{"version":"1.0","provider_name":"Le Magazine de Proantic","provider_url":"https:\/\/www.proantic.com\/magazine","author_name":"C\u00e9line Autant","author_url":"https:\/\/www.proantic.com\/magazine\/author\/goya\/","title":"Carpeaux (1827-1875), un sculpteur pour l'Empire Le Magazine de Proantic","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3itOEGNFP4\"><a href=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/\">Carpeaux (1827-1875), un sculpteur pour l&rsquo;Empire<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.proantic.com\/magazine\/carpeaux-1827-1875-sculpteur-lempire\/embed\/#?secret=3itOEGNFP4\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Carpeaux (1827-1875), un sculpteur pour l&rsquo;Empire\u00a0\u00bb &#8212; Le Magazine de Proantic\" data-secret=\"3itOEGNFP4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.proantic.com\/magazine\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.proantic.com\/magazine\/wp-content\/uploads\/2014\/08\/A8.jpg","thumbnail_width":480,"thumbnail_height":362,"description":"Le mus\u00e9e d'Orsay revisite l\u2019\u0153uvre de ce pr\u00e9curseur de la sculpture moderne, l\u2019un des plus grands sculpteurs fran\u00e7ais du XIX\u00e8me si\u00e8cle, tant admir\u00e9 par Rodin. C\u2019est la premi\u00e8re exposition qui r\u00e9unit nombre de ses \u0153uvres, 85 sculptures, 60 dessins et une vingtaine de peintures."}