{"id":10778,"date":"2019-06-01T13:30:23","date_gmt":"2019-06-01T12:30:23","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=10778"},"modified":"2019-06-02T15:01:31","modified_gmt":"2019-06-02T14:01:31","slug":"le-service-des-arts-industriels-de-sevres","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/le-service-des-arts-industriels-de-sevres\/","title":{"rendered":"le Service des Arts Industriels de S\u00e8vres"},"content":{"rendered":"

V\u00e9ritable vitrine artistique de l\u2019histoire sociale, le Service des Arts Industriels met en lumi\u00e8re les techniques et le travail de l\u2019artisanat et de l\u2019industrie du d\u00e9but du 19e si\u00e8cle.<\/strong><\/p>\n

Cet ensemble compos\u00e9 de 120 pi\u00e8ces (assiettes, glaci\u00e8res, sucriers, jattes \u00e0 fruit) a \u00e9t\u00e9 r\u00e9alis\u00e9 entre 1823 et 1835 et fut offert en 1836 par Louis-Philippe en pr\u00e9sent diplomatique au prince autrichien Klemens de Metternich (1873-1859).<\/p>\n

\"\"<\/a>
Jean-Charles Develly
Service des Arts Industriels. Assiette.
Photo (C) RMN-Grand Palais (S\u00e8vres, Cit\u00e9 de la c\u00e9ramique) \/ Martine Beck-Coppola<\/figcaption><\/figure>\n

Le dynamisme et les relations d\u2019Alexandre Brongniart , directeur de la manufacture royale de S\u00e8vres sont \u00e0 l’origine de la cr\u00e9ation de nombreux services devenus iconiques. Pour celui des Arts industriels, il chois\u00eet Jean-Charles Develly (1783-1862), qui parcourt la France muni de son mat\u00e9riel de dessin et de peinture, v\u00e9ritable reportage sur place des arts et des m\u00e9tiers fran\u00e7ais.<\/p>\n

Le nombre de m\u00e9tiers repr\u00e9sent\u00e9s et le soin pris \u00e0 en d\u00e9crire les diff\u00e9rents \u00e9tapes de production r\u00e9v\u00e8lent les savoirs-faire fran\u00e7ais de l\u2019\u00e9poque : porcelaine de S\u00e8vres, miroiterie, tabaterie, production du sucre…. Cette volont\u00e9 de garder la m\u00e9moire de l\u2019artisanat est pr\u00e9sent dans d\u2019autres productions d’envergure comme le D\u00e9jeuner de l\u2019art de la porcelaine<\/em>, le\u00a0Service agronomique<\/em>…<\/p>\n

\"\"<\/a>
sucrier repr\u00e9sentant la fabrication des fruits confits.
Jean-Charles Develly
Service des Arts Industriels.<\/figcaption><\/figure>\n

Jean-Charles Develly, l\u2019un des peintres les plus talentueux de S\u00e8vres a \u00e9t\u00e9 choisi pour composer le d\u00e9cor de chaque pi\u00e8ce \u00e0 partir de dessins pr\u00e9paratoires qui, de fa\u00e7on inhabituelle, \u00e9taient inspir\u00e9s de la vie plut\u00f4t que de gravures. En effet, une inscription sur les allocations de travaux du 24 f\u00e9vrier 1820 stipule que \u00ab\u00a0Monsieur de Vely (sic) sera r\u00e9mun\u00e9r\u00e9 pour les tirages en fonction du temps pass\u00e9 sur eux, \u00e0 raison de 10 francs par jour avec un suppl\u00e9ment pour les frais de transport\u00a0\u00bb, indiquant que Develly s’est rendu dans diff\u00e9rentes usines et ateliers dans et autour de Paris pour observer et dessiner ses sujets.<\/p>\n

Il est fascinant que les archives de S\u00e8vres conservent des archives du voyage de Develly pour visiter l\u2019usine de tabac et de ses d\u00e9penses relatives au voyage. Pour chaque assiette finie, il re\u00e7oit 100 francs avec le premier lot de 48 apparaissant dans l’exposition des produits des usines royales tenue au Louvre le 1er janvier 1828.<\/p>\n

\"\"<\/a>
Projet de d\u00e9cor pour le Service des arts industriels, 1827 ( Jean-Charles Develly )<\/figcaption><\/figure>\n

Les techniques de fabrication de ce service sont quelque peu inhabituelles. Le fond bleu a \u00e9t\u00e9 appliqu\u00e9 en premier, puis la dorure, et c’est \u00e0 ce moment seulement que Develly a transf\u00e9r\u00e9 ses dessins sur papier au centre de chaque assiette. Il a fait cela en frottant du graphite sur le dos de chaque dessin, puis en l’appliquant sur la plaque. en repassant le dessin de l’avant pour transf\u00e9rer le dessin.<\/p>\n

\"\"<\/a>
Jean-Charles Develly
Services des Arts Industriels, paire de glaci\u00e8res \u00ab\u00a0Vase B\u00a0\u00bb : cultures exotiques
1827
Photo (C) RMN-Grand Palais (S\u00e8vres, Cit\u00e9 de la c\u00e9ramique) \/ Martine Beck-Coppola<\/figcaption><\/figure>\n

Celle-ci a ensuite \u00e9t\u00e9 peinte en deux \u00e9tapes au moins, l’\u00e9bauche ou premi\u00e8re peinture (esquisse) et le retouche (retouche). Les plaques sont entr\u00e9es dans le four \u00e0 \u00e9bauche puis dans le four \u00e0 retouche. Il pourrait y avoir plus d\u2019un tir retouche. Enfin, les plaques sont entr\u00e9es dans le four pour enflammer le cercle dor\u00e9 autour de chaque tableau.<\/p>\n

\"\"<\/a>
Jean-Charles Develly
Dessin pr\u00e9paratoire des Arts Industriels : L’imprimerie
Photo (C) RMN-Grand Palais (S\u00e8vres, Cit\u00e9 de la c\u00e9ramique) \/ Martine Beck-Coppola<\/figcaption><\/figure>\n

La production de chaque assiette a co\u00fbt\u00e9 167,45 francs et elle a finalement \u00e9t\u00e9 vendue \u00e0 200 francs. Au moment de la livraison au prince von Metternich \u00e0 Vienne, en 1836, cent treize assiettes \u00e9taient entr\u00e9es dans l’inventaire des ventes, dont cent huit ont \u00e9t\u00e9 envoy\u00e9es au prince, ainsi que seize cuvettes de fruits, six corbeilles, deux cr\u00e8me glac\u00e9e glaci\u00e8res, quatre bols profonds, deux sucriers, couvertures et supports et quatre \u00e9tag\u00e8res pour un co\u00fbt total de 26 866 francs. Cela donnerait \u00e0 penser que l’usine conservait cinq assiettes, dont trois montraient la fabrication de la porcelaine \u00e0 S\u00e8vres et \u00e9taient livr\u00e9es directement au mus\u00e9e de la c\u00e9ramique de la manufacture.<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e9ritable vitrine artistique de l\u2019histoire sociale, le Service des Arts Industriels met en lumi\u00e8re les techniques et le travail de l\u2019artisanat et de l\u2019industrie du d\u00e9but du 19e si\u00e8cle. Cet ensemble compos\u00e9 de 120 pi\u00e8ces (assiettes, glaci\u00e8res, sucriers, jattes \u00e0 fruit) a \u00e9t\u00e9 r\u00e9alis\u00e9 entre 1823 et 1835 et fut offert en 1836 par Louis-Philippe […]<\/p>\n","protected":false},"author":6,"featured_media":10792,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-10778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nle Service des Arts Industriels de S\u00e8vres Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"V\u00e9ritable 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