterne sommitale porteuse de la fleur de lys : la logique du plan centr\u00e9 \u00e9tait pouss\u00e9e \u00e0 son extr\u00eame limite, transformant la modeste r\u00e9sidence de chasse en architecture id\u00e9ale monumentale : tout l\u2019\u00e9difice d\u00e9sormais tournait autour de son axe monarchique.<\/p>\n<figure id=\"attachment_11214\" aria-describedby=\"caption-attachment-11214\" style=\"width: 453px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11214\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/ami\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?fit=453%2C672&amp;ssl=1\" data-orig-size=\"453,672\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480848&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;I Quattro libri dell\u2019architettura : l\u2019escalier&lt;br \/&gt;\n\u00e0 quadruple r\u00e9volutions de Chambord&lt;br \/&gt;\nAndrea Palladio&lt;br \/&gt;\n1570&lt;br \/&gt;\nBiblioth\u00e8que nationale de France,&lt;br \/&gt;\nBiblioth\u00e8que de l\u2019Arsenal, Paris&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?fit=202%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?fit=453%2C672&amp;ssl=1\" class=\"size-full wp-image-11214\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?resize=453%2C672\" alt=\"\" width=\"453\" height=\"672\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?w=453&amp;ssl=1 453w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?resize=202%2C300&amp;ssl=1 202w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/ami.jpg?resize=121%2C180&amp;ssl=1 121w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/a><figcaption id=\"caption-attachment-11214\" class=\"wp-caption-text\">I Quattro libri dell\u2019architettura : l\u2019escalier<br \/>\u00e0 quadruple r\u00e9volutions de Chambord<br \/>Andrea Palladio<br \/>1570<br \/>Biblioth\u00e8que nationale de France,<br \/>Biblioth\u00e8que de l\u2019Arsenal, Paris<\/figcaption><\/figure>\n<p><strong>Et L\u00e9onard ?&#8230;<\/strong><\/p>\n<p>Certes, il n\u2019a pas \u00e9t\u00e9 \u00ab l\u2019architecte de Chambord \u00bb, d\u2019abord parce que ce ch\u00e2teau est une \u0153uvre collective, dans laquelle le roi Fran\u00e7ois Ier a jou\u00e9 un r\u00f4le central tout au long de sa construction, ensuite parce qu\u2019\u00e0 la diff\u00e9rence de Romorantin, on ne conna\u00eet aucun dessin de L\u00e9onard qui soit directement relatif \u00e0 Chambord. En revanche, les conversations que le roi a probablement eues avec le vieil artiste ont profond\u00e9ment marqu\u00e9 le projet architectural de Chambord, y laissant d\u2019incontestables \u00ab signatures \u00bb. On l\u2019a dit du \u00ab plan centr\u00e9 \u00bb et de l\u2019escalier. Mais il y a plus.<\/p>\n<figure id=\"attachment_11215\" aria-describedby=\"caption-attachment-11215\" style=\"width: 596px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11215\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/aszer-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?fit=596%2C428&amp;ssl=1\" data-orig-size=\"596,428\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480875&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Codex Atlanticus : R\u00e9partition du cercle&lt;br \/&gt;\net de la quadrature (Fol. 471)&lt;br \/&gt;\nL\u00e9onard de Vinci&lt;br \/&gt;\n1478-1519&lt;br \/&gt;\nManuscrit sur papier&lt;br \/&gt;\nVeneranda Biblioteca Ambrosiana, Pinacoteca, Milan (Italie)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?fit=300%2C215&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?fit=596%2C428&amp;ssl=1\" class=\"size-full wp-image-11215\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?resize=596%2C428\" alt=\"\" width=\"596\" height=\"428\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?w=596&amp;ssl=1 596w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?resize=300%2C215&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/aszer.jpg?resize=180%2C129&amp;ssl=1 180w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/a><figcaption id=\"caption-attachment-11215\" class=\"wp-caption-text\">Codex Atlanticus : R\u00e9partition du cercle<br \/>et de la quadrature (Fol. 471)<br \/>L\u00e9onard de Vinci<br \/>1478-1519<br \/>Manuscrit sur papier<br \/>Veneranda Biblioteca Ambrosiana, Pinacoteca, Milan (Italie)<\/figcaption><\/figure>\n<p>\u00c0 la fin de sa vie, compte tenu de son \u00e9tat de sant\u00e9, L\u00e9onard \u00e9tait essentiellement pr\u00e9occup\u00e9 de questions sp\u00e9culatives : le \u00ab savant-philosophe \u00bb avait pris le pas sur l\u2019artiste-ing\u00e9nieur. Il voyait le monde comme un jeu de forces o\u00f9 la dynamique des fluides (l\u2019eau, l\u2019air, le sang) engendrait les formes ; il avait m\u00e9dit\u00e9 sur le probl\u00e8me de la \u00ab quadrature du cercle \u00bb et envisageait une g\u00e9om\u00e9trie dynamique, o\u00f9 les formes se m\u00e9tamorphosent les unes dans les autres. Son objet de pr\u00e9dilection, au centre de cette m\u00e9ditation, \u00e9tait la spirale tourbillonnante : la forme qui na\u00eet du mouvement.<br \/>\nL\u2019expert des machines \u00e9tait devenu th\u00e9oricien de la grande machinerie du monde. Pour saisir comment ces th\u00e8mes se sont inscrits au c\u0153ur de l\u2019architecture de Chambord, il faut maintenant en venir \u00e0 ce qui \u00e9tait, en 1519, le projet initial. Il faut faire rena\u00eetre l\u2019utopie primitive de Chambord : un donjon en \u00ab svastika \u00bb, plant\u00e9 au milieu d\u2019un \u00ab d\u00e9sert \u00bb.<\/p>\n<figure id=\"attachment_11216\" aria-describedby=\"caption-attachment-11216\" style=\"width: 396px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11216\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/sde-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?fit=396%2C517&amp;ssl=1\" data-orig-size=\"396,517\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1566480165&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chambord, 1519-2019 :  l\u2019utopie \u00e0 l\u2019\u0153uvre\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Codex Atlanticus : \u00c9tudes de physique sur les&lt;br \/&gt;\ncontrepoids et le mouvement perp\u00e9tuel (Fol.1062)&lt;br \/&gt;\nL\u00e9onard de Vinci&lt;br \/&gt;\n1478-1519&lt;br \/&gt;\nManuscrit sur papier&lt;br \/&gt;\nVeneranda Biblioteca Ambrosiana, Pinacoteca, Milan (Italie)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?fit=230%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?fit=396%2C517&amp;ssl=1\" class=\"size-full wp-image-11216\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?resize=396%2C517\" alt=\"\" width=\"396\" height=\"517\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?w=396&amp;ssl=1 396w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?resize=230%2C300&amp;ssl=1 230w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/sde.jpg?resize=138%2C180&amp;ssl=1 138w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><\/a><figcaption id=\"caption-attachment-11216\" class=\"wp-caption-text\">Codex Atlanticus : \u00c9tudes de physique sur les<br \/>contrepoids et le mouvement perp\u00e9tuel (Fol.1062)<br \/>L\u00e9onard de Vinci<br \/>1478-1519<br \/>Manuscrit sur papier<br \/>Veneranda Biblioteca Ambrosiana, Pinacoteca, Milan (Italie)<\/figcaption><\/figure>\n<p>En conclusion de l\u2019exposition, apr\u00e8s la pi\u00e8ce finale consacr\u00e9e aux trois dessins originaux de L\u00e9onard de Vinci, un film exceptionnel, cr\u00e9\u00e9 pour l\u2019exposition, montrera au spectateur le projet initial du ch\u00e2teau, jamais r\u00e9alis\u00e9, sur lequel plane le g\u00e9nie concepteur du vieux Ma\u00eetre, mort quelques mois avant le d\u00e9but du chantier&#8230;<\/p>\n<p><span style=\"color: #ff0000\">En savoir plus:<\/span><\/p>\n<p>Ch\u00e2teau de Chambord<\/p>\n<p>Exposition jusqu\u2019au 1er septembre<\/p>\n<p>https:\/\/www.chambord.org<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En septembre 1519 d\u00e9bute le chantier de ce qui deviendra, sous l\u2019impulsion de Fran\u00e7ois Ier, la plus stup\u00e9fiante construction de la Renaissance fran\u00e7aise : le ch\u00e2teau de Chambord. 2019 est l\u2019occasion pour le domaine de s\u2019interroger sur cette architecture si singuli\u00e8re en proposant une exposition double, \u00e0 la fois r\u00e9trospective et prospective, liant hier et [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":11177,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-11169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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Renaissance fran\u00e7aise :\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.proantic.com\/magazine\/chambord-1519-2019-lutopie-a-loeuvre\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Magazine de Proantic\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Proantic\/\/259180871793\" \/>\n<meta property=\"article:published_time\" content=\"2019-08-26T07:10:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-26T07:11:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hga.jpg?fit=1200%2C690&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"690\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"C\u00e9line Autant\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" 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