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HÉnin & Cie, Set Of Twelve Silver-gilt Dessert Cutlery

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HÉnin & Cie, Set Of Twelve Silver-gilt Dessert Cutlery
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Object description :

"HÉnin & Cie, Set Of Twelve Silver-gilt Dessert Cutlery"
Twelve forks and twelve spoons in solid silver plated withgold, delicately chiseled with a decoration of friezes of leaves, palmettes, fleurettes, moldings and laurelwreaths.

Hallmarks
  • French hallmark Minerve 1er titre (950/1000).
  • Master goldsmith, a rosebud above and a star below the letters H & Cie forHÉNIN & Cie.

  • Weight, 1 236 grams.


    HÉNIN

    The HÉNIN form a real dynasty, which, according to successions and associations, will be differentiated by their own hallmarks.

    The spoon goldsmiths Thomas & Hénin started a partnership and located their shop at 77 rue des Archives. They registered their sponsor's mark “a rosebud, the letters TH and a star” at the guarantee office on 4 October 1861.
    The hallmark was canceled on 16 August 1865.

    The company, under the name of HÉNIN Frères, continued the business at the same address and registered its maker's mark, "a rosebud above and a star below the letters HFres", on 17 August, 1865. This mark is struck off on 12 August 1872.

    HÉNIN & Fils registered their sponsor's mark, H & Fs, a rosebud above and a star below, on 13 August, 1872. The mark was cancelled on 10 May 1875.

    In 1875 the company took the name of HÉNIN & Cie. The mark, a rosebud above and a star below the letters H & Cie, is registered on May 11, 1875 and operated until 1891.

    The cooperation of VIVIER and HÉNIN was confirmed with the registration on 3 July 1891 of the maker's mark, a rosebud, the letters HV and a star. The mark was cancelled on 7 August 1896.

    From 1896 HÉNIN operates again under the name of HÉNIN & Cie (a rosebud above and a star below the letters H & Cie).

    Around 1974 the Maison HÉNIN was managed by Mr. THIVANS, husband of Madeleine HÉNIN, daughter and heiress of HÉNIN Father. Around 1976 his son succeeded him, when the house was faced with severe cash flow problems and fell into bankruptcy. The complete inventory, models, dies and drawings were sold publicly and scattered everywhere. Today several of their models are still manufactured by the prestigious Maison ODIOT.


    MUSEUMS AND PUBLIC INSTITUTIONS

  • GRASSE, MUSÉE INTERNATIONAL DE LA PARFUMERIE, Coffret, nécessaire, mahogany, copper, leather, silver, ebony, ivory, mirror, porcelain, crystal, vermeil, paper,wood, fabric, Paris, 1791-early 20th century. Authors, PALMA (cabinetmaker),CHARPENAT Jean-Pierre (goldsmith),HÉNIN & Cie (silversmith),TAFFOIREAU H (goldsmith),Manufacture d'Outrequin de Montarcy. Inv. 08770046299.
  • Box in veined mahogany wood, embellished with engraved and engraved copper, composed of seventy-two elements including utensils essential for taking a light meal, writing, sewing, grooming, taking care of yourself during a trip.
    Provenance
    According to the Memoirs of Mme Campan, it was officially ordered by Queen MARIE-ANTOINETTE in 1791 for her sister MARIE-CHRISTINE, Duchess of Saxe-Teschen, but was planned to be taken with the family's luggage royal, during the flight which ended in Varennes. It left the Mobilier Royal (where it had been deposited after the Queen's incarceration) on 27 Frimaire Year III (December 17, 1794) to be taken to the Monnaie to melt the silverware. We lose track of it until its reappearance in the 20th century in a Parisian collector. The Queen's first travel kit, which was actually sent to the Duchess of Saxe-Teschen, is kept in the Louvre. The box kept in Grasse is a somewhat simplified replica of the first, in content. By comparing the content of the two kits with the list of those brought to the Monnaie in 1794, it appears that the missing pieces (72) in the Grasse kit are, in part, small easily easily lost objects (needle, comb, paper cutter , knife, brush, etc.) or easily breakable. 75% of the missing objects (57) are in silver, perhaps melted.



    BIBLIOGRAPHY

  • ARMINJON C., BEAUPUIS J., BILIMINOFF M., Dictionnaire des poinçons de fabricants d’ouvrages d’or et d’argent, Paris, 1838-1875, Cahiers de l’Inventaire, Imprimerie Nationale Éditions, 1991.
  • DION-TENNENBAUM Anne, Orfèvrerie française du XIXesiècle - La collection du musée du Louvre, Somogy Éditions d’Art, Paris 2011.


  • EXPOSITIONS

  • Parfums et flacons au XVIIIesiècle, Musée International de la Parfumerie, Grasse,12 May - 15 September 1994.
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    18th century furniture and objets d'art - Silverware and goldsmithing

    HÉnin & Cie, Set Of Twelve Silver-gilt Dessert Cutlery
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