Robert Dessales-quentin (1885-1958) Beynac And The Dordogne Périgord

Robert DESSALES-QUENTIN
(Brantôme 1885 - 1958)
Beynac and the Dordogne
Watercolor, H. 30 cm; L. 46 cm
Signed lower right

Provenance: Private collection, Basque Country

Robert Dessales-Quentin was born in one of the most beautiful villages in France: Brantôme, nicknamed the Venice of Périgord, since it is located on the banks of the Dronne, a river which became a natural defense by encircling the village. This small town in the north of Périgord was the playground throughout the artist's life. At four years old, he completely lost his hearing as a result of treatment which was unsuitable for his intolerance to quinine, then unknown. His father, a notary in Brantôme, decides to send him quickly to Paris where he will follow his studies at the National Institute for the Deaf. Aware of his artistic tastes, his parents enrolled him at the Jullian Academy, in the studio of the famous Jean-Paul Laurens. Man of taste and terribly attached to his terroir. Dessales-Quentin will easily turn to landscapes rather than to the history painting to which his studies predestined him. It is in Périgord that he will quickly return and find his way in the representation of local heritage. Castles, beautiful residences, churches or views of cities will be presented from 1909 at the Salon of French Artists in Paris. It is with watercolors that he will be most at ease, even obtaining in 1928 a Great Honorable Mention at the Salon, a rare occurrence for this medium. In oil it will have several different periods and styles, in particular a period which one could call "wisteria", due to the recurrent presence of this plant between the two wars in his paintings. Professor of drawing for more than fifteen years within the great Saint-Joseph Institution of Périgueux, and in his workshop on rue du Plantier, he was named by his students the "brilliant left-hander". It is in this workshop that Dessales-Quentin welcomed the "all-Périgord" each year for an exhibition of his highly anticipated works. Used to old Perigord stones, he did not neglect "elsewhere". Corrèze will be a land of recurring passage, but also the Basque Country, French as Spanish. He will exhibit his works in many French cities, traces of which we find very regularly through the well-known labels on the back of the watercolors and their original frame.

The village of Beynac is represented here with a view of the road from Saint-Cyprien, illustrating the curve of the Dordogne and its summer sandbanks strongly dominated by the fortified town. This fortress and its chapel that we see in the shade of a morning stand in front of the rival houses of Castelnaud, Fayrac and Milandes on the other side of the river.

Note freckles and a tear in the corner of the signature, which may disappear with restoration carried out by a specialist from Périgueux. Quotation on request. Presented in its original frame.