{"id":11069,"date":"2019-08-04T17:00:15","date_gmt":"2019-08-04T16:00:15","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=11069"},"modified":"2019-08-04T18:00:36","modified_gmt":"2019-08-04T17:00:36","slug":"la-galerie-des-bijoux-du-musee-des-arts-decoratifs","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/la-galerie-des-bijoux-du-musee-des-arts-decoratifs\/","title":{"rendered":"La Galerie des Bijoux du Mus\u00e9e des Arts D\u00e9coratifs"},"content":{"rendered":"<p><strong>La Galerie des Bijoux du Mus\u00e9e des Arts D\u00e9coratifs pr\u00e9sente environ 1.200 pi\u00e8ces expos\u00e9es qui offrent un panorama exemplaire de l\u2019histoire du bijou du Moyen \u00c2ge \u00e0 nos jours.<\/strong> Bagues, colliers, bracelets et broches sont pr\u00e9sent\u00e9s au sein d\u2019un parcours chronologique, en parall\u00e8le \u00e0 une vision technique des savoir-faire.<\/p>\n<p>Confi\u00e9e \u00e0 l\u2019architecte Roberto Ostinelli, la galerie occupe deux espaces au deuxi\u00e8me \u00e9tage du mus\u00e9e, de part et d\u2019autre de l\u2019escalier d\u2019honneur. Une premi\u00e8re salle abrite les collections anciennes, la seconde est consacr\u00e9e aux collections contemporaines. Ces deux espaces sont reli\u00e9s par une passerelle de verre jet\u00e9e au-dessus du hall. Les bijoux sont expos\u00e9s derri\u00e8re de grandes parois de verre qui couvrent la totalit\u00e9 des murs de la galerie.<\/p>\n<figure id=\"attachment_11097\" aria-describedby=\"caption-attachment-11097\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11097\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-galerie-des-bijoux-du-musee-des-arts-decoratifs\/jku-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?fit=1090%2C1118&amp;ssl=1\" data-orig-size=\"1090,1118\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e des Arts D\u00e9coratifs\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Broche, XVIIIe si\u00e8cle&lt;br \/&gt;\nFrance&lt;br \/&gt;\nArgent, grenat, topazes, \u00e9meraudes&lt;br \/&gt;\n\u00a9 MAD \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?fit=292%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?fit=665%2C682&amp;ssl=1\" class=\"wp-image-11097\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku-998x1024.jpg?resize=500%2C513\" alt=\"\" width=\"500\" height=\"513\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?resize=998%2C1024&amp;ssl=1 998w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?resize=292%2C300&amp;ssl=1 292w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?resize=768%2C788&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?resize=175%2C180&amp;ssl=1 175w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/jku.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-11097\" class=\"wp-caption-text\">Broche, XVIIIe si\u00e8cle<br \/>France<br \/>Argent, grenat, topazes, \u00e9meraudes<br \/>\u00a9 MAD \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>Apr\u00e8s quelques pi\u00e8ces repr\u00e9sentatives de la p\u00e9riode du Moyen \u00c2ge et de la Renaissance, les collections offrent de beaux exemples de joaillerie du\u00a0<span class=\"caps\">XVIII\u00e8me<\/span>\u00a0si\u00e8cle et une grande diversit\u00e9 de cr\u00e9ations pour le\u00a0<span class=\"caps\">XIX\u00e8me<\/span>\u00a0si\u00e8cle gr\u00e2ce \u00e0 la collection donn\u00e9e par le bijoutier Henri Vever en 1924. L\u2019Art nouveau est repr\u00e9sent\u00e9 par un ensemble exceptionnel de bijoux de Ren\u00e9 Lalique, Georges Fouquet, Lucien Gaillard et de la maison Vever.<\/p>\n<figure id=\"attachment_11098\" aria-describedby=\"caption-attachment-11098\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11098\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-galerie-des-bijoux-du-musee-des-arts-decoratifs\/hzer\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?fit=1090%2C1853&amp;ssl=1\" data-orig-size=\"1090,1853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e des Arts D\u00e9coratifs\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Peigne \u00ab Cyclamens \u00bb, 1900&lt;br \/&gt;\nMaison Vever (Paul et Henri) (1821-1982), bijoutier&lt;br \/&gt;\nParis&lt;br \/&gt;\nPr\u00e9sent\u00e9 \u00e0 l\u2019Exposition universelle de Paris en 1900&lt;br \/&gt;\nFeuilles d\u2019ivoire avec taches d\u2019opales, fleurs en \u00e9mail translucide&lt;br \/&gt;\nH. cm 20 &amp;#8211; L. cm 9,5&lt;br \/&gt;\nDon Henri Vever, 1924&lt;br \/&gt;\nInv. 24536&lt;br \/&gt;\n\u00a9 MAD, Paris \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?fit=176%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?fit=602%2C1024&amp;ssl=1\" class=\"wp-image-11098\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer-602x1024.jpg?resize=500%2C850\" alt=\"\" width=\"500\" height=\"850\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?resize=602%2C1024&amp;ssl=1 602w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?resize=176%2C300&amp;ssl=1 176w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?resize=768%2C1306&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?resize=106%2C180&amp;ssl=1 106w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hzer.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-11098\" class=\"wp-caption-text\">Peigne \u00ab Cyclamens \u00bb, 1900<br \/>Maison Vever (Paul et Henri) (1821-1982), bijoutier<br \/>Paris<br \/>Pr\u00e9sent\u00e9 \u00e0 l\u2019Exposition universelle de Paris en 1900<br \/>Feuilles d\u2019ivoire avec taches d\u2019opales, fleurs en \u00e9mail translucide<br \/>\u00a9 MAD, Paris \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>L\u2019Art d\u00e9co et les ann\u00e9es 30 sont illustr\u00e9s principalement par des cr\u00e9ateurs comme Raymond Templier, Jean Despr\u00e9s, Jean Fouquet et les grandes maisons de la place Vend\u00f4me, Boucheron et Cartier. Une s\u00e9lection de bijoux chinois, japonais et indiens est rassembl\u00e9e au centre de l\u2019espace dans des vitrines-colonnes.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/JHBAhhFWx3M?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>Au-del\u00e0 de la passerelle, le parcours reprend en 1940 avec des pi\u00e8ces de cr\u00e9ateurs fran\u00e7ais tels que Line Vautrin, Albert Duraz, et des bijoux d\u2019artistes (Georges Braque, Alexandre Calder, Henri Laurens, Jean Lur\u00e7at). Le renouveau des formes dans la d\u00e9cennie 1960-70 est abord\u00e9 avec les bijoux \u00e9pur\u00e9s de Torun, Jean Dinh Van, Costanza, Henri Gargat, Ettore Sottsass et des cr\u00e9ations d\u2019artistes scandinaves.<\/p>\n<p>Depuis les ann\u00e9es 1980, des bijoutiers tels que Gilles Jonemann ont contribu\u00e9 \u00e0 d\u00e9velopper un esprit d\u2019ind\u00e9pendance dans la jeune cr\u00e9ation fran\u00e7aise, bien repr\u00e9sent\u00e9e jusqu\u2019\u00e0 nos jours. Un bel ensemble de cr\u00e9ateurs europ\u00e9ens compl\u00e8te ce parcours avec des pi\u00e8ces marquantes qui perturbent souvent la vision traditionnelle que l\u2019on peut avoir du bijou.<\/p>\n<figure id=\"attachment_11099\" aria-describedby=\"caption-attachment-11099\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11099\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-galerie-des-bijoux-du-musee-des-arts-decoratifs\/hjyu-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?fit=1090%2C568&amp;ssl=1\" data-orig-size=\"1090,568\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e des Arts D\u00e9coratifs\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Broche, 1925&lt;br \/&gt;\nMaison Boucheron&lt;br \/&gt;\nPlatine, onyx, corail, diamants&lt;br \/&gt;\n\u00a9 MAD \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?fit=300%2C156&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?fit=665%2C347&amp;ssl=1\" class=\"wp-image-11099\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu-1024x534.jpg?resize=600%2C313\" alt=\"\" width=\"600\" height=\"313\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?resize=1024%2C534&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?resize=300%2C156&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?resize=768%2C400&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?resize=180%2C94&amp;ssl=1 180w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjyu.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-11099\" class=\"wp-caption-text\">Broche, 1925<br \/>Maison Boucheron<br \/>Platine, onyx, corail, diamants<br \/>\u00a9 MAD \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>Quelques maisons de joaillerie et des bijoutiers ind\u00e9pendants ont \u00e9tendu leur vocabulaire formel et renouvel\u00e9 leurs collections. En compl\u00e9ment de la pr\u00e9sentation chronologique, face aux pi\u00e8ces anciennes, un mur de vitrines-tiroirs apporte un regard diff\u00e9rent sur la production des bijoux \u00e0 partir des mat\u00e9riaux bruts les plus surprenants et divers.<\/p>\n<figure id=\"attachment_11100\" aria-describedby=\"caption-attachment-11100\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11100\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/la-galerie-des-bijoux-du-musee-des-arts-decoratifs\/hjui-17\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?fit=1090%2C1253&amp;ssl=1\" data-orig-size=\"1090,1253\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mus\u00e9e des Arts D\u00e9coratifs\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pendentif \u00ab Soleil Lune \u00bb, 1959-1960&lt;br \/&gt;\nJean Lur\u00e7at&lt;br \/&gt;\nOr&lt;br \/&gt;\nInv. 2003.125.2&lt;br \/&gt;\n\u00a9 MAD \/ photo : Jean Tholance&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?fit=261%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?fit=665%2C764&amp;ssl=1\" class=\"wp-image-11100\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui-891x1024.jpg?resize=500%2C575\" alt=\"\" width=\"500\" height=\"575\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?resize=891%2C1024&amp;ssl=1 891w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?resize=261%2C300&amp;ssl=1 261w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?resize=768%2C883&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?resize=157%2C180&amp;ssl=1 157w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/08\/hjui.jpg?w=1090&amp;ssl=1 1090w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-11100\" class=\"wp-caption-text\">Pendentif \u00ab Soleil Lune \u00bb, 1959-1960<br \/>Jean Lur\u00e7at<br \/>Or<br \/>Inv. 2003.125.2<br \/>\u00a9 MAD \/ photo : Jean Tholance<\/figcaption><\/figure>\n<p>Le public peut d\u00e9couvrir les pierres pr\u00e9cieuses ou fines utilis\u00e9es dans la joaillerie, ainsi que les diff\u00e9rentes mati\u00e8res travaill\u00e9es en bijouterie\u00a0: l\u2019or, l\u2019argent mais aussi des mati\u00e8res de substitution telles que l\u2019acier, la fonte de fer, le maillechort<small class=\"fine\">\u00a0<\/small>; des mati\u00e8res organiques telles que le corail, l\u2019ivoire, la nacre et la corne ou, plus inhabituels encore, des bijoux en cheveux ou en \u00e9cailles de poisson. Les mati\u00e8res plastiques et le strass mettent l\u2019accent sur la diversit\u00e9 de la production de bijoux fantaisie.<\/p>\n<p>Un dernier niveau de pr\u00e9sentation, d\u2019acc\u00e8s limit\u00e9, permet l\u2019\u00e9tude des \u00e9tapes de conception et de r\u00e9alisation d\u2019un bijou ainsi que divers regroupements typologiques.<\/p>\n<p><span style=\"color: #ff0000\">En savoir plus:<\/span><\/p>\n<p>Mus\u00e9e des Arts D\u00e9coratifs<\/p>\n<p>https:\/\/madparis.fr<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Galerie des Bijoux du Mus\u00e9e des Arts D\u00e9coratifs pr\u00e9sente environ 1.200 pi\u00e8ces expos\u00e9es qui offrent un panorama exemplaire de l\u2019histoire du bijou du Moyen \u00c2ge \u00e0 nos jours. Bagues, colliers, bracelets et broches sont pr\u00e9sent\u00e9s au sein d\u2019un parcours chronologique, en parall\u00e8le \u00e0 une vision technique des savoir-faire. Confi\u00e9e \u00e0 l\u2019architecte Roberto Ostinelli, la [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":11096,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-11069","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine-musee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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