{"id":10911,"date":"2019-06-30T15:31:16","date_gmt":"2019-06-30T14:31:16","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=10911"},"modified":"2019-06-30T15:32:29","modified_gmt":"2019-06-30T14:32:29","slug":"enfants-de-la-renaissance","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/","title":{"rendered":"Enfants de la Renaissance"},"content":{"rendered":"<p><strong>Nourrie de la richesse des diff\u00e9rentes sagas familiales du ch\u00e2teau royal de Blois et riche d&rsquo;un corpus d&rsquo;objets in\u00e9dits, l\u2019exposition \u00ab Enfants de la Renaissance \u00bb est scind\u00e9e en trois temps forts : Naissance et petite enfance, l\u2019univers enfantin, l&rsquo;\u00e9ducation et les enfants \u00e0 la Cour de France.<\/strong> Cette exposition va r\u00e9unir plus de 150 \u0153uvres prestigieuses pr\u00eat\u00e9es, entre autre, par le mus\u00e9e du Louvre, le ch\u00e2teau de Versailles, le mus\u00e9e de l&rsquo;Arm\u00e9e ou la Biblioth\u00e8que nationale de France.<\/p>\n<p>D\u00e9ploy\u00e9 sur trois salles, le parcours se distingue par une sc\u00e9nographie ponctu\u00e9e de bornes interactives pour explorer l&rsquo;iconographie des enfants de Catherine de M\u00e9dicis ou encore plonger dans la vie, le quotidien, les us et coutumes des jeunes princes et princesses qui ont grandi pendant la Renaissance.<\/p>\n<figure id=\"attachment_10932\" aria-describedby=\"caption-attachment-10932\" style=\"width: 665px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10932\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/jkjui-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?fit=1024%2C552&amp;ssl=1\" data-orig-size=\"1024,552\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1374924067&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;40&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambert Sustris,&lt;br \/&gt;\nLa Naissance de saint&lt;br \/&gt;\nJean Baptiste,&lt;br \/&gt;\nXVIe si\u00e8cle, Troyes,&lt;br \/&gt;\nMus\u00e9e des Beaux-arts &amp;#8211;&lt;br \/&gt;\nInv.14.1&lt;br \/&gt;\n\u00a9 Carole Bell, Ville de&lt;br \/&gt;\nTroyes&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?fit=300%2C162&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?fit=665%2C358&amp;ssl=1\" class=\"size-large wp-image-10932\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui-1024x552.jpg?resize=665%2C358\" alt=\"\" width=\"665\" height=\"358\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?resize=300%2C162&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?resize=768%2C414&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/jkjui.jpg?resize=180%2C97&amp;ssl=1 180w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption id=\"caption-attachment-10932\" class=\"wp-caption-text\">Lambert Sustris, La Naissance de saint Jean Baptiste,<br \/>XVIe si\u00e8cle, Troyes,<br \/>Mus\u00e9e des Beaux-arts &#8211;<br \/>\u00a9 Carole Bell, Ville de<br \/>Troyes<\/figcaption><\/figure>\n<p>Que mangeait un nourrisson il y a 500 ans ? Comment accouchait la reine ? Les enfants jouaient-ils \u00e0 la d\u00eenette ? Quelles \u00e9taient les bonnes mani\u00e8res ? L\u2019exposition \u00ab Enfants de la Renaissance \u00bb se soumet \u00e0 ces questions aux r\u00e9ponses souvent insolites gr\u00e2ce \u00e0 une immersion atypique dans une \u00e9poque aux codes bien \u00e9loign\u00e9s de la r\u00e9alit\u00e9 imagin\u00e9e par le visiteur.<\/p>\n<figure id=\"attachment_10933\" aria-describedby=\"caption-attachment-10933\" style=\"width: 520px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10933\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/ght-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?fit=520%2C650&amp;ssl=1\" data-orig-size=\"520,650\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;La nourrice, premier tiers&lt;br \/&gt;\ndu XVIIe si\u00e8cle, \u00c9couen,&lt;br \/&gt;\nmus\u00e9e national de la&lt;br \/&gt;\nRenaissance, E.Cl. 1830&lt;br \/&gt;\n\u00a9 RMN-Grand Palais (mus\u00e9e&lt;br \/&gt;\nde la Renaissance, ch\u00e2teau&lt;br \/&gt;\nd&amp;rsquo;Ecouen) \/ Mathieu Rabeau&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?fit=240%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?fit=520%2C650&amp;ssl=1\" class=\"size-full wp-image-10933\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?resize=520%2C650\" alt=\"\" width=\"520\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?w=520&amp;ssl=1 520w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/ght.jpg?resize=144%2C180&amp;ssl=1 144w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><figcaption id=\"caption-attachment-10933\" class=\"wp-caption-text\">La nourrice, premier tiers du XVIIe si\u00e8cle, \u00c9couen,<br \/>mus\u00e9e national de la Renaissance, E.Cl. 1830<br \/>\u00a9 RMN-Grand Palais (mus\u00e9e<br \/>de la Renaissance, ch\u00e2teau<br \/>d&rsquo;Ecouen) \/ Mathieu Rabeau<\/figcaption><\/figure>\n<p>NAISSANCE ET PETITE ENFANCE<\/p>\n<p>Comment la famille royale accueillait-elle un b\u00e9b\u00e9, comment accouchait une femme \u00e0 la Renaissance, que mangeait un nourrisson il y a 500 ans ? Pourquoi les enfants \u00e9taient-ils emmaillot\u00e9s ?<br \/>\nL\u2019exposition \u00ab Enfants de la Renaissance \u00bb pr\u00e9sente dans sa premi\u00e8re partie les \u00e9preuves dangereuses de la grossesse et de l\u2019accouchement, les naissances des princes ou encore le personnage, essentiel, de la nourrice<\/p>\n<p>A la Renaissance, chaque \u00e9tape de la maternit\u00e9 est indissolublement li\u00e9e \u00e0 la mort, soumise \u00e0 des enjeux dynastiques et lignagers. Les craintes majeures sont de ne pas avoir d&rsquo;enfants et ne pas pouvoir les amener \u00e0 l&rsquo;\u00e2ge adulte. Au XVIe si\u00e8cle, les statistiques sont sans appel avec 200 \u00e0 400 d\u00e9c\u00e8s pour 1 000 naissances, contre 3,9\/1 000 aujourd\u2019hui.<\/p>\n<figure id=\"attachment_10934\" aria-describedby=\"caption-attachment-10934\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10934\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/jean-clouet-dapres-portrait-de-charles-dangouleme-apres-1523-orleans-musee-des-beaux-arts-inv-123-christophe-camus\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?fit=480%2C671&amp;ssl=1\" data-orig-size=\"480,671\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jean Clouet (d\u2019apr\u00e8s), Portrait de&lt;br \/&gt;\nCharles d\u2019Angoul\u00eame, apr\u00e8s 1523,&lt;br \/&gt;\nOrl\u00e9ans, mus\u00e9e des Beaux-Arts, inv.&lt;br \/&gt;\n123&lt;br \/&gt;\n\u00a9 Christophe Camus&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?fit=215%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?fit=480%2C671&amp;ssl=1\" class=\"size-full wp-image-10934\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?resize=480%2C671\" alt=\"\" width=\"480\" height=\"671\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?w=480&amp;ssl=1 480w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/Jean-Clouet-d%E2%80%99apr%C3%A8s-Portrait-de-Charles-d%E2%80%99Angoul%C3%AAme-apr%C3%A8s-1523-Orl%C3%A9ans-mus%C3%A9e-des-Beaux-Arts-inv.123-%C2%A9-Christophe-Camus.jpg?resize=129%2C180&amp;ssl=1 129w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-10934\" class=\"wp-caption-text\">Jean Clouet (d\u2019apr\u00e8s), Portrait de<br \/>Charles d\u2019Angoul\u00eame, apr\u00e8s 1523,<br \/>Orl\u00e9ans, mus\u00e9e des Beaux-Arts<br \/>\u00a9 Christophe Camus<\/figcaption><\/figure>\n<p>Portraits, dalles fun\u00e9raires, repr\u00e9sentations et objets prophylactiques illustrent bien les probl\u00e8mes de mortalit\u00e9 infantile et maternelle mais aussi les nombreux rituels parfois magiques, astrologiques ou religieux pour pr\u00e9venir les maladies ou \u00e9chapper \u00e0 la mort<\/p>\n<p>Ainsi, parmi les objets rarissimes pr\u00e9sent\u00e9s, le \u00ab\u00a0sachet d&rsquo;accouch\u00e9e\u00a0\u00bb, souvent d\u00e9truit une fois usag\u00e9, \u00e9tait porteur de pri\u00e8res et de textes sur la vie de Sainte-Marguerite, patronne des femmes en couche.<\/p>\n<figure id=\"attachment_10935\" aria-describedby=\"caption-attachment-10935\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10935\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/hk\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?fit=650%2C592&amp;ssl=1\" data-orig-size=\"650,592\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jan Philipsz. van&lt;br \/&gt;\nBouckhorst, Les Nourrices,&lt;br \/&gt;\npremier tiers du XVIIe&lt;br \/&gt;\nsi\u00e8cle,&lt;br \/&gt;\nOrl\u00e9ans, Mus\u00e9e des BeauxArts, inv. 1874&lt;br \/&gt;\n\u00a9 Christophe Camus&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?fit=300%2C273&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?fit=650%2C592&amp;ssl=1\" class=\"size-full wp-image-10935\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?resize=650%2C592\" alt=\"\" width=\"650\" height=\"592\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?w=650&amp;ssl=1 650w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?resize=300%2C273&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/hk.jpg?resize=180%2C164&amp;ssl=1 180w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><figcaption id=\"caption-attachment-10935\" class=\"wp-caption-text\">Jan Philipsz. van Bouckhorst, Les Nourrices,<br \/>premier tiers du XVIIe si\u00e8cle,<br \/>Orl\u00e9ans, Mus\u00e9e des BeauxArts,\u00a0<br \/>\u00a9 Christophe Camus<\/figcaption><\/figure>\n<p>Un certain nombre d&rsquo;ouvrages de m\u00e9decine, de gravures et de miniatures \u00e9voquent l&rsquo;accouchement lui-m\u00eame : la femme \u00e0 la Renaissance accouche assise sur un si\u00e8ge sp\u00e9cifique. Sont \u00e9galement abord\u00e9s la c\u00e9sarienne et les instruments utilis\u00e9s, comme les tenailles et les crochets !<br \/>\nMais la plupart des enluminures pr\u00e9sent\u00e9es \u00e9voquent surtout l&rsquo;\u00e9merveillement du cercle de famille et la luxueuse vaisselle d\u2019accouch\u00e9e offerte \u00e0 la jeune m\u00e8re. Alit\u00e9e jusqu&rsquo;aux \u00ab relevailles \u00bb, elle profite de cette p\u00e9riode de repos pour recevoir ses proches et prendre des collations \u00e0 base de vin et de bouillon.<\/p>\n<p>Une \u00e9vocation de la chambre de l&rsquo;accouch\u00e9e au centre du parcours permet au visiteur de se confronter \u00e0 une r\u00e9alit\u00e9 difficilement imaginable aujourd\u2019hui.<\/p>\n<p>Les repr\u00e9sentations d\u2019emmaillotement et d\u2019allaitement ainsi que la vaisselle, les ustensiles ou encore les biberons utilis\u00e9s permettent par ailleurs de se projeter dans les conditions de vie d\u2019un nourrisson \u00e0 la Renaissance.<\/p>\n<figure id=\"attachment_10936\" aria-describedby=\"caption-attachment-10936\" style=\"width: 605px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10936\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/azer-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?fit=605%2C471&amp;ssl=1\" data-orig-size=\"605,471\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;celine&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1561910131&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;7 Marten I van Cleve (attribu\u00e9 \u00e0), La Visite \u00e0 la nourrice,&lt;br \/&gt;\ntroisi\u00e8me quart du xvie si\u00e8cle,&lt;br \/&gt;\nOrl\u00e9ans, Mus\u00e9e des Beaux-Arts, inv. 1262&lt;br \/&gt;\n\u00a9 Christophe Camus&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?fit=300%2C234&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?fit=605%2C471&amp;ssl=1\" class=\"size-full wp-image-10936\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?resize=605%2C471\" alt=\"\" width=\"605\" height=\"471\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?w=605&amp;ssl=1 605w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?resize=300%2C234&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/azer.jpg?resize=180%2C140&amp;ssl=1 180w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/a><figcaption id=\"caption-attachment-10936\" class=\"wp-caption-text\">Marten I van Cleve (attribu\u00e9 \u00e0), La Visite \u00e0 la nourrice,<br \/>troisi\u00e8me quart du xvie si\u00e8cle,<br \/>Orl\u00e9ans, Mus\u00e9e des Beaux-Arts,<br \/>\u00a9 Christophe Camus<\/figcaption><\/figure>\n<p>Plac\u00e9 chez une nourrice, le b\u00e9b\u00e9 est durant toute la p\u00e9riode d\u2019allaitement emmaillot\u00e9. Destin\u00e9 \u00e0 immobiliser l\u2019enfant et \u00e0 le prot\u00e9ger totalement, le maillot est une pi\u00e8ce en laine ou en lin un peu \u00e9paisse qui enveloppe et serre l&rsquo;enfant des \u00e9paules aux pieds<\/p>\n<p>Dans les familles royales, une pi\u00e8ce d&rsquo;\u00e9toffe d&rsquo;apparat recouvre ce tissu afin d\u2019identifier imm\u00e9diatement le rang de l&rsquo;enfant. Par ailleurs, seuls les b\u00e9b\u00e9s royaux et princiers ont droit \u00e0 une remueuse : une personne d\u00e9di\u00e9e au d\u00e9maillotement-emmaillotement plusieurs fois par jour pour maintenir une hygi\u00e8ne correcte. Toutefois, l\u2019heure du bain n\u2019existe peu ou pas : le futur louis XIII ne prend son premier qu&rsquo;\u00e0 l&rsquo;\u00e2ge de sept ans !<\/p>\n<p>Pendant la p\u00e9riode de sevrage du nourrisson, les t\u00e9tines et les biberons en gr\u00e8s restent rudimentaires. Si le lait maternel vient \u00e0 manquer, du lait de ch\u00e8vre en chevrette (petit pot avec un verseur lat\u00e9ral) ou en corne \u00e0 allaiter leur est donn\u00e9. Quant aux b\u00e9b\u00e9s, ils consomment r\u00e9guli\u00e8rement des bouillies de c\u00e9r\u00e9ales cuites en petits pots ou en po\u00ealons.<\/p>\n<div class=\"olsen-light-responsive-embed\"><iframe loading=\"lazy\" title=\"Expo : les enfants de la Renaissance\" frameborder=\"0\" width=\"665\" height=\"374\" src=\"https:\/\/geo.dailymotion.com\/player.html?video=x795gb7&#038;\" allowfullscreen allow=\"autoplay; fullscreen; picture-in-picture; web-share\"><\/iframe><\/div>\n<p>UNIVERS ENFANTIN<\/p>\n<p>Comment s\u2019habillent les enfants ? Avec quoi jouent-ils ? Avaient-ils des billes, des poup\u00e9es et des d\u00eenettes ?<\/p>\n<p>La seconde partie s\u2019attache au renouveau de l&rsquo;image avec l&rsquo;iconographie de l&rsquo;enfance sacr\u00e9e. Les \u00ab albums de famille \u00bb font leur apparition, la figure enfantine et son portrait introduisent son individualisation dans la soci\u00e9t\u00e9 et sa distinction progressive avec le monde adulte. Les nombreux tableaux et gravures de l&rsquo;exposition donnent \u00e0 voir comment sont v\u00eatus les enfants.<\/p>\n<p>D\u00e8s le XVIe si\u00e8cle, gar\u00e7ons et filles portent jusqu\u2019\u00e0 7 ans, des robes recouvertes d&rsquo;un \u00ab\u00a0devantier\u00a0\u00bb, un tablier orn\u00e9 de dentelles. L\u2019\u00e2ge de raison atteint, les petits princes portent de vrais habits d&rsquo;apparat aux couleurs vives du roi : culottes, chausses, pourpoints, chamarres sans col et toques. Chez les filles, costumes et bijoux somptueux s\u2019inspirent de ceux des adultes. Le plus rapidement possible, les enfants princiers sont entra\u00een\u00e9s aux exercices guerriers comme en t\u00e9moignent, dans l\u2019exposition, de v\u00e9ritables armures r\u00e9alis\u00e9es \u00e0 leur taille.<\/p>\n<figure id=\"attachment_10937\" aria-describedby=\"caption-attachment-10937\" style=\"width: 413px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10937\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/attachment\/163302\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?fit=413%2C650&amp;ssl=1\" data-orig-size=\"413,650\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Portrait pr\u00e9sum\u00e9 d&amp;rsquo;Henri&lt;br \/&gt;\nIV enfant,&lt;br \/&gt;\n2e moiti\u00e9 du XVIe si\u00e8cle,&lt;br \/&gt;\nPau, mus\u00e9e national et&lt;br \/&gt;\ndomaine du ch\u00e2teau, inv.&lt;br \/&gt;\nP.84.10.1&lt;br \/&gt;\n\u00a9 RMN-Grand Palais&lt;br \/&gt;\n(Ch\u00e2teau de Pau) \/ Ren\u00e9Gabriel Oj\u00e9da&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?fit=191%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?fit=413%2C650&amp;ssl=1\" class=\"size-full wp-image-10937\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?resize=413%2C650\" alt=\"\" width=\"413\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?w=413&amp;ssl=1 413w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/163302.jpg?resize=114%2C180&amp;ssl=1 114w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><\/a><figcaption id=\"caption-attachment-10937\" class=\"wp-caption-text\">Portrait pr\u00e9sum\u00e9 d&rsquo;Henri IV enfant,<br \/>2e moiti\u00e9 du XVIe si\u00e8cle,<br \/>Pau, mus\u00e9e national et domaine du ch\u00e2teau,<br \/>\u00a9 RMN-Grand Palais<br \/>(Ch\u00e2teau de Pau) \/ Ren\u00e9Gabriel Oj\u00e9da<\/figcaption><\/figure>\n<p>Objets et sc\u00e8nes de la vie quotidienne mais aussi mobilier, jeux et jouets viennent illustrer l\u2019univers enfantin \u00e0 la Renaissance.<\/p>\n<p>Au c\u0153ur du parcours, une reconstitution singuli\u00e8re \u00e9voque la chambre que l\u2019enfant partage avec sa nourrice. Force est de constater que les formes du berceau, de la chaise haute, du trotteur \u00e0 roulettes n&rsquo;ont relativement pas vari\u00e9 jusqu&rsquo;\u00e0 ce jour&#8230; Pour se distraire, les b\u00e9b\u00e9s peuvent compter sur l\u2019un des plus anciens jouets au monde : le hochet. V\u00e9ritables objets de luxe, d&rsquo;orf\u00e8vrerie ou d&rsquo;ivoire pour certains, ils disposent \u00e0 leur extr\u00e9mit\u00e9 d\u2019un grelot ou d\u2019un ornement &#8211; soit une dent de loup ou une branche de corail rouge \u2013 qui a pour vertu de prot\u00e9ger le jeune enfant.<\/p>\n<figure id=\"attachment_10938\" aria-describedby=\"caption-attachment-10938\" style=\"width: 317px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10938\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/armure-pour-un-enfant\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?fit=317%2C380&amp;ssl=1\" data-orig-size=\"317,380\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jean-Yves et Nicolas Dubois \/ RM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Paris, mus\\u00e9e de l&#039;Arm\\u00e9e. G 188.&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Jean-Yves et Nicolas Dubois&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Armure pour un enfant&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Demi-armure pour un&lt;br \/&gt;\nenfant de la cour de France,&lt;br \/&gt;\nvers 1560, Paris, mus\u00e9e de&lt;br \/&gt;\nl&amp;rsquo;Arm\u00e9e, inv. G 188&lt;br \/&gt;\n\u00a9 Paris &amp;#8211; Mus\u00e9e de l&amp;rsquo;Arm\u00e9e,&lt;br \/&gt;\nDist. RMN-Grand Palais \/&lt;br \/&gt;\nJean-Yves et Nicolas Dubois&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?fit=250%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?fit=317%2C380&amp;ssl=1\" class=\"size-full wp-image-10938\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?resize=317%2C380\" alt=\"\" width=\"317\" height=\"380\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?w=317&amp;ssl=1 317w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?resize=250%2C300&amp;ssl=1 250w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/nbh.jpg?resize=150%2C180&amp;ssl=1 150w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/a><figcaption id=\"caption-attachment-10938\" class=\"wp-caption-text\">Demi-armure pour un enfant de la cour de France,<br \/>vers 1560, Paris, mus\u00e9e de l&rsquo;Arm\u00e9e,<br \/>\u00a9 Paris &#8211; Mus\u00e9e de l&rsquo;Arm\u00e9e,<br \/>Dist. RMN-Grand Palais \/<br \/>Jean-Yves et Nicolas Dubois<\/figcaption><\/figure>\n<p>Plusieurs repr\u00e9sentations et objets issus de fouilles arch\u00e9ologiques prouvent l\u2019existence de jeux traditionnels comme le tambour, la poup\u00e9e, les<br \/>\nbilles, le cheval-b\u00e2ton, le moulinet, la toupie, le sifflet. Comme aujourd\u2019hui, la d\u00eenette est de rigueur : d\u00e8s l&rsquo;\u00e2ge de trois ans, les enfants de rois poss\u00e8dent de nombreux petits m\u00e9nages en argent, en plomb ou en poterie.<\/p>\n<p>Pour illustrer cette tradition, une vaisselle miniature en plomb et en \u00e9tain est expos\u00e9e dans cette partie avec une table \u00e0 tr\u00e9teaux, des coupes, des pichets, des assiettes, des aigui\u00e8res, un gaufrier ou encore un l\u00e8chefrite&#8230;<\/p>\n<figure id=\"attachment_10939\" aria-describedby=\"caption-attachment-10939\" style=\"width: 183px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10939\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/telechargement-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?fit=183%2C276&amp;ssl=1\" data-orig-size=\"183,276\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Soldat jouet,&lt;br \/&gt;\nquatri\u00e8me quart du XVIe&lt;br \/&gt;\nsi\u00e8cle, Paris, mus\u00e9e de Cluny,&lt;br \/&gt;\nmus\u00e9e national du Moyen&lt;br \/&gt;\nAge, inv. CL5144&lt;br \/&gt;\n\u00a9 RMN-Grand Palais (mus\u00e9e&lt;br \/&gt;\nde Cluny &amp;#8211; mus\u00e9e national du&lt;br \/&gt;\nMoyen-\u00c2ge) \/ Franck Raux&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?fit=183%2C276&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?fit=183%2C276&amp;ssl=1\" class=\"size-full wp-image-10939\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?resize=183%2C276\" alt=\"\" width=\"183\" height=\"276\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?w=183&amp;ssl=1 183w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/t%C3%A9l%C3%A9chargement.jpg?resize=119%2C180&amp;ssl=1 119w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/a><figcaption id=\"caption-attachment-10939\" class=\"wp-caption-text\">Soldat jouet,<br \/>quatri\u00e8me quart du XVIe<br \/>si\u00e8cle, Paris, mus\u00e9e de Cluny,<br \/>mus\u00e9e national du Moyen-Age,\u00a0<br \/>\u00a9 RMN-Grand Palais (mus\u00e9e<br \/>de Cluny &#8211; mus\u00e9e national du<br \/>Moyen-\u00c2ge) \/ Franck Raux<\/figcaption><\/figure>\n<p>Aux c\u00f4t\u00e9s de cette parfaite panoplie, les jeux militaires et les figurines miniatures repr\u00e9sentant des chevaliers permettent aux jeunes princes d&rsquo;apprendre tout en s&rsquo;amusant : c\u2019est ainsi qu\u2019au XVIe si\u00e8cle les jouets entrent discr\u00e8tement dans la p\u00e9dagogie.<\/p>\n<p>GRANDIR \u00c0 LA COUR<\/p>\n<p>Na\u00eetre \u00e0 la cour de France signifie grandir loin de ses parents. Du personnel aux r\u00e9sidences privil\u00e9gi\u00e9es en passant par la fr\u00e9quence des rencontres ou l\u2019\u00e9ducation militaire, la troisi\u00e8me partie de l\u2019exposition met en exergue l\u2019enfance et le quotidien des dauphins ou futurs princes.<\/p>\n<p>C\u2019est probablement la mani\u00e8re dont sont \u00e9lev\u00e9s les enfants \u00e0 la cour des Valois qui semble la plus \u00e9loign\u00e9e de nos pratiques actuelles. Install\u00e9s dans une maison d\u00e9di\u00e9e, les enfants grandissent, entre les ch\u00e2teaux de Blois et d&rsquo;Amboise, s\u00e9par\u00e9s de la cour et de leurs parents qu&rsquo;ils ne voient que p\u00e9riodiquement.<\/p>\n<figure id=\"attachment_10940\" aria-describedby=\"caption-attachment-10940\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10940\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/lok\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?fit=480%2C650&amp;ssl=1\" data-orig-size=\"480,650\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt; Gillot Saint-Evre, Marie&lt;br \/&gt;\nStuart, \u00e2g\u00e9e de treize ans,&lt;br \/&gt;\nd\u00e9clame dans la salle des&lt;br \/&gt;\nCaryatides du Louvre,&lt;br \/&gt;\n1835, Versailles, ch\u00e2teaux de&lt;br \/&gt;\nVersailles et de Trianon, inv.&lt;br \/&gt;\nMV7079&lt;br \/&gt;\n\u00a9 RMN-Grand Palais&lt;br \/&gt;\n(Ch\u00e2teau de Versailles) \/&lt;br \/&gt;\nG\u00e9rard Blot&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?fit=222%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?fit=480%2C650&amp;ssl=1\" class=\"size-full wp-image-10940\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?resize=480%2C650\" alt=\"\" width=\"480\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?w=480&amp;ssl=1 480w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?resize=222%2C300&amp;ssl=1 222w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/lok.jpg?resize=133%2C180&amp;ssl=1 133w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-10940\" class=\"wp-caption-text\">Gillot Saint-Evre, Marie Stuart, \u00e2g\u00e9e de treize ans,<br \/>d\u00e9clame dans la salle des Caryatides du Louvre,<br \/>1835, Versailles, ch\u00e2teaux deVersailles et de Trianon,<br \/>\u00a9 RMN-Grand Palais<br \/>(Ch\u00e2teau de Versailles) \/<br \/>G\u00e9rard Blot<\/figcaption><\/figure>\n<p>Tenu \u00e0 l\u2019\u00e9cart des complots et des \u00e9pid\u00e9mies, les enfants disposent de plus de 300 personnes \u00e0 leur service parmi lesquelles les incontournables nourrices, femmes et valets de chambre, gouvernantes, m\u00e9decins et cuisiniers\u2026 mais les enfants \u00e9taient aussi entour\u00e9s d&rsquo;autres personnages, plus insolites et inattendus tels que fruitier, brodeur, \u00e9b\u00e9niste, sommelier, apothicaire ou encore barbier.<\/p>\n<p>Au sein de cette \u00ab Maison des enfants \u00bb, les enfants nouent des relations solides avec leurs fr\u00e8res et s\u0153urs ainsi qu&rsquo;avec les serviteurs qui les entourent.<\/p>\n<figure id=\"attachment_10941\" aria-describedby=\"caption-attachment-10941\" style=\"width: 492px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10941\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/enfants-de-la-renaissance\/09-520197\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?fit=492%2C650&amp;ssl=1\" data-orig-size=\"492,650\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Enfants de la Renaissance\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Alfred Johannot, Henri II, roi&lt;br \/&gt;\nde France, Catherine de&lt;br \/&gt;\nM\u00e9dicis et leurs enfants,&lt;br \/&gt;\n1835, Paris, mus\u00e9e du Louvre,&lt;br \/&gt;\nd\u00e9partement des peintures,&lt;br \/&gt;\nINV. 5451&lt;br \/&gt;\n\u00a9 (C) RMN-Grand Palais&lt;br \/&gt;\n(mus\u00e9e du Louvre) \/&lt;br \/&gt;\nSt\u00e9phane Mar\u00e9challe&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?fit=227%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?fit=492%2C650&amp;ssl=1\" class=\"size-full wp-image-10941\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?resize=492%2C650\" alt=\"\" width=\"492\" height=\"650\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?w=492&amp;ssl=1 492w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?resize=227%2C300&amp;ssl=1 227w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2019\/06\/09-520197.jpg?resize=136%2C180&amp;ssl=1 136w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/a><figcaption id=\"caption-attachment-10941\" class=\"wp-caption-text\">Alfred Johannot, Henri II, roi de France, Catherine de<br \/>M\u00e9dicis et leurs enfants, 1835, Paris, mus\u00e9e du Louvre,<br \/>d\u00e9partement des peintures,<br \/>\u00a9 (C) RMN-Grand Palais<br \/>(mus\u00e9e du Louvre) \/ St\u00e9phane Mar\u00e9challe<\/figcaption><\/figure>\n<p>Ce mod\u00e8le, qui les pr\u00e9pare \u00e0 leurs responsabilit\u00e9s futures perdure jusqu&rsquo;\u00e0 la R\u00e9volution, et Napol\u00e9on recr\u00e9era m\u00eame une Maison des enfants de France. A l\u2019\u00e2ge de 20 ans, chaque enfant dispose d&rsquo;un h\u00f4tel propre. Si la Renaissance est peu encline aux effusions maternelles et aux relations parents-enfants, cela n\u2019emp\u00eache pas le roi Henri II et la reine Catherine de M\u00e9dicis de s&rsquo;enqu\u00e9rir r\u00e9guli\u00e8rement de la sant\u00e9 de leurs enfants et de leurs progr\u00e8s. Au cours de l\u2019exposition, une missive adress\u00e9e le 5 mai 1551 \u00e0 la gouvernante traite ainsi d&rsquo;un conflit au sujet d&rsquo;une nourrice dont le petit Charles ne supportait pas le lait : \u00ab\u00a0mon fils continue \u00e0 se trouver mal, par quoi, Madame de Humi\u00e8res, je vous prie que je n&rsquo;en entende plus parler, et qu&rsquo;elle lui soit chang\u00e9e&#8230;\u00a0\u00bb<\/p>\n<p><span style=\"color: #ff0000\">En savoir plus:<\/span><\/p>\n<p><strong>Lieu:<\/strong> Ch\u00e2teau Royal de Blois<\/p>\n<p><strong>Date:<\/strong> jusqu&rsquo;au 1er septembre<\/p>\n<p><strong>Site:<\/strong> https:\/\/www.chateaudeblois.fr<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nourrie de la richesse des diff\u00e9rentes sagas familiales du ch\u00e2teau royal de Blois et riche d&rsquo;un corpus d&rsquo;objets in\u00e9dits, l\u2019exposition \u00ab Enfants de la Renaissance \u00bb est scind\u00e9e en trois temps forts : Naissance et petite enfance, l\u2019univers enfantin, l&rsquo;\u00e9ducation et les enfants \u00e0 la Cour de France. Cette exposition va r\u00e9unir plus de 150 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":10931,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-10911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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