{"id":10874,"date":"2019-06-21T15:39:30","date_gmt":"2019-06-21T14:39:30","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=10874"},"modified":"2019-06-24T06:09:57","modified_gmt":"2019-06-24T05:09:57","slug":"cabinet-dart-graphique-de-la-manufacture-de-sevres","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/cabinet-dart-graphique-de-la-manufacture-de-sevres\/","title":{"rendered":"Cabinet d’art graphique de la manufacture de S\u00e8vres"},"content":{"rendered":"

La Cit\u00e9 de la c\u00e9ramique poss\u00e8de un patrimoine riche de pr\u00e8s de 300 000 c\u00e9ramiques, depuis la r\u00e9union des prestigieuses collections du Mus\u00e9e national de c\u00e9ramique de S\u00e8vres, du Mus\u00e9e national Adrien Dubouch\u00e9 de Limoges et de la Manufacture nationale de S\u00e8vres.<\/strong> Mais l\u2019\u00e9tablissement dispose aussi, ce que l\u2019on sait moins, d\u2019un remarquable ensemble d\u2019arts graphiques qui regroupe environ 50 000 feuilles.<\/p>\n

Il est constitu\u00e9 de pr\u00e8s de 35 000 dessins de forme ou de d\u00e9cor, tous li\u00e9s \u00e0 la production de la Manufacture, depuis sa cr\u00e9ation au XVIIIe si\u00e8cle , de 10 000 estampes (sources d’interpr\u00e9tation et d’inspiration) et de nombreuses photographies. Tous ces documents patrimoniaux, soigneusement archiv\u00e9s et class\u00e9s, sont d’autant plus importants et pr\u00e9cieux qu’ils constituent souvent les seuls t\u00e9moignages conserv\u00e9s sur place des pi\u00e8ces produites, vendues puis dispers\u00e9es ou disparues.<\/p>\n

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PITHOU Nicolas Pierre Jeune ; (c) manufacture de S\u00e8vres. 18e si\u00e8cle<\/figcaption><\/figure>\n

Ce cabinet n\u2019a fait l\u2019objet que de rares pr\u00e9sentations et de quelques publications ; l\u2019\u00e9tude de cet ensemble patrimonial a \u00e9t\u00e9 rendue possible \u00e0 l\u2019occasion de l\u2019ambitieux programme de num\u00e9risation, men\u00e9 de 2010 \u00e0 2015, gr\u00e2ce au m\u00e9c\u00e9nat exceptionnel de la Fondation Bettencourt Schueller. Il a consist\u00e9 en un chantier de pr\u00e9servation et de valorisation d\u2019un patrimoine unique, li\u00e9 \u00e0 l\u2019histoire de l\u2019institution.<\/p>\n

\"\"<\/a>
BRONGNIART Alexandre Th\u00e9odore (?), BRONGNIART P\u00e8re (dit) ; (c) manufacture de S\u00e8vres. XIX\u00e8me.<\/figcaption><\/figure>\n

Ce fonds qui couvre plus de 250 ans de cr\u00e9ation, est un t\u00e9moin exceptionnel et unique en Europe de l\u2019histoire des arts d\u00e9coratifs dans le domaine de la porcelaine qui raconte une grande aventure artistique, sans cesse renouvel\u00e9e. 17 258 dessins num\u00e9ris\u00e9s sont d\u00e9sormais accessibles sur la\u00a0base\u00a0Joconde<\/strong><\/a>,<\/strong> portail des collections des mus\u00e9es de France du minist\u00e8re de la Culture.<\/p>\n

Les arts graphiques constituent un \u00e9l\u00e9ment essentiel dans la connaissance de l\u2019histoire de l’\u00e9tablissement, puisque furent conserv\u00e9s \u00e0 la fois les projets, les formes des pi\u00e8ces et leurs d\u00e9cors de 1740 \u00e0 nos jours, qui ont fourni et fournissent encore aux peintres des ateliers de la Manufacture des mod\u00e8les pour la cr\u00e9ation des d\u00e9cors et des formes des porcelaines.<\/p>\n

\"\"<\/a>
FRAGONARD Alexandre Evariste ; (c) manufacture de S\u00e8vres.<\/figcaption><\/figure>\n

On y retrouve ainsi les projets de d\u00e9cors, con\u00e7us sous des formes tr\u00e8s diverses soit par les d\u00e9corateurs faisant partie du personnel, soit par des artistes ext\u00e9rieurs :\u00a0huiles sur toile,\u00a0gouaches,\u00a0aquarelles, maquettes, dessins,\u00a0estampes\u00a0en feuilles, ouvrages illustr\u00e9s. La plupart de ces documents ont \u00e9t\u00e9 pr\u00e9vus sp\u00e9cialement pour les formes qu’ils allaient enrichir, alors que d’autres sont ambivalents – le m\u00eame dessin de\u00a0Fran\u00e7ois Boucher\u00a0a pu servir de mod\u00e8le \u00e0 un d\u00e9cor peint et \u00e0 une statuette – ou envisag\u00e9s dans d’autres contextes.<\/p>\n

\"\"<\/a>
REGNIER Hyacinthe ; (c) manufacture de S\u00e8vres<\/figcaption><\/figure>\n

Ce patrimoine vivant a d’abord vocation \u00e0 servir les ateliers de la fabrication et de la d\u00e9coration pour la r\u00e9\u00e9dition de pi\u00e8ces, comme pour l’inspiration de nouveaux d\u00e9cors. Nombreux sont les artistes invit\u00e9s \u00e0 S\u00e8vres – Cit\u00e9 de la c\u00e9ramique qui y viennent trouver des \u00e9l\u00e9ments d’information et de r\u00e9flexion leur permettant de cr\u00e9er de nouvelles pi\u00e8ces.<\/p>\n

\"\"<\/a>
BELLENGER Jeanne ; (c) manufacture de S\u00e8vres
Vase d’Izeure<\/figcaption><\/figure>\n

Une aide \u00e0 la consultation<\/strong><\/p>\n

Avec la num\u00e9risation du fonds d’arts graphiques, chaque image a \u00e9t\u00e9 associ\u00e9e \u00e0 une notice d’identification. Ces notices ont \u00e9t\u00e9 r\u00e9dig\u00e9es \u00e0 partir des registres d’archives pr\u00e9cisant pour chaque dessin, le num\u00e9ro d’inventaire, le titre, l’auteur, les mat\u00e9riaux, la datation. Un travail suppl\u00e9mentaire a \u00e9t\u00e9 r\u00e9alis\u00e9 sur les auteurs gr\u00e2ce \u00e0 la publication \u00e9lectronique en 2003 de la\u00a0Liste de tous les contributeurs \u00e0 S\u00e8vres<\/i><\/a>\u00a0par Tamara Pr\u00e9aud, conservateur honoraire de la Manufacture nationale de S\u00e8vres. Elle recense l’ensemble des salari\u00e9s de la Manufacture avec leur fonction et les dates de leur activit\u00e9.<\/p>\n

\"\"<\/a>
GAUTIER H\u00e9l\u00e8ne ; (c) manufacture de S\u00e8vres
Vase Rapin n\u00b07
1\u00e8re moiti\u00e9 20e si\u00e8cle<\/figcaption><\/figure>\n

Ces informations permettent de consulter un corpus de plus de 17 000 notices en choisissant un ou plusieurs crit\u00e8res (le nom d’un auteur, un si\u00e8cle, une technique, un terme dans le titre). Pour aider les internautes \u00e0 d\u00e9couvrir ce fonds d’arts graphiques in\u00e9dit, cette exposition virtuelle propose des acc\u00e8s th\u00e9matiques, et des listes d’auteurs avec un lien vers les \u0153uvres concern\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"

La Cit\u00e9 de la c\u00e9ramique poss\u00e8de un patrimoine riche de pr\u00e8s de 300 000 c\u00e9ramiques, depuis la r\u00e9union des prestigieuses collections du Mus\u00e9e national de c\u00e9ramique de S\u00e8vres, du Mus\u00e9e national Adrien Dubouch\u00e9 de Limoges et de la Manufacture nationale de S\u00e8vres. Mais l\u2019\u00e9tablissement dispose aussi, ce que l\u2019on sait moins, d\u2019un remarquable ensemble d\u2019arts […]<\/p>\n","protected":false},"author":6,"featured_media":10902,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-10874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nCabinet d'art 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